Chinese Writers Research Articles

Evaluating the Translation Accuracy of ChatGPT and DeepL Through the Lens of Implied Subjects

This research aims to offer deeper insights into the translation quality of large language models and neural machine translation systems. It compares the performance of two state-of-the-art models, ChatGPT and DeepL, to explore which system achieves higher translation accuracy. This research employs a highly focused and specialized method to evaluate translation performance, enabling the identification of nuanced differences between advanced AI/machine models. It focuses on implied subjects in contemporary Chinese writer Qiuyu Yu’s Iraq travelogue and examines how the two models handle these implied subjects when translating the text into English. The analysis shows that both ChatGPT and DeepL exhibit high-level intelligence when dealing with the implied subjects. They can flexibly adjust sentence structures to maintain the implicitness or to make the implied subjects explicit. The analysis further reveals that ChatGPT performs better in accurately inferring the implied subjects, which thereby reflects ChatGPT’s superior contextual understanding capability. The comparison of the source text and target texts also shows that ChatGPT’s translation is more succinct, nuanced, and easier to read. DeepL’s translation, by comparison, prioritizes reducing potential misunderstanding. This research tentatively concludes that, though not specialized for translation, ChatGPT translates with higher accuracy and demonstrates more sophisticated intelligence compared to DeepL when translating literary texts.

Proposal of a Modernized Work Through Analysis of the Sense of Well-Being in the Landscape Paintings of Chinese Writers “Shen Zhou” and “Shi Tao”

This study explores the potential value of promoting psychological health by analyzing individual well-being through traditional Chinese landscape paintings. Chinese landscape paintings incorporate the natural view and humanistic spirit of the major philosophical ideas of Confucianism, Taoism, and Zen Buddhism in the East. In particular, the landscape paintings of “Shen zhou(沈周)” and “Shi tao(石濤)” convey a feeling of peace and leisure. We explore how works can evoke sense of well-being with the emotional needs of modern people. The research methods include various literature studies, surveys, statistical analyses of Chinese people, and commentary on works created by the researcher by reapplying the sense of well-being in Chinese landscape paintings to modern design. This study finds that the sense of well-being in landscape paintings has a significant effect on improved psychological stability among modern people, thus identifying an opportunity to recognize the value and meaning of traditional art in modern people’s lives. In addition, this study links the modernization and commercialization of traditional works through the researcher’s individual creative works. Furthermore, the researcher reveals the characteristic elements of traditional Chinese landscape paintings and combines them with modern landscape painting techniques. Accordingly, various research-related and creative activities using landscape painting can be conducted that design and provide creative products to promote psychological well-being and vitality among busy modern people.

Marxist Ecology in China

Since the 1980s, Chinese writers and thinkers have been engaging with Marxist ecology, constructing a theoretical system that starts with interpretation of Marx and Engels themselves. Chen Yiwen takes stock of how this framework progressed toward an overarching theory of ecological civilization, generating new questions to be answered at every stage of development.

A Comparative Study On Two English Versions Of Shen Congwen’s ‘Biancheng’ From The Perspective Of Ecofeminism

The struggle to create a life-affirming society intensifies as globalization expands, which can be seen from the 1970s, women all over the world were formulating ecological feminist response to environmental influence of “modernization” through the intersection between gender, feminism and environmental issues. Ecofeminism is at the intersection of women’s rights, environmental issues and the various forms of oppression, such as those affecting marginalized and colonial people, as well as the Third World nations by the Western industrialized countries. One of the major propositions of ecofeminism is to build a harmonious planet and to abolish sexism and patriarchy, rather than subject to dominance of men and hierarchy. It, therefore, advocates to deconstruct the patriarchal perspective and reconstruct a community based on ecology and feminism, in a way to cease the exploitation of nature and promote the liberation of women. “Biancheng” is a representative work of renowned modern Chinese writer, Mr. Shen Congwen, who adhered to his contemplation on humanity’s existence and tried to communicate the essence of honoring nature and life. He transformed “Biancheng” from a conventional geographical term into a profound exploration of the intrinsic significance of human existence and spirit, with a particular emphasis on a woman’s existence and her connection with nature. Such focus led me to approach “Biancheng” through the lens of ecofeminism. In light of the ecofeminism theory, this paper selects the two prominent English translations of Biancheng by renowned translators Gladys Yang and American sinologist Jeffrey C. Kinkley for a comparative analysis. It is divided into five parts: the first deals with delineating the main ecofeminist theories, the second probes into the previous researches on ecofeminism and translated versions of Biancheng, the third refers to the work analysis, the fourth parts explores how ecofeminism is translated and demonstrated in the two versions through comparative analysis and the last part comes to a conclusion.

