Characteristics Of Paintings Research Articles

Quantifying multifractal anisotropy in two dimensional objects.

An efficient method of exploring the effects of anisotropy in the fractal properties of 2D surfaces and images is proposed. It can be viewed as a direction-sensitive generalization of the multifractal detrended fluctuation analysis into 2D. It is tested on synthetic structures to ensure its effectiveness, with results indicating consistency. The interdisciplinary potential of this method in describing real surfaces and images is demonstrated, revealing previously unknown directional multifractality in data sets from the Martian surface and the Crab Nebula. The multifractal characteristics of Jackson Pollock's paintings are also analyzed. The results point to their evolution over the time of creation of these works.

Study of Properties of Water-Dispersion Paint and Varnish Compositions with the Content of Modified Mineral Filler

This article presents the results of research work devoted to improving the characteristics of paint and varnish coatings based on aqueous dispersions of polyacrylates; it is proposed to modify them by introducing mineral raw materials as fillers and hydrated lime, with subsequent processing in a vortex layer apparatus. The introduction of activated diatomite does not cause the deterioration of covering power, adhesion or an increase in the porosity of the paint material. The modification of coatings contributes to an increase in their operational properties, which can be associated with a reduction in the free volume in the composite and the formation of polymer boundary layers with modified physical and chemical properties. The aim of this study is to obtain a water-dispersion paint and varnish composition containing modified diatomite on a polyacrylate basis and, subsequently, study its main physical and mechanical parameters. The work has been carried out by the following method: determination of porosity, adhesion, elasticity and covering power of the control composition; determination of porosity, adhesion, elasticity and covering power of the obtained composites using modified filler; investigation of the influence of radiation on the infrared spectrum of the paint coating surface using a FLIRB620 thermal imager. As a result of this research work, it was noticed that the modification of water dispersions with silica-activated diatomite helps to eliminate the main disadvantages of materials and coatings based on acrylate binders—low water resistance and low physical and mechanical characteristics. The introduction of modified diatomite into water-emulsion paint on an acrylate base does not lead to the deterioration of the main performance characteristics of paint coatings—porosity, adhesion, elasticity and covering.

Characteristics of Conductive Paints and Tapes for Interactive Murals

This paper analyzes a collection of conductive paints and tapes. We describe and compare their electrical conductivity, durability, appearance, and cost. We investigate different means of connecting these materials to each other and other electronic components-including connection via solder, conductive epoxy, conductive adhesives, and metal mechanical fasteners. We explore different means of insulating and protecting materials and provide the results of a range of durability tests. The results are discussed in the context of the development of interactive murals-large outdoor interactive surfaces that are intended to function for years. We identify two conductive paints, CuPro-Cote and Silver/Copper Super Shield, and two conductive tapes, Copper and Tin that are highly conductive, stable across most of our testing conditions and, we believe, suitable for interactive murals.

STATE, PROBLEMS AND MODERN DIRECTIONS OF MODIFICATION OF WATER-DISPERSION PAINT AND VARNISH MATERIALS

This article is devoted to the analysis of the state, problems and prospective directions of application of water-dispersion paint and varnish materials. Providing reliable and durable protection of coating remains the main task of water-dispersion paint and varnish materials technology. In this connection, modern technical solutions to improve the protective characteristics of paint and varnish compositions based on aqueous film-forming agents and, accordingly, the search for effective components in the direction of modification of paints and coatings acting as universal additives, in particular, dispersants and anticorrosive agents are considered.

