The Nahda, or Arab Renaissance—which as a historical period (roughly the last third of the nineteenth century) and concept remains largely unrevised and undertheorized—is characterized primarily by the efflorescence of Arabic-language literary activity in several cities of the Eastern Mediterranean, the Levantine port city of Beirut in particular, and is often portrayed as the genesis of Arab nationalism. Ilham Khuri-Makdisi's book seeks to recover for the Nahda a now-forgotten “Leftist” component. Critical to understanding her work is her observation that scholarship on thought and ideology in the non-West has often been relegated to fairly simplistic categories, usually subsumed under the rubric of nationalism (and later anticolonialism). Khuri-Makdisi instead posits that the nuance and range of political action that historians ascribe to the intellectual history of Europe in the same time period should be equally available in the Eastern Mediterranean. This is a difficult task, not only because the period was one in which forms of mass political action were severely circumscribed by the prevailing systems of rule in Egypt and the Ottoman Levant, but also because the term “Leftist” became the repository for a whole collection of formal ideologies, concepts, and ideas. However, the definition of “the Left” seems to imply only radicalism in the text, and as used in this book it is quite frankly overdetermined. This is unfortunate, because it detracts from the real strength of the work, which is the way it follows and unravels the complex and intricate networks of middle-class (radical and not-so-radical) intellectuals who inhabited the theaters, publishing houses, and newspaper offices of the fin-de-siècle Eastern Mediterranean. Khuri-Makdisi is unrivaled in the depth of her understanding of the intellectual ferment of that remarkable moment.