Despite the theoretical critiques made of observational films in recent decades, the genre is currently gaining good audiences and strong institutional support from government film funding bodies in Australia. In an attempt to explain audience attraction to observational documentary films it is posited that viewers endow the observational style with presenting a greater fidelity to real states of affairs than other documentary modes. Secondly, the recognisable codes of observational film set up a filmmaker/audience contract; a viewer faith in seeing what the filmmaker believes is close to unmediated reality. Thirdly, because of the use of the extended take, loose structure and the refusal to fix meaning, observational films exhibit an openness and invite greater audience involvement in the construction of meaning.
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