Summary It was during the period 1640–70 that the German Church in Stockholm was furnished with the appo‐intments which, on the whole, still adorn it today. The reredos was begun in 1641 but was not com‐pleted until 1659. From concordant data taken from the church accounts and from a guild register dated 1655 we may conclude that it is the work of the sculptor Markus Hebel, a Holstein master who left to posterity numerous works in Sweden dating from the middle of the 17th century, and who is believed to have executed, inter alia, the German Church's fine South Porch. He has also done the three beautiful oval epitaphs. In 1659–61 he designed and built an organ for the church, which in 1776 was replaced by a fine piece in an Empire case. Formerly the church had two galle‐ries, one above the other, along one of the long walls, the one gallery resting on wooden pillars and the other suspended from the roof. They represent a style strongly influenced by Dutch art. They are the work of the master‐carpenter Chri‐stoffer Wellendorff and were built in 1647–49. The pews are also by him. The gallery parapets and the underside of the floors are divided into rectangular fields, each one containing a painting on a biblical subject; there are 120 in all, executed by the painters Paul Fischer and Hans Georg Phillip. The pulpit is a magnificent piece of work in ebony with sculptures in alabaster; it was given to the church in 1660. This pulpit bears striking resemblances to that in Danderyd Paris Church, Uppland, but it represents a somewhat later and more advanced stage in the Baroque style. This pulpit was executed by Master Hans Behm. As there appears in the German Church accounts the name of one Christoffer Behm, the latter is presumably the de‐signer of the pulpit, being no doubt a son of Hans. The splendid Royal Gallery, dated 1672, was exe‐cuted by several persons in collaboration. The sculptures, among which the fillings in the staircase barrier are especially noteworthy, were done by the Dutch sculptor Nicolaes Millich, who also carried out, inter alia, the carvings that decorate Queen Hedvig Eleonora's State Bedchamber in the Palace of Drottningholm. The bedchamber was de signed by the architect Nicodemus Tessin the elder. As it must be presumed that the Royal Gallery in the German Church was also designed by an architect, and as the design is strikingly similar to that of the Royal Bedchamber and to others of Tessin's creations, it must be regarded as fairly certain that he also drew the designs for this gallery.