NAMELESS GHOSTS: POSSESSION AND DISPOSSESSION IN BELOVED Deborah Horvitz* Toni Morrison’s fifth novel, Beloved (1987), explores the insidious degradation imposed upon all slaves, even when they were owned by, in Harriet Beecher Stowe’s term, “a man of humanity.”1 The novel is also about matrilineal ancestry and the relationships among enslaved, freed, alive, and dead mothers and daughters. Equally it is about the meaning of time and memory and how remembering either destroys or saves a future. Written in an anti-minimalist, lyrical style in which biblical myths, folklore, and literary realism overlap, the text is so grounded in historical reality that it could be used to teach American history classes. Indeed, as a simul taneously accessible and yet extremely difficult book, Beloved operates so complexly that as soon as one layer of understanding is reached, another, equally as richly textured, emerges to be unravelled. Morrison has referred to her novel as a “ghost story”2 and begins and ends with Beloved, whose name envelopes the text. The powerful corporeal ghost who creates matrilineal connection between Africa and America, Beloved stands for every African woman whose story will never be told. She is the haunting symbol of the many Beloveds—generations of mothers and daughters—hunted down and stolen from Africa; as such, she is, unlike mortals, invulnerable to barriers of time, space, and place. She moves with the freedom of an omnipresent and omni potent spirit who weaves in and out of different generations within the matrilineal chain. Yet, Morrison is cautious not to use Beloved as a symbol in a way that either traps the reader in polemics or detaches one from the character who is at different times a caring mother and a lonely girl. Nor is Beloved so universalized that her many meanings lose specificity. She is rooted in a particular story and is the embodiment of specific members of Sethe’s family. At the same time she represents the spirit of all the women dragged onto slave ships in Africa and also all Black women in America trying to trace their ancestry back to the mother on the ship attached to them. Beloved is the haunting presence who becomes the spirit of the women from “the other side.”3 As Sethe’s mother she comes from the geographic other side of the world, Africa; as Sethe’s daughter, she comes from the physical other side of life, death. There is a relationship, too, between Beloved’s arrival and the blossoming of Sethe’s memory. Only after Beloved comes to Sethe’s house as a young woman does Sethe’s repression *Deborah Horvitz is a doctoral student in English at Tufts University working on American women writers. She is also a psychiatric social worker. This paper was presented at Rutgers University and at NEMLA in 1989. of countless painful memories begin to lift. Beloved generates a metamor phosis in Sethe that allows her to speak what she had thought to be the unspeakable. In Beloved the ghost-child who comes back to life is not only Sethe’s two-year-old daughter, whom she murdered eighteen years ago; she is also Sethe’s African mother. This inter-generational, inter-continental, female ghost-child teaches Sethe that memories and stories about her matrilineal ancestry are life-giving. Moreover, Beloved stimulates Sethe to remember her own mother because, in fact, the murdered daughter and the slave mother are a conflated or combined identity represented by the ghost-child Beloved. Mother-daughter bonding and bondage suffuses Morrison’s text. Sethe’s nameless mother is among the African slaves who experienced the Middle Passage and, late in the text, she relates that ordeal through a coded message from the ship revealing that she too is a Beloved who, like Sethe, has been cruelly separated from her own mother. This cycle of motherdaughter loss, perceived abandonment, betrayal, and recovery is inherent in and characterizes each mother-daughter relationship in the novel. But in the present tense of the novel—Ohio in 1873—Sethe barely remembers, from so long ago, her own mother, who was pointed out to her by the eight-year-old child who watched over the young...
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