<장주묘암도(漳州茆庵圖)>에 표현된 영조(英祖)의 통치철학에 관한 연구

The purpose of this study is to discuss the ‘Jangjumyoamdo’ that was produced in 1746 (the 24th year of King Youngjo’s (1694~1776) rule by his royal command. This anonymous but royal and political painting depicts the backyard of the palace that was described in Sir Hoiam Jangjumyoamdogi. King Youngjo attempted in his royal poem to have Zhūzǐ’s backyard and enlightenment ‘Kisumuwoo’ featured in painting. In Zhūzǐ’s backyard, Hwangkeuk through Hongbeomguju was expressed, while the Goesang of Changes of Book was depicted. ‘Jangjumyoamdo’ features simple coloring and depicting, while using Bugamsibeop to simply and concisely describe the backyard as if it were seen from the air. This study discusses the painting characteristics of ‘Jangjumyoamdo’ and King Youngjo’s motives or ‘Hongbemguju’, ‘Hwangguk’ and ‘Kisumuwoo’. King Youngjo sympathizing with Zhūzǐ’s political doctrine attempted to present his governance philosophy and realize the ideal rule of ‘Naeseongoewang’ (sage inside and king outside) through ‘Hongbeomguju’ and ‘Kisumuwoo’.

중국화(中国画)와 서양화(西洋画)의 심미적 특징 비교 연구

중국화(中国画)와 서양화(西洋画)의 심미적 특징 비교 연구

Indexes for evaluation of dynamic characteristics of pressure-sensitive paint based on pressure sensitivity and frequency response

Two evaluation indexes were proposed to select the optimal PSP for unsteady pressure measurement from various PSPs with different pressure sensitivity and frequency response. An effective sensitivity coefficient calculated by pressure sensitivity and gain attenuation due to the response delay was proposed. Furthermore, an effective amount of intensity change was recommended, which takes into account the emission intensity and the effective sensitivity coefficient, because the magnitude of the intensity of a PSP is also important for unsteady-pressure measurement with high-speed sampling. A total of five types of PC-PSPs developed in previous studies were compared: two types of fast-response PC-PSPs using Pt(II) meso-tetra (pentafluorophenyl) porphine (PtTFPP) with poly(isobutyl methacrylate) (poly(IBM)) and ruthenium complex with RTV silicone, respectively, and three types of PC-PSPs using PtTFPP with poly[1-trimethylsilyl)-1-propyne] (poly(TMSP)). A comparison was made using the proposed evaluation indexes under various pressure ranges. The results shows that poly(TMSP)-based PC-PSP has a high effective sensitivity coefficient at pressures less than 20 kPa. On the other hand, poly(IBM)-based PC-PSP has the highest effective sensitivity coefficient at a pressure of 100 kPa. The effective amount of intensity change of poly(TMSP)-based PC-PSP is the highest at 2 kPa, but that of poly(IBM)-based PC-PSP is the highest at a pressure higher than 5 kPa among the evaluated PC-PSPs due to its high luminescence intensity. A PSP with high emission intensity will provide high performance in terms of fluctuation of emission intensity detected by the photodetector when the excitation intensity and the exposure time are limited due to limitations of optical equipment or high-speed sampling.

Bubble Sensors for Temperature Measurements through a Colorimetric Approach.

This paper introduces an innovative sensor utilizing bubbles coated with thermochromic paint, aiming to facilitate temperature measurements in challenging-to-reach locations without the requirement of an external power source. The research conducted is innovative in terms of both methodology and application. The characterization of the thermochromic properties of paints was, in fact, performed using spectroradiometric measurements by selecting a temperature range useful for applications in various fields including preventive conservation. The study encompasses two main objectives: (1) analyzing the color characteristics of thermochromic paint and plastic resin that forms the bubbles, and (2) assessing a temperature sensor comprising a thermochromic paint-coated bubble subjected to temperature variations. The thermochromic paint exhibits reversible color modifications in response to temperature changes, making it an ideal candidate for applications of this nature. The color characterization phase involves measurements using a spectroradiometer to compare the spectral reflectance factor (SRF%) of the colored plastic resin spread on canvas with that of the inflated bubbles. The sensor characterization entails evaluating color changes of the thermochromic paint on the bubble surface with varying temperatures. Experimental results indicate that the combination of a red (R) bubble and blue (B) thermochromic paint produces quantifiable color variations suitable for the proposed applications, whereas the alternative combination under examination, namely a blue bubble and red thermochromic paint, yields less accurate results. Considering that for both thermochromic paints the color change temperature is 35 °C, it is possible to see how, for B bubble with R thermochromic paint, the chromatic coordinates change value: C* = 3.14 ± 0.14 and h = 289.54 ± 11.58 at room temperature, while C* = 2.96 ± 0.12 and h = 304.20 ± 12.17 at 35 °C. The same is true for R bubble with B thermochromic paint where C* = 25.31 ± 1.01 and h* = 285.05 ± 11.40 at room temperature, while C* = 20.87 ± 0.85 and h = 288.37 ± 11.53 at 35 °C. The study demonstrates the potential of the approach and suggests further investigations into reproducibility and expanded color combinations. The results provide a promising basis for future improvements in temperature monitoring with thermochromic bubble sensors.

