Click to increase image sizeClick to decrease image size Notes 1 Unless otherwise attributed, all translations are my own. 2 See Ricardo Strafacce's Strafacce, Ricardo. 2008. Osvaldo Lamborghini, una biografía, Buenos Aires: Mansalva. [Google Scholar] Osvaldo Lamborghini, una biografía (2008) for documentation of Carrera's collaboration with Lamborghini. Originally written in 1981, El Palacio de los Aplausos (o el suelo del sentido) was first published in 2002, by the press Beatriz Viterbo. The plays produced by the puppet troupe, whose name was El escándalo de la serpentina, are compiled in a text titled Retrato de un albañil adolescente & Telones zurcidos para títeres con himen, first published in 1988. 3 Neither Escrito con un nictógrafo nor Momento de simetría are paginated. 4 There is a good English-language version of this text at http://www.poetryintranslation.com/PITBR/French/MallarmeUnCoupdeDes.htm. 5 See Jacques Derrida's Derrida, Jacques. 1987. From Restricted to General Economy: A Hegelianism without Reserve. Writing and Difference, Trans. Alan Bass 251–77. Chicago: U of Chicago P. [Google Scholar] ‘From Restricted to General Economy’ for a brilliant exposition of the concepts of ‘restricted’ and ‘general’ in Bataille's work. 6 See Jean-Joseph Goux's 1968 text ‘Marx and the Inscription of Labour’ for a thorough examination of this homology as it was understood in Carrera's theoretical milieu. 7 Besides Foucault, see Charles Taylor's Taylor, Charles. 1989. Sources of the Self: The Making of Modern Identity, Cambridge, MA: Harvard UP. [Google Scholar] genealogical reconstruction of modern subjectivity in Sources of the Self. 8 Kate Jenckes Jenckes, Kate. 2007. Blind Witnessing and the Aneconomics of the Literary (in Arturo Carrera's Potlatch). American Comparative Literature Organization Annual Conference. Panel: Post-Literature. Puebla, Mexico. April 19–22, 2007. Personal copy. [Google Scholar] has also made note of Carrera's revision of Bataille. She writes, ‘Although he doesn't explicitly reject Bataille's understanding of the term, he does counterpose Bataille's use of the redemptive terms ‘sacrifice’ and ‘salvation’ with the fact of pain, which does not go away once closed symbolic economies are broken open or interrupted by the poetic inscription of “not-enduring, not having, not-knowing”’ (7). 9 See Luis Alberto Romero's Romero, Luis Alberto. 2003. La crisis argentina: una mirada al siglo XX, Buenos Aires: Siglo XXI. [Google Scholar] La crisis argentina. Una mirada al siglo XX (2003), for an excellent, concise account of the economic crisis and its social repercussions. Also, see David Harvey's A Brief History of Neoliberalism (2004), which places Argentina's embrace of orthodox economic policies into relief against other such experiments throughout the world. 10 See Broken Promises, edited by Edward Epstein and David Pion-Berlin Epstein, Edward and Pion Berlin, David, eds. 2006. Broken Promises: The Argentine Crisis and Argentine Democracy, Lanham, MA: Lexington Books. [Google Scholar], for studies of these and other new social phenomena in Argentina. 11 See Giunta's Giunta, Andrea. 2007. Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties, Trans. Peter Kahn Durham: Duke UP. [Crossref] , [Google Scholar] Avant-Garde, Internationalism, and Politics: Argentine Art in the Sixties for an excellent discussion of Tucumán Arde. 12 Proyecto Venus Proyecto Venus. http://proyectov.org/venus2/ [accessed 20 April 2010]. [Google Scholar] ceased operating in 2006, though its website (http://proyectov.org/venus2/) remains accessible. On Eloísa Cartonera, see the project's website (http://www.eloisacartonera.com.ar) and also my own ‘New Media, Cardboard, and Community in Contemporary Buenos Aires.’ Epplin, Craig. 2007. New Media, Cardboard, and Community in Contemporary Buenos Aires. Hispanic Review, 75(4): 385–98. [Google Scholar] 13 Carrera has traced the gendered practice of declamation in Latin America back to the early twentieth century. ‘La declamación,’ he writes, ‘alcanzó un momento culminante durante el período de la poesía modernista en toda Latinoamérica y en España. Tuvo una diva central que la impuso y la puso de moda y hasta creó escuelas de declamación en todo el continente latinoamericano: Berta Singerman – amiga de los poetas más importantes de su época: Lorca, Neruda, Mistral, Storni, Ibarbourou’ (‘Declamation reached its culmination during the modernista period in Latin America and Spain. It had a principal diva who imposed it and made it fashionable, and who even founded declamation schools across the continent of Latin America: Berta Singerman – friend of the most important poets of her age: Lorca, Neruda, Mistral, Storni, Ibarbourou’; ‘De corazón’). 14 The problem of expertise in contemporary society has been the object of numerous studies. To mention just one, Rethinking Expertise by Harry Collins and Robert Evans (2007 Collins, Harry and Evans, Robert. 2007. Rethinking Expertise, Chicago: U of Chicago P. [Crossref] , [Google Scholar]), offers a useful typology of expertise with regard to scientific knowledge.