"I Accuse" and "I Wander": on the Writer's Identity Formation from the SDGS Perspective

Objective: The objective of this study is to investigate the definition of writers, exploring the different configurations of writers in the context of diverse education, and learning about the importance of quality education for independent thinking and critical thinking. Method: This research adopts the methods of literature research and close reading of texts, analyzing historical works, academic monographs, and literary works to summarize the experiences, creations, and identities of contemporary Chinese writers, forming a comprehensive perspective. Results and Discussion: The writer is not only the material individual but also the creation main body, its position and the function in the literature field hold the balance. They are the primary force of literary production and the core of literary mechanism. After analyzing the history, definition and identity of a writer, we can divide the writer's identity into two types: the intellectual and the wanderer, which to some extent clears the fog of the writer's identity. Originality/Value: The current academic attention to the writer's identity is insufficient, the writer's identity structure in literary research is still not clear. This has led to a divergence of views in the community and the academic community on the writer, almost all the discussions are in disputes and conflicts, and the writer's identity which is very vague is more complicated. This study clarifies the definition of writers, provides a clearer definition and conclusion on the identity configuration of writers, and highlights the importance of quality education for independent and critical thinking.

The making of Malayans: life-writing and memory work by Wang Gungwu and He Jin

ABSTRACT Using an autobiographical studies framework, this paper outlines the persistence of a Malayan nation-of-intent through contemporary life-writings which revisit the 1950s–60s. The imagined nation constituting the Federation of Malaya and Singapore is central to two texts by ethnic Chinese writers with contrasting ideological leanings—Home is Where We Are by Wang Gungwu and Margaret Wang, and The Mighty Wave by He Jin. As putative citizens of this nation-of-intent, they textually perform nation-building by narrating their involvement in formal institutions and grassroots capacity-building. In outlining key elements of nationhood such as language, political participation, and historical consciousness in both texts, distinct conceptions of Malayan political subjectivities emerge through the performative and relational aspects of both texts. Overall, this paper draws attention to political implications while demonstrating the relevance of the “Malaya as method” approach in literary studies.

Semiotic Weakening Law in Ancient Chinese Writing System and Divinations

Semiotic Weakening Law in Ancient Chinese Writing System and Divinations

“E-waste” Colonialism: Mechanism of Late Modernity in Chen Qiufan’s Waste Tide

Abstract Among numerous literary works on international waste trade, by way of which the toxic waste has been exported basically from developed countries to underdeveloped areas, the Chinese writer Chen Qiufan’s Waste Tide is the only one that examines one of the most toxic waste streams, namely, the electronic waste, or the e-waste. However, this particular novel has not received much critical attention in the anglophone world. The few studies on this science fiction tend to focus on the capital market, the conflict between global and local, or the alienation of human and nature, neglecting its significant thematic concern on the e-waste. In this context, this study seeks to address this gap by analyzing the author’s focus on the neglected issue of e-waste in the system of waste colonialism. By exploring this work from the perspective of waste colonialism, this study attempts to disclose how the e-waste functions as a special symbol of late modernity and in what mechanism late modernity works to exert its effect respectively on economic-political institutions, knowledge system, and human cognition of their own subjectivity. Significantly, this study will argue that, in late modernity, the system of waste colonialism has developed into what this study terms “e-waste” colonialism, promoting the reconsolidation of power structure, the intensification of expert knowledge, and the deconstruction of human subjectivity.

