COVER FEATURE Editorialnote;To read the full textofthisexchange online, visitthe WLTwebsite. DearAlan, I wanttothank you,first ofall,for allowing thisconversation totakeplaceelectronically, a form ofcommunication thatI knowyouhave someseriousqualmsabout.You'reas averse toitas I am tothetelephone. (I hatethetelephonebecauseitdoesn 't allowfor longperiods ofsilence. Ifoneis quietfortoolong,theother person invariably asks,"Areyoustill there?") I thought I'd start offby askingthefairly obviousquestioncentered on a similarity between us.We'vebothhadwhatsomemight consider "irregular" writing careers, as weboth startedas academicsin somewhattechnical areas - you in physicsand cosmology, me in analytic philosophy, witha concentration in philosophy of science - and onlyswitched to writing after we'd earnedour credentials in those other fields. Wasthis alwaysyour plan,or haveyoufound yourself surprised bytheturn your career hastaken? I havetoconfess that, inmyowncase,the literary turn took mesomewhat bysurprise. I've alwayslovedliterature - it'salmosta physical needfor metogorge myself regularly onfiction andpoetry - butInever planned onthis passion shaping mycareer until I found myself . . .well, writing a novel,almostin a trance. Looking back,I seehowI might havebeenpreparing to bea novelist with allthat gorging, butI certainly wasn'tconscious ofanyliterary intentions until thevoiceofa character announced herself tome inthefirst sentence ofmyfirst book:"I'moften askedwhatit'sliketobe married toa genius." Itwas whatHenry James calleda donnée, and I acceptedit as thatand just sat down and wrote thenovel,TheMind-Body Problem. I have so say,noneofmyother books,neither fiction nornonfiction, everarrived in quitethesame peremptory way. Tell me aboutyourexperience in broadeningoutintofiction . Have you alwaysbeen aware thatbothscienceand literature were pathsyouwouldfollow? Wereyousurprised tofindyourself writing theextraordinary Einstein 'sDreams? With eageranticipation, Rebecca DearRebecca, Itwillbe a delight for metotalkaboutour careers together, although I wishthattheconversation wereinperson. I understand that you aretraveling a lotnow,and thise-form is the onlywaypossible. I was bothsurprised and not surprised abouttheblooming ofmyliterary career. Since a youngage,I didhavea passionfor boththe sciences andthearts. I built rockets andgadgets and lookedat things undermymicroscope. I createda smalllaboratory in a storageroom nextto my bedroom,whereI keptvarious chemicals, Bunsen burners, test tubes, batteries, andelectrical wire, resistors andcapacitors, etc. I alsolovedtoread,andI wrote poetry. Poetry 30 iWorldLiterature Today was myfirst writing form. Almost noneofthe poetry I wroteat thatage (8-16)was worth anything, butitwasa vehicle for expressing my emotions and mythoughts. I was philosophical from a youngage (as I am sureyouwere) and wrotepoemsaboutdeathand thepuzzle ofexistence as wellas odestothirteen-year-old girlsI was ininfatuated with.I also lovedthe meter andsoundofpoetry. I lovedthesoundof interesting words. My friendsseparatedclearlyinto two groups:the "artists" (intuitive, spontaneous, etc.) and the "scientists" (logical,deliberate, etc.). Ipassedbetween thetwogroups offriends (whodid notmixwitheachother) easilyand found myself behaving likean "artist" whenI waswith myartist friends andlikea "scientist" whenI waswith myscientist friends. So,I knew very wellthat I hadthesetwodifferent capacitiesand interests, and thatthecombination of thetwowas unusual.Myfriends, parents, and teachers did notexactly discourage mydual capacities, butthey madeitclearthat life would beeasierfor meifI wentinonedirection orthe other, notboth. I hadnorolemodelsfor people whowereboth scientists andartists, although in high school I became awareofC. P.Snow,andI readsomeofRachel Carson's bookSilent Spring andrealized, "Hey,hereis a scientist whocan write ina literary form." I am notsurethatI had a clearidea of exactly whatcareerI wantedto pursue, butI didnotwanttogiveup my"dualcapacities." Atsomepoint, itbecamea practical matter. I hadtochoosea major. I knewofa fewscientists who laterbecamewriters (Snow,Carson)but noartists wholater inlifebecamescientists, so without understanding the basisfor this fact but justaccepting it,I majored inphysics (atPrinceton ).However, I tooklotsofcoursesin literature , philosophy, etc., andevena studio classin sculpture with theprominent Princeton sculptor JoeBrown. Again,as a practical matter, I went to graduateschoolin physics(Caltech), but eventhere I tooksomecoursesinphilosophy. Atthispoint, I was publishing poetry insmall literary magazines. I didnotstart spending a lot oftime writing until around 1980, sixyears after myPhD andafter I hada secure jobinscience (attheHarvard-Smithsonian Center forAstrophysics ). Atthispoint, I beganwriting essays aboutscience fora magazine calledScience 80, publishedby the AmericanAssociationfor Alan Lightmanisa physicist novelist, and essayist. He was educated at Princeton University and at the California Institute ofTechnology, wherehe received a PhD intheoretical physics. He has servedon thefaculties of Harvard University and MITand was thefirst personto receive dualfaculty appointments at MITinscienceand inthehumanities. Lightman istheauthoroffivenovels, twocollections ofessays, a book-length narrative poem, andseveralbookson science.HisnovelEinstein's Dreams was an international best-seller and has beentranslated intothirty languages.HisnovelTheDiagnosis wasa finalistfor theNational BookAward infiction. theAdvancement ofScience.(Myfirst couple ofessaysaboutscience had beenpublished in Smithsonian magazine.) I found theessaya wonderful form ofwriting inwhich I couldbeinformative , personal, philosophical, andpoetic. I am still proudofsomeofthose early essays. After a coupleofyearsofthis...