Chad Harbach The Art of Fielding Little, Brown This novel marks Harbach’s fiction debut. The book, a coming-of-age novel set in the United States, follows five baseball teammates and their experiences in college . Treating issues of love, ambition, and friendship, this debut novel asks both characters and readers to confront their inner selves, questioning the hopes, anxieties, and frustrations they find within. Andrei Gelasimov Thirst AmazonCrossing After being injured in a tank fire, protagonist Kostya secludes himself in his apartment , and his only companions are bottles of vodka that are stacked anywhere there is space. When army friends return seeking Kostya’s help, Kostya is confronted with his past, the very thing that has kept him secluded for so long. It is in these confrontations that Kostya is able to look deep within and find himself, coming to terms with his loss. Gelasimov is the winner of the 2009 Russian National Bestseller Literary Award for his novel, The Gods of the Steppe, forthcoming in English translation. Nota Bene Assommons les pauvres! is a powerful portrait of the tensions of someone trying to fit into a different culture , who is both aware of her own cultural superiority and of the suffering of her compatriots. Sinha’s style is poetic, filled—perhaps overfilled at times—with metaphors. She measures her words, as if rolling cherries in her mouth before chewing them. The government office is a “factory for lies.” Assommons les pauvres! has been nominated for several literary prizes. The novel has also attracted attention because ofpra, the government office for protection of refugees, fired Sinha for going beyond limits in describing their work. ofpra assumed that the writer could be identified with the narrator, and that lack of sympathy for the refugees was a cause for her dismissal—a sad commentary on how literature can be misread. Adele King Paris Kjersti A. Skomsvold. The Faster I Walk, the Smaller I Am. Kerri A. Pierce, tr. Champaign, Illinois. Dalkey Archive. 2011. isbn 9781564787026 If melancholy can be sweet, then The Faster I Walk, the Smaller I Am is just that. Kjersti Skomsvold’s debut novel, which won Norway’s 2009 First Novel Prize, provides a brief, sentimental glimpse into what it means to be lonely. The gloom of such a weighty (and tried) theme is relieved, refreshingly, by the narrator, Mathea, an aging introvert who is charmingly naïve, occasionally funny, often whimsical, but always sad. Mathea Martinsen, fragile in mind, body, and soul, nears the sunset of her life. For reasons not fully explained, she is easily intimidated by the outside world, especially by other people. The causes are both real and imagined. At the grocery store, for example, cashiers ignore Mathea completely. For them, she represents just one face in a thousand that they will serve that day. This fact is devastating : “I just pack my groceries into my bag and go. And if I was kidnapped five minutes later, and the cops came by and showed him my picture, the boy would say he’d never seen me before in his life.” Even though she is desperate for attention from anyone, Mathea cannot muster the courage to engage anyone in conversation. The abyss between Mathea and the rest of the world is just too immense. The Faster I Walk reveals the sad trappings of life at its loneliest, but in such a way that does not depress. Mathea eagerly reads the newspaper each morning in order to discover who has died before her own time is up. That she has outlived the deceased instills a sense of pride, until Mathea realizes that while she lives and breathes, she is nobody. Only upon her death, when her name is printed in black and white, will she become someone. “An obituary would be proof of my existence,” she speculates , “and I wonder if I should send in my own obituary and tell the newspaper to hold on to it and print it when the time is right.” For a debut novelist, Skomsvold is deft at transporting the reader into the world of an imaginary other. The reader becomes so fully absorbed in Mathea’s brief arc that, when...
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