Chorus Of Women Research Articles

Six Scenes from The Protevangelion for Women's Chorus, Soloists and Orchestra

Six Scenes from The Protevangelion for Women's Chorus, Soloists and Orchestra

Oh, Waly, Waly, for a cappella Women's Chorus (SSA) with Soprano Solo ad lib

Oh, Waly, Waly, for a cappella Women's Chorus (SSA) with Soprano Solo ad lib

All in Green Went My Love Riding, Song for Women's Chorus a cappella

All in Green Went My Love Riding, Song for Women's Chorus a cappella

La Belle Dame sans Merci, for Women's Chorus, Soloists, and Chamber Orchestra; Or 4 Solo Voices and Orchestra

La Belle Dame sans Merci, for Women's Chorus, Soloists, and Chamber Orchestra; Or 4 Solo Voices and Orchestra

Christmas Carol, for Unaccompanied Two-Part Women's Chorus

Christmas Carol, for Unaccompanied Two-Part Women's Chorus

Bell Chorus. Women's Chorus, Boys, Chimes, Glockenspiel, and Bells, with Piano, or Organ

Bell Chorus. Women's Chorus, Boys, Chimes, Glockenspiel, and Bells, with Piano, or Organ

The Glory Is Fallen out of the Sky. Women's Chorus, Three-Part, a cappella

The Glory Is Fallen out of the Sky. Women's Chorus, Three-Part, a cappella

Skyscraper Romance (The Typist and the Mailman). For Women's Chorus (SSA) with Soprano and Baritone Solos and Piano Accompaniment

Skyscraper Romance (The Typist and the Mailman). For Women's Chorus (SSA) with Soprano and Baritone Solos and Piano Accompaniment

Half Moon Mountain; A Folk Ballad for Baritone Solo, Women's Chorus, and Orchestra

Half Moon Mountain; A Folk Ballad for Baritone Solo, Women's Chorus, and Orchestra

The Hag; What Love Will Do, for Four-Part Chorus of Women's Voices (SSAA), a cappella

The Hag; What Love Will Do, for Four-Part Chorus of Women's Voices (SSAA), a cappella

Bought Locks; Tumbling Hair, for Three-Part Chorus of Women's Voices (SSA) with Piano Accompaniment

Bought Locks; Tumbling Hair, for Three-Part Chorus of Women's Voices (SSA) with Piano Accompaniment

Book reviews

STEPHEN FOSTER or WEEP NO MORE MY LADY. By Earl Hobson Smith. (Published by THE FOSTER PLAYERS, Box 2083, Knoxville, Tennessee). Actors’ edition $.75. Library edition $1.50. A Biographical Play on the Life of Stephen Collins Foster, Father of American Folk Songs. A play in 4 acts; 7 males, 5 females, 2 choruses of men, 1 chorus of women. One interior scene. 1850 costumes. Permission to produce or use this play controlled by the author: Harrogate, Tennessee. REMEMBER THE DAY. A three‐act play. By Philo Higley and Philip Dunning. Row, Peterson & Co., 1936. FOR STUTTERERS. By Smiley Blanton and Margaret Gray Blanton, New York. D. Appleton‐Century Co., 1936, pps. 191. PAMPHLET HOW TO CONDUCT GROUP DISCUSSION. By A. F. Wileden and H. L. Ewbank. Extension Service of the College of Agriculture, The University of Wisconsin, Circular 276, August 1935, paper‐bound pamphlet form, pps. 64. Five cents a copy, or three cents for twenty‐five or more copies. SPEECH. A High School Textbook in Speech Thinking and Practice. By Wilhemina G. Hedde in collaboration with William Norwood Brigance. Philadelphia: J. B. Lippincott Co., 1935, pps. xviii‐540.