Istoriya perevoda na russkij yazyk proizvedenij Mo Yanya

This article examines the history of the development of the translation into Russian of the works of Mo Yan - one of the most famous modern writers of China. In 2007, his works began to be translated in Russia, although a wide range of readers have known about Mo Yan in 2012, when he won the Nobel Prize in literature. Since that moment, an average of one work by the Chinese writer has been translated and published in Russia almost every year.

A Comparative Study of the Short stories by Chinese Writer Rou Shi “A Slave Mother” and Ahmed Nadeem Qasmi “Sons & Daughters”

A Comparative Study of the Short stories by Chinese Writer Rou Shi “A Slave Mother” and Ahmed Nadeem Qasmi “Sons & Daughters”

A Comparative Study of the Existential Resistance Consciousness of Camus and Shi Tiesheng

Albert Camus, the founder of "Absurdist Philosophy," portrays the absurdity and alienation of individuals in a strange world in his works. He opposes the ideology of submission, celebrates the spirit of resistance in adversity, and explores the true meaning of life. Shi Tiesheng, a renowned contemporary Chinese writer, questions the meaning of existence in the face of illness and hardship, reaching remarkable heights through imagination and speculation. Although there is ample research on both writers individually, there is a lack of comparative studies in literature and philosophy. This paper integrates relevant theories and recent research findings to conduct an in-depth study of the works and philosophical outlooks of Camus and Shi Tiesheng regarding existential dilemmas, religious choices, and collective resistance consciousness, exploring their explorations in resistance consciousness and existential challenges. Additionally, this paper explores the perspectives of Camus and Shi Tiesheng on the collective fate of humanity, discussing the insights brought about by people's reflections on modes of existence due to the global pandemic in 2019. This study broadens the research scope, deepening the understanding of these two writers, particularly regarding their existential resistance consciousness, which is inspiring for individuals to find meaning in adversity.

Exploring symbolism in Hu Ru Gui by Malaysian Chinese writer Dai Xiaohua among Chinese tertiary students

This article explores English literature teaching, particularly the application of symbolism in a literary work called Hu Ru Gui among Chinese tertiary students majoring in English. Hu Ru Gui is a novel written by a Malaysian Chinese writer, Dai Xiaohua, which then became one of the literature teaching materials used at the tertiary level for Chinese students. This paper discusses the spiritual bloodline themes in the form of symbolism which runs through the whole literature work. The themes range from attitudes towards life and death, the national ridge of defending the motherland’s dignity, and the patriotic values internalized deeply from generation to generation beyond time, location, and culture. A qualitative method was employed in the current study. Purposive sampling was used to select five students to participate in the study. The students were at the advanced level of English language proficiency. An interview protocol was applied as an instrument to collect data from a semi-structured interview. The feedback from the tertiary students was analysed through thematic analysis in the forms of themes, sub-themes, and codes. The research results revealed that the traditional values and patriotic values in the form of symbolism in Hu Ru Gui, the novel rooted in culture are the seeds of the motherland. Wherever and whenever a person goes, the seeds will bloom and inherited. Future research can focus on exploring how the themes, motifs, and symbols within the text resonate with Chinese tertiary students in Malaysia.

Critical Discourse Analysis of Intercultural Communication through the Lens of Multiculturality and Interraciality

Recent research on Critical Discourse Analysis (CDA) has focused on the identity construction of agents within discourse. This study delves into intercultural communication through the lens of multiculturality and interraciality. Employing the CDA framework, the research investigates how online Filipino Chinese writers construct their identities and those of their readers, examining the dynamics of dominance and subordination in selected intercultural discourse. The study is guided by three central questions: how online intercultural writers position themselves in terms of their social identities, how the relationship between the writer and readers is linguistically realized, and how the representations and relationships of the writer and reader manifest in terms of discursive strategies. By concentrating on identity construction through the analysis of linguistic items, the study offers critical discourse analysts an alternative method for unveiling power and dominance in written texts. Furthermore, the examination of discursive strategies allows this CDA study to perceive texts as dual in nature, serving not only as a means for writers to influence their readers but also as instruments to endorse ostensibly positive values. In conclusion, the study presents an approach for analyzing intercultural discourse, enriching the field of CDA with a nuanced understanding of the complex interplay between writer, reader, and text within the rich tapestry of intercultural communication.