The Expressionist Characteristics of Chinese Local Oil Painting Integrating the Freehand Brushwork of Traditional Chinese Painting

Oil painting is a foreign type of painting that was introduced to China in the early 20th century, and has since blended and collided with traditional Chinese culture. In this process, oil painting also formed an independent artistic language different from Western painting, and freehand brushwork was explored by Chinese painters through borrowing, absorbing, and constantly innovating. Starting from introducing the origin and characteristics of the “freehand brushwork” in Chinese oil painting, this article analyzes the main factors that affect the “freehand brushwork” in Chinese oil painting and its future development trends.

Viewing the Characteristics of Chinese Landscape Painting from Guo Xi’s “San Yuan Method”

The Song and Yuan Dynasties are considered a period when art theory and practice reached a very high level. Among them, painting, as an important category, has great potential. Guo Xi, a painter and theorist of the Song Dynasty, proposed “The San Yuan Method” (means three artistic principles: high, far-reaching and flat), which was compiled into a collection by his son and included in Lin Quan Gao Zhi (the elegance of the bamboo and spring), becoming an important theoretical work in the history of Chinese painting. This article will start from the theoretical foundations of "high", "far-reaching", and "flat" and use specific text analysis and theoretical exposition methods to analyze the painting characteristics of Chinese landscape painting influenced by the " San Yuan Method". The aim is to analyze the creative purpose of landscape painting and appreciate Lin Quan’s heart (Lin Quan's heart is the view put forward by Guoxi, a landscape painter in the Song Dynasty; that is, landscape painters should have an aesthetic mind when observing and painting).

Color Expression and Mood Creation in Imagery Oil Painting

Oil painting is a traditional Western painting form. With the introduction of China and the influence of China’s traditional painting and aesthetics, the painting style became more distinctive, expanding a new development direction of oil painting, and thus imagery oil painting came into being. Color, as the most important element in imagery oil painting, mainly plays the role of mood creation and emotional expression. Many creators are good at injecting their thoughts and emotions into the paintings through color matching, so as to enhance the artistic expression of the paintings. This paper analyzes the color expression characteristics of imagery oil painting and explores the color expression techniques in imagery oil painting and mood creation of imagery oil painting from several aspects.

The detection of incamottatura through radiography: investigations on real cases and panel painting mock-ups

The historical techniques of panel painting manufacturing involve the preparation of boards to be used as painting support. The high affinity of wood for water can cause dimensional variations, deformations, and internal tensions. The application of a canvas over the boards, besides the choice and treatment of wood, is useful to minimize and guarantee the stability and preservation of the painting over time. The detection of the fabric is ensured with different imaging techniques, such as macro photography and radiography. The latter is mainly used to obtain information about the characteristics of the wood, the number of boards, the assembly system, and for the evaluation of the conservation state. The main advantage is the non-invasiveness of the analysis, which is a fast, simple, and widespread method. The limitations are related to different factors, such as the capacity of the materials to absorb the radiation. Despite canvas has a low radiopacity, in several cases it was possible its identification in the radiograph. This is important to investigate the technique of the artists. In our laboratory, we analyzed different panel paintings and while in some cases the fabric is easily detectable, in others it's not visible. Different variables can limit the observation of the canvas. This study is aimed at the comprehension of how acquisition parameters and painting characteristics can affect the detection of incamottatura through radiography.

