information about the content and classification of manuscripts and texts is graduallyrefined. First, there is an up-to-date location list arranged according to language and mode of publication: Anglo-Norman, Latin, and Middle English manuscripts,followed by the earlyprinted editions (pp. xvii-xxxvi). The introduction (pp. 1-65), which is like a monograph on the Brut,is divided into six sections. The firstis an overview of the contents and versions in Anglo-Norman, Latin, and Middle English. Under the second heading, 'Cultural and Historical Influence' (pp. 8-29), Matheson assembles details about the text and its manuscripts concerning circulation, ownership, and audience as well as use and influence to build up a fascinatingpicture of the culturalsignificanceof the Brutin the Middle Ages and beyond. Sections 3 and 4 (pp. 30-47) analyse as far as is possible the textual traditions of the Anglo-Norman and Latin Bruttexts. Sections 5 and 6 (pp. 47-56) introducethe remainderof the volume by outliningthe Middle English versions and the methods used for classifying the manuscripts. The broad classificationsof texts that Matheson uses here are the same as those he devised in early articles and essays: the 'Common Version', the 'Extended Version', the AbbreviatedVersion',and 'PeculiarTexts and Versions'.These classificationswork well, and admit sub-divisionsas distinctivethreadsin the differenttextual traditions emerge. There are three appendices to the introductionwhich are concerned with portions of text that have particularsignificancefor the classificationprocess. The remainderof thevolume (pp. 67-348) consistsof accountsof witnessesto the Brutin English and their classifications.This begins with a useful 'synoptic inventory of versions' (pp. 67-78) followed by detailed accounts of the manuscripts and early printings. The whole enterprise is admirably organized and presented. In both the introductionand the commentarieson the individualmanuscripts,Mathesonwrites with the assuranceof a scholarwho has labouredlong and hard over thisvast body of material and has made it his own. The volume will answerquestions or provide useful leads for scholarswhose work has led them to the subjectof the Brutand its witnesses;no longer will this text and its manuscriptsseem such an impenetrable maze. It is to be hoped as well that scholarswill feel the confidence to set about editing some of the recensions that Matheson has isolated and thereby uncover differentways in which, through revisions and continuations, the Brutreflectsand was used to shape the national consciousness in the fourteenth and fifteenth centuries.This volume will keep an armyof scholarsbusyformany yearsto come. UNIVERSITY OF WALES, LAMPETER C. W. MARX The Making of Chaucer'sEnglish: A Study of Words. By CHRISTOPHER CANNON. (Cambridge Studies in Medieval Literature), Cambridge, New York, and Melbourne:CambridgeUniversityPress. 999. xiii + 435 PP. ?45; $69.95. Part I of ChristopherCannon's new study consists of an introduction followed by five chapters: 'The Making of English and the English of Chaucer', 'Traditional English', 'The Development of Chaucer's English', 'Invented English', and 'The Myth of Origin and the Making of Chaucer's English'. Part II consists of an analytical listing of Chaucer's vocabulary, summarizing and occasionally supplementing the MiddleEnglishDictionary, with some extra material from the Oxford English Dictionary. Cannon, ambitiously,aimsto develop a dialoguebetween modern criticaltheory, in which he is expert, and nineteenth-century philology, and there are many perceptive points made here (although somewhat repetitively:I think the author information about the content and classification of manuscripts and texts is graduallyrefined. First, there is an up-to-date location list arranged according to language and mode of publication: Anglo-Norman, Latin, and Middle English manuscripts,followed by the earlyprinted editions (pp. xvii-xxxvi). The introduction (pp. 1-65), which is like a monograph on the Brut,is divided into six sections. The firstis an overview of the contents and versions in Anglo-Norman, Latin, and Middle English. Under the second heading, 'Cultural and Historical Influence' (pp. 8-29), Matheson assembles details about the text and its manuscripts concerning circulation, ownership, and audience as well as use and influence to build up a fascinatingpicture of the culturalsignificanceof the Brutin the Middle Ages and beyond. Sections 3 and 4 (pp. 30-47) analyse as far as is possible the textual traditions of the Anglo-Norman and Latin Bruttexts. Sections 5 and 6 (pp. 47-56) introducethe remainderof the volume by outliningthe Middle...