“In the present study”: An exploration of prepositional phrase-frames in Chinese EFL learners’ theses and dissertations of applied linguistics

This paper delves into the overall use, grammatical patterns, and discourse-pragmatic functions of Prepositional Phrase-frames (PP-frames) utilized by Chinese EFL learners across Bachelor's theses, Master's theses, and Doctoral dissertations, in comparison with research articles (RAs) of Applied Linguistics. The analysis of these discontinuous formulaic language used in cross-sectional learner corpora and the RA corpus is pivotal for understanding the connection between academic literacy level and formulaic expressions in academic writing and for appreciating the development of phraseological competence among L1 Chinese writers as they navigate their way into the complexity of academic English. The findings unravel a growing tendency in the overall frequencies of use and a developmental trend in lexico-grammatical diversity and more genre- and discipline-specific functional characteristics, as Chinese EFL student writers advance through their academic journey from the undergraduate level to the doctoral level. A thorough analysis of functional dimensions of PP-frames in theses and dissertation writing reveals an increased level of functional complexity in the use of PP-frames for referential and discourse organizing functions. This study contributes to academic English instructions of PP-frames.

Anne Frank in China: Translation, Adaptation, and Reception

This article focuses on Anne Frank’s The Diary of a Young Girl, specifically on its introduction and reception in China. Since its first complete Chinese version, produced by Gao Niansheng, was published in 1989, The Diary has received continuous attention from Chinese translators, literary critics, and publishers. The article first delves into the translations and adaptations of The Diary in China, with a particular emphasis on the Chinese translations released within this timeframe. It then analyses themes in Chinese scholarship on Anne Frank, followed by an explication of why The Diary has been well-received in China. It also explores how, as a world literature classic, The Diary has inspired Chinese writers and critics dedicated to developing children’s literature. The article highlights that The Diary, written by a Jewish girl before and during the Holocaust, continues to inspire readers and scholars of all ages and offers valuable insights for Chinese audiences into the contemporary understanding of war, conflict, peace, and love.

The study of female images in modern Chinese literary works

This article is a study of female images in modern Chinese literary works. The author analyzes the evolution of representations of women in modern Chinese literature and their important role in the democratization of society. Through an examination of the works of authors such as Lu Xun, Lao She, Chen Zhongshi, Yu Hua and others, the article reveals diverse aspects of women's experiences, including social injustice, discrimination and exploitation. In addition, the author highlights the influence of literature in shaping public opinion about the role and rights of women, and discusses possible paths towards creating a more equal and inclusive society in the future. The subjects of the study are the works of modern Chinese writers and the female images of these literary works. The main research materials are the modern Chinese literary works of various genres and movements, including novels, short stories, poems and essays. Research methods – analysis of literary sources on the research topic, comparative analysis, content analysis, interpretation of texts, historical method. The purpose of the study is to analyze and evaluate ideas about female characters in modern Chinese literary works, taking into account their influence on the processes of democratization of society. The scientific novelty of this study lies in the fact that it represents an initial research look at female images in modern Chinese literature and their influence on the processes of democratization of society. The work is based on the analysis of contemporary literary works and includes the study of various aspects of women's experience in the context of Chinese culture and society. As a result of the study, new trends and patterns in the representation of female characters will be identified, as well as new approaches to understanding and solving the problems of gender inequality and social discrimination in Chinese society will be formulated.