A Study on the Reproduction of Traditional Chinese Painting Techniques and Their Innovation under Digital Transformation

Abstract After a long period of development and evolution, Chinese painting has formed a set of regular artistic language, which highlights the national characteristics of Chinese painting and is an important factor distinguishing it from other works of art. As the main characteristic of Chinese painting, this paper analyzes the traditional techniques of Chinese painting according to the three characteristics of Chinese painting: line, ink, and color, and analyzes the language of programed techniques. Then the method of digital reproduction of traditional techniques of Chinese painting is proposed and elaborated with the example of “The Western Garden of Elegant Gathering”. Subsequently, for the complexity of hand movement recognition of Chinese painting techniques, this paper proposes a sample splitting and re-fusion algorithm RCF based on sEMG to optimize the hand movement signals and construct a hand movement recognition model based on surface EMG signals. Through empirical analysis, the SVM classifier used in this paper has an average recognition correctness rate of 98%, which is 6% and 3% higher than BP and LDA, respectively. Meanwhile, the recognition accuracy of the hand movements of the eight techniques is all above 95%, with an average recognition accuracy of 98.5%. The mean value of all five indicators of the experience evaluation of Chinese painting techniques reproduction and innovation exceeded 4 points, and the overall average score was 4.542, indicating that the experiencers were very satisfied with the experience of Chinese painting techniques reproduction to innovation in this paper. The research of this paper provides theoretical and technical guidance for the reproduction and innovation of traditional Chinese painting techniques, as well as ideas for the organic combination of digital technology and traditional Chinese paintings.

Research on the Application of Dynamic Simulation and 3D Modeling Technology for Ink Animation Performance

Abstract This paper mainly discusses the combination of 3D modeling technology and traditional characteristics of ink animation to promote the innovation and development of Chinese traditional animation. Aiming at the characteristics of ink painting, the 3D model construction algorithm of ink animation is proposed, which realizes the establishment of algorithms such as transforming the 2D model into a 3D model, constructing the 3D animation scene, imitating the virtual reality of ink painting and rendering the virtual reality of ink animation. The basic model of the particle system is proposed, including modules for particle generation, particle properties, particle motion change, particle extinction, and particle drawing. Combined with the basic principles based on the particle system model, randomly distributed particles break the regular rectangular shape in the overall distribution. More realistically simulates a variety of different animation forms for ink animation. The simulation speed and convergence time of this paper’s model are better than the other two models. The simulation results fulfill the demands of real-time ink animation performance. The FPS of the most complex animation image, the color ink staining of the cow, is 31FPS, which also meets the requirements of the animation image. It shows that the combination of 3D modeling technology, particle system-based dynamic simulation, and ink animation is perfect and has a broad application prospect.

Exploring the Characteristics of Zen Painting

Exploring the Characteristics of Zen Painting

China-Thailand Buddhist mural research: To create the visual art work of the “Three worlds”

A study of Sino-Thai Buddhist murals: research for the creation of a visual art work on the theme of The Three Realms The purpose of the study was to examine the development and artistic characteristics of Sino-Thai Buddhist murals as well as the content of the Thai Buddhist classic The Three Realms of Phra Luang and the Buddhist spirituality and worldview. The study summarizes the characteristics of Chinese and Thai mural paintings in terms of modeling and color composition through literature research, fieldwork, and data combing. The final result of the research is the symbiotic use of mural symbols and colors shared by China and Thailand, and the creation of visual art works with the characteristics of cultural symbiosis by combining the new design spirit with the cultural themes of the three worlds.

