In the Firing Line:Censorship, the Civil War in Ireland, and its Aftermath John Horgan Correction: Ceartúchán: Correction We wish to correct an error in volume 33, no. 3 (Autumn, 2018) in the article "Redemptive Suffering in the Isenheim Altarpiece and Bernard MacLaverty's Cal,"https://muse.jhu.edu/article/714957 by Lanta Davis. The image on page 82 is mislabeled. The image credit should instead be: The Isenheim Altarpiece (third view). By permission of Musee d'Unterlinden/Art Resource, NY. We regret the misidentification. The online version has been corrected. Much of the research about media in independent Ireland in the first half of the twentieth century has focused, understandably, on the controversies that attended the establishment and convoluted history of the Censorship of Publications Board, especially in relation to work by Irish writers that was thought to impinge on the allegedly pristine and incorrupt nature of Irish sexuality, and on political censorship during the World War II. Less studied—perhaps because it was more chaotic, and also more short-lived—is the military and political censorship instituted in the early years of the Free State by an administration that found the problems of establishing its legitimacy exacerbated by the unexpected but lethal and intense, events of the civil war.1 The challenge of focusing on this brief, but significant period of controversy is made more difficult by the sometimes chaotic condition of the early Free State administration's filing system, and by what appear to be differing (but, at least on paper, unvoiced, views within that administration on the relative values of military activity and of more irenic measures to be taken against their republican opponents. This is particularly true of the period of heightened tension and, eventually, civil war, following the Treaty setting up the Irish Free State administration in January 1922, which was to be ratified by the UK parliament on December 6 of that year. It is impossible to overestimate the climate of fear and suspicion that prevailed in 1922–23 as former comrades-in-arms found themselves first politically, and then militarily, in conflict with each other in the increasingly ruthless civil war that broke out in July, and the heightened tension following Michael Collins's assassination on August 22. The security and [End Page 62] military situation was further exacerbated after November of that year, following the execution of eight republican prisoners, and the retaliatory murder by republicans of the TD Sean Hales in Dublin in December. Clearly, political and administrative responsibility for managing the resultant challenges presented by the institution of media censorship was diffuse and inadequately centralized, involving recurrent tensions between military and civil leaders. The cabinet papers from this period reveal many unresolved tensions, and disputes about areas of responsibility between different government departments, about the role of the military, and regarding the nascent and erratic machinery of censorship itself. The leaders of the Anglo-Irish War had not anticipated this problem; this may, in part explain, their unfocused, often uncertain (and on occasion, despairing) attempts to deal with it. The relatively scant records that remain also reveal that newspaper editors' attitude to the new Free State government did not preclude attempts by both the Irish Independent and the Irish Times to record some of the events of the civil war in ways that sometimes failed fully to heed the new government's hostility to any language that might imply that their military opponents had claims to political legitimacy. The implications of the onset of civil war for newspapers had been considered poorly, if at all, by the new administration. The national daily newspaper with the greatest circulation in Ireland, the Irish Independent, had been hostile to the Rising because of its loyalty to the fast-disappearing Irish Party at Westminster, but by the time of the civil war it had patently shifted its loyalty to the new Free State administration. Its national contemporary, the Protestant-owned and Unionist Irish Times had—albeit for different reasons—been hostile to constitutional Irish nationalism, and opposed post-1921 Irish Republicanism virulently, but rapidly came to a political accommodation with the new Irish Free State—not least because of that newspaper...