IN the fourth volume, recently issued, of the Proceedings of the Davenport Academy of Natural Sciences there is a valuable article by Dr. W. J. Hoffman on “Aboriginal Art in California and Queen Charlotte's Island.” In the summer of 1884 Dr. Hoffman visited the Pacific coast for the purpose of continuing his researches on primitive art, and he was fortunate enough to find a number of localities in which there are painted and “etched” records, of considerable interest, made by Indians belonging to tribes now unknown. These records occur in groups. One group, the first described by Dr. Hoffman, is in the neighbourhood of Santa Barbara. The best preserved paintings in this series are in a cavity which measures about twenty feet wide and eight feet high. The rock consists of gray sandstone, but the ceiling and back portion of the cave have a yellowish appearance. The colours employed were red ochre, white, and bluish black. Some of the paintings Dr. Hoffman takes to be representations of gaudily-coloured blankets. In several instances a grotesque human figure is drawn over or in front of what seems to be a blanket, as if the latter were intended as a body blanket or serape. In the Azuza cañon, about thirty miles north-east of Los Angeles, Dr. Hoffman examined a second series of painted records. Rudely sketched human figures are represented a pointing in certain directions, and the intention evidently was that they should serve as guides to travelling parties. For instance, the left arm of a figure on a white granitic boulder points towards the north-east. The precipitous walls of the cañon make egress in that direction impossible, but two hundred yards further on the cañon makes a sharp turn towards the north-east, and in rounding the point of land to the right the traveller comes to another boulder, on which are numerous faint drawings of various kinds. This boulder is on the line of an old trail leading from the country of the Chemehuevi, on the north of the mountains, down to the valley settlements of San Gabriel and Los Angeles. A third series of records was found in the southern part of Owens Valley, California, between the White Mountains on the east and the Benton Range on the west. They are “etched,” not painted. The most common characters in this group are circles, either plain, nucleated, bisected, concentric, or spectacle-shaped, by pairs or threes, with various forms of interior ornamentation. This group resembles etchings in the Canary Islands so closely that the illustrations given by Dr. Hoffman serve for both localities. On one of his plates he presents a number of circles with ornamented interiors, from a simple bisection to the stellate and cruciform varieties. Similar circles bearing cross-lines occur at Grevinge, Zeeland; and other forms resembling some at Owens Valley are found at Slieve-na-Calliagh, Grange, and Dowth, in Ireland. The spectacle-shaped variety resembles the mysterious symbol on some Scottish monuments which has given rise to so much vague speculation. The reversed Z, however, is wanting in the Californian examples. Of the various outlines of the human form presented by Mr. Wallace from Brazil, and referred to more recently by Prof. Richard Andree in “Ethnographische Parallelen und Vergleiche,” a considerable number are almost identical with etchings in the Owens Valley series. Many of the characters in these three Californian groups are similar to, and some are indistinguishable from, those made by the Moki and other tribes of the Shoshonian linguistic stock. Further research on the same Jines may, therefore, enable anthropologists to determine the former geographical area of the Shoshonian family, as has already been done in the case of the Algonkian tribes.
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