A Comparative Study of the Characteristics of Taohuawu and Fengxiang Woodblock New Year Paintings

A Comparative Study of the Characteristics of Taohuawu and Fengxiang Woodblock New Year Paintings

Art Mask Design Using Grotesque Characteristics in Modern Art

Art in the fast-changing modern era creates various works through organic combinations without any clear distinction. Art mask, a territory of art expressed by using masks that resemble a human face, the representation of the grotesque fusion design implemented by the art mask present various senses and thinking skills to modern people who expect new things against the existing forms. Therefore, the characteristics of fear, dislike, playfulness, and atypia in Grotesque can open up to a new making method in a comprehensive and innovative way. By incorporating the characteristics of Grotesque paintings that have become popular in modern art, this study expressed demonism by expressing the heterogeneous appearance of a sleeping woman and in a smooth line and geometric way in the form of a human face in the work expressed in art mask which is based on “Nightmare” by John Henry Pujelly in Work I, the bizarre image of the extremely exaggerated size of the eyes was embodied in a deformed form by not expressing the nose with the motif of “Strange Balloon-like Eyes Traveling to Infinite” by Odilong Le Dong in Work II, the tears in both eyes on the mask represented a physically damaged body, and used various lines to express disgust. Work III expressed the playfulness of infantile grotesque like clowns by using elements of satire in “conspiracy” by James Ansore as a motif. The Work IV expressed the time of hopelessness without life by expressing abnormally abhorrent and unnatural things and the distorted cravings of life in fear as skeletons that are abnormally disgusting and unnatural by using “Release of the Fifth Seal of John's Apocalypse” by El Greco as a motif. The conflicting emotions were expressed by gradating the skull's eyes with black paint, and was reinterpreted as a dream and hope using various colors of color. As a result of this study, it was identified that paintings that expressed the characteristics of grotesque through art mask production can present unlimited imagination and a variety of topics to artists in the makeup field. This study is expected to be used as a basic data for a follow-up study on art mask design in the future and will help to develop art mask designs.

동시대 패션쇼 공간의 초현실주의적 표현 배경과 의미

The purpose of this study is to examine the meaning of surrealism expression in contemporary fashion show spaces in the context of sustainable development. First, we have derived the spatial characteristics of surrealist painting that freely explores the imagination and unconsciousness. Second, we have selected five luxury brands’ shows held after the UN's Sustainable Development Goals(2015) and analysed how they went against the traditional show paradigm: by recycling existing spaces and ready-made objects and encouraging the coincidental combination of unfamiliar objects in heterogeneous places, the boundaries were blurred. These shows not only stimulated various senses and experiences of spectators, but also transcended time and space, strengthening the brand's identity. As such, the study shows that the spirit of surrealism continues today, representing an important artistic strategy of luxury brands to promote brands' philosophy on a sustainable fashion and culture

A Comparative Analysis on the Material Properties of Paintings in Modern Buildings: Focusing on Seoul Weather Station

In this study, scientific analysis(cross-section and component analysis) was conducted by selecting paint samples painted on the window frames and walls of the Seoul Weather Station. The color of the window frame is reddish brown and green. The reddish brown is mainly red iron oxide(Fe<sub>2</sub>O<sub>3</sub>), mixed with titanium white(TiO<sub>2</sub>), and in some layers, red lead oxide(Pb<sub>3</sub>O<sub>4</sub>) or lead(II) chromate(PbCrO<sub>4</sub>) is identified, and the green pigment is considered organic pigments. The resin used in the window frame is Alkyd Resin. The color of the wall is divided into pale blue green, white, and ivory colors, and the white color of the wall is calcium carbonate(CaCO<sub>3</sub>) and titanium white(TiO<sub>2</sub>), and the pale blue green is the phthalocyanine green. It is determined that paint containing acrylic resin was used for the inner wall. The characteristics of paint were compared and considered with the walls of the Seoul Weather Station, the columns of the Grand Greenhouse of Changgyeonggung Palace, and the outer wall of Busan Songjeong Station. White paint, a common color identified in the three buildings, is identified as two types of paint mixed with zinc White(ZnO) and calcium carbonate(CaCO<sub>3</sub>), and titanium white(TiO<sub>2</sub>) and calcium carbonate(CaCO<sub>3</sub>). It seems that the orange paint uses red lead oxide(Pb<sub>3</sub>O<sub>4</sub>) or Lead(II) chromate(PbCrO<sub>4</sub>) and the green paint uses organic pigments. Based on the above research results, paint painted on buildings is believed to have been painted several times after the building was built, and natural science research should be carried out to determine the history.