In the People’s Republic of China (PRC), the Cultural Revolution (1966–1976) left many writers severed from their cultural roots. Starting in the 1980s, literary authors sought to address this disconnection by turning their attention to rural communities. This tendency is exemplified by the emergence of two significant trends: root-seeking literature and new fiction from Tibet. Root-seeking authors focused on local customs, marginalized cultures, and minority groups to reinvigorate Chinese literature and fill the perceived cultural void. Around the same time, new fiction from Tibet featured diverse responses to post-Mao changes, with some idealizing Tibet as a repository of “authentic” traditions, while others criticized its perceived backwardness. Both trends have been interpreted in scholarship as responses, often critical, to state policies. The short story “Mountain Pass” (1985) by Hui writer Bai Lian intersects with these movements temporally and thematically. However, unlike them, Bai Lian’s portrayal of rural communities emphasizes the Hui’s historical role in resisting the Qing empire, pivotal to the emergence of the PRC, while also highlighting the group’s Arab and Persian origins. This three-layered identification with the local, national, and transnational enriches our understanding of the 1980s literary landscape, challenging the notion that this era was solely characterized by resistance to the central state.