Jordan Cofer. The Gospel According to Flannery O'Connor: Examining the Role of the Bible in Flannery O'Connor's Fiction. New York: Bloomsbury, 2014. 144 pp. [$98.99] cloth.Because O'Connor worked biblical allusions into her work so frequently, it is surprising that they have not been examined more continuously and rigorously in O'Connor scholarship. Aside from an occasional article on specific biblical reference here and there through the years, and J. Ramsey Michaels' recently released Passing by the Dragon (Cascade Books, 2013) and Thomas Haddox's Hard Sayings (Ohio State UP, 2013), we have not seen many substantially researched textual analyses of how material in the Bible enhances O'Connor's fiction until now in Jordan Cofer's impressive study.Cofer argues that O'Connor uses three techniques in alluding to the Bible. First, she recapitulates, or retells, biblical stories. Second, she highlights the redemptive nature of violence through her prophet figures. And finally, she follows a biblical pattern of reversal, where readers' expectations are disrupted. While other major authors such as Milton and Faulkner directly allude to the Bible at times, Cofer notes, O'Connor does so much more obliquely. Instead of making direct references, she rewrites biblical narratives, invokes and alters prophetic archetypes, and uses and manipulates ironic reversals repeatedly.O'Connor uses all three of these techniques in Wise Blood, as Cofer's second chapter illustrates. Understanding how these techniques work, Cofer argues, potentially elevates the novel as a sort of blueprint for understanding her biblical allusions from that point on. While St. Paul publicly condemns Christianity and experiences a temporary physical blindness that represents metaphorical sight during his conversion to Christianity, Hazel Motes is an inverted Pauline figure who misunderstands Christianity altogether in blinding himself. Cofer asserts that Hazel serves as a prototype of the prophet figures that will populate her later work. Many of the ironic reversals in Wise Blood, moreover, echo reversals found in the Bible and prefigure the various types of reversals that can be found in the rest of her writing.Biblical recapitulation appears most strongly in A Man Is Hard to Find and Judgment Day, as the third chapter argues. O'Connor's technique is unique, Cofer explains, in that she rewrites biblical narratives by contemporizing them both for theologically sophisticated readers and for those who are unfamiliar with theology altogether. A Man Is Hard to Find radically rewrites the meeting between Christ and the rich young ruler, here cast as the Misfit. When the Misfit asserts If He did what He said, then it's nothing for you to do but thow away everything and follow Him . (CW 152), he echoes Christ's command to the rich young ruler-who asks how he can attain salvation-to sell all he has, leave everything behind, and come, follow (Mk. 10:21). O'Connor further shocks her readers, then, by making a serial criminal the bearer of Christ's wisdom. This biblical passage, moreover, has the ruler addressing Christ as Good teacher, and articulates Christ's radical question, Why do you call Me good? No one is good except God alone (Mk. 10:18). Though Cofer does not focus on this point, in this rebuke, Christ calls attention to the complexity of the term good, a term O'Connor would complicate in her later work as well. As the Misfit reflects on the grandmother's final sacrifice, he recognizes her goodness. For all the connections between the rich young ruler and the Misfit, however, there are major differences that prevent a reading of O'Connor's story as biblical allegory. Externally, the Misfit is the opposite of the rich young ruler, but inwardly they are the same. Ironically, the Misfit is the vehicle for the grandmother's redemption. Attending to the ways this biblical allusion is invoked and modified, Cofer points out, illuminates her unique approach to delivering Christian messages with brilliant subtlety. …