Despite increasing attention to images in the study of world politics, the role of visual representations in transnational governance processes in general and migration governance, in particular, has received less attention. This paper aims to fill this gap by examining the visual representation of migration governance by the two Canadian government institutions responsible for it: Immigration, Refugees and Citizenship Canada (IRCC) and the Canada Border Services Agency (CBSA). Through a multi-modal analysis of their X (formerly Twitter) images, the paper shows how they tend to shy away from a visual representation of people on the move, privileging a technical communication in an aspiration toward a “neutral” representation of migration issues. Secondly, it sheds light on the discrepancies between the policies directed toward Afghani and Ukrainian refugees and the unexpectedly undifferentiated visual communication about the two groups. Finally, the paper explores what the pictures accompanying X (formerly Twitter) posts of IRCC and CBSA can tell about how these government institutions represent themselves. Findings showed that government institutions’ esthetic practices are not always in line with the institutional migration policies and text narratives, suggesting that different government implementation tools (i.e., regulations, practices, textual discourses) may not reinforce each other but advance alternative perspectives.
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