Comparative Study of Chinese and Western Literature

The purpose of this paper is to comparatively study the differences and commonalities between Chinese literature and Western literature. First of all, the characteristics of the two are compared from three aspects, namely, presentation methods, thematic contents and literary forms. Chinese literature focuses on mood, ambiguity, and emphasizes the natural flow of emotions; while Western literature attaches importance to structure, logic, and pursues innovation in form. In terms of thematic content, Chinese literature tends to express personal emotions and expresses the harmony between human beings and nature and society; while Western literature focuses on the conflict between individuals and society and emphasizes freedom, equality and human rights. In terms of literary forms, Chinese literature coexists in various forms such as poetry, prose and novels, while Western literature takes novels, dramas and poems as its main forms. Secondly, this study explores the reasons for the differences between the two in terms of cultural background, writers' creative concepts and readers' acceptance. Chinese literature is deeply influenced by traditional cultural ideas such as Confucianism and Taoism, emphasizing moral education and philosophy of life; while Western literature is influenced by ancient Greek and Roman myths as well as religious beliefs such as Christianity, focusing on the inner world of man and exploring human nature. In terms of writers' creative concepts, Chinese writers tend to focus on social harmony from the perspective of traditional morality and ethics, while Western writers advocate the liberation of individuality and the pursuit of the realization of personal values. In terms of readers' acceptance, Chinese literature focuses on aesthetic experience and emotional resonance, while Western literature pays more attention to logical reasoning and thinking. The comparative study of Chinese literature and Western literature can help us better understand the diversity of world literature and enrich our concepts of literary aesthetics and creation. At the same time, by learning from the excellent achievements of Western literature, we can promote the innovation and development of Chinese literature.

Literary tourism in the Canary Islands: the legacy of Sanmao

ABSTRACT The aim of this paper is to explore two recent initiatives in literary tourism, i.e. two literary trails in the Canary Islands, Spain, linked to the iconic Chinese writer Sanmao, who lived on the islands of Gran Canaria and La Palma in the 1970s and 80s, and who became a literary phenomenon, elevated to myth by many in China for the humanistic power of her narrative. After an overview of new trends in Chinese outbound tourism, the focus is set on Sanmao’s life and literary legacy, including aspects related to the recent publication in the West of the translations of some of her stories, opening her world to a new readership. An outline of theory concerning literary tourism is given, followed by the methodology used in this research. Next, the literary trails designed by the Tourism Boards of both islands are described. The readers’ connections with Sanmao are analyzed through a specific online survey, as well as additional primary data based on a series of interviews with key actors. The results provide a valuable contribution to a better understanding of Sanmao and of the motivations of literary pilgrims who travel to these distant lands in order to pay tribute to her.

Effectiveness of Peer Feedback in Teaching Academic Chinese Writing for CSL Students

Effectiveness of Peer Feedback in Teaching Academic Chinese Writing for CSL Students

Chinese Female Writer Zhang Yueran and Fictional Features of Her Prose

In this paper, the author analyzes the fiction of contemporary Chinese female writer Zhang Yueran (b. 1982). As a radiant and influential representative of the post-1980s generation in contemporary Chinese literature, Zhang Yueran is considered to be one of most talented and strong young writers. Post-1980s Chinese writers are known by depiction of young people’s lives in big cities with elements of magical realism, however, unlike the most Post-1980s Chinese writers, Zhang Yueran focuses more on the characters’ subjectivity and their pursuit of love (parental and romantic). Her complex characters thrive for love and happiness, but also suffer from loneliness and lack of parental attention. Zhang Yueran’s writing is visceral and almost poetic in its use of metaphor. The development of Zhang Yueran’s prose can be divided two key periods. Her early works are aesthetic psychological thrillers about unhealthy love, inspired by classical fairytales that end with a character’s death and self-destruction: while the language is beautiful and almost poetic, but there is a lack of narrative depth. In her second era, Zhang Yueran returns to realism and successfully combines style and deep narrative by contrasting scenes of cruelty and mercy. At the moment her latest novel “Cocoon” embodies all significant fictional features from the perspective of both style and narrative.