THE collection which General Pitt Rivers, F.R.S., commenced to form in the year 1851 became well known to all immediately interested in the science of anthropology during the series of years in which it was exhibited at the Bethnal Green branch of the South Kensington Museum as Col. Lane Fox's collection, and no one visited it without picking up a great deal of interesting and curious information. To those who studied it with care it opened up a new field of exploration, and invested all objects of art and manufacture, from the simplest ornaments, weapons, or implements of savages, to works the product of the highest modern culture, with a certain peculiar interest over and above the gratification derived from the objects themselves without reference to the history of their origin. It is needless to say that the moving power of this peculiar interest was the evolution theory, for the object which General Pitt Rivers set before him was, as he explained, “so to arrange his collection of ethnological and prehistoric specimens as to demonstrate, either actually or hypothetical!y, the development and continuity of the material arts from the simpler to the more complex forms. To explain the conservatism of savage and barbarous races and the pertinacity with which they retain their ancient types of art. To show the variations by means of which progress has been effected and the application of varieties to distinct uses. To exhibit survivals or the vestiges of ancient forms which have been retained through natural selection in the more advanced stages of the arts, and reversion to ancient types. To illustrate the arts of prehistoric times as far as practicable by those of existing savages in corresponding stages of civilisation. To assist the question of the mono-genesis or poly genesis of certain arts; whether they are exotic or indigenous in the countries in which they are found. To this end objects of the same class from different countries have been brought together in the collection, but in each class the varieties from the same localities have been placed side by side, and the geographical distribution of each class has been shown in distribution maps.” The gradual growth of the arts has of course been the theme of many writers. But General Pitt Rivers was the first, and up till now has, we believe, remained the only, collector who has investigated the development of arts and manufactures, and brought home their history to students by means of series of the objects themselves arranged in groups so as to illustrate their actual pedigrees.
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