Beautiful Look Research Articles

Geeli Pucchi

Geeli Pucchi

Characteristic features of neck aging

In today’s era, everyone desires a youthful and beautiful look as they age. In this regard, many non-invasive and minimally invasive facial and neck rejuvenation procedures are most sought after by patients. Neck rejuvenation is of priority among patients in recent days as it significantly contributes to the overall aesthetic outcome. Therefore, as good dermatologists, we must have a sound knowledge of the anatomy of the neck, and various clinical signs of neck aging and choose the right modality of treatment with good acceptability and fewer adverse effects to obtain the desired aesthetic outcome. Neck aging is due to intrinsic as well as extrinsic factors and manifests as skin dyspigmentation, laxity, rhytides, loss of mandibular contour, widening of the cervicomental angle, accumulation of submental fat, volume loss, and prominence of the platysmal bands. A wide range of therapeutic options is available to address these concerns. In addition, it is also imperative to advise patients to follow a good skincare regime that includes moisturizers, sunscreens, and retinol creams to have a better outcome. It is the combination approach that often produces the most optimal outcome. The treatment plan for rejuvenation must be modified for every individual based on the degree of neck aging and their expectations.

INTERPRETASI MAKNA CANTIK DI KALANGAN MAHASISWA DALAM PERSFEKTIF FENOMENOLOGI SOSIAL

Abstract : Beauty is the most beautiful gift that God gives to every woman, how to care for it is also a nature that cannot be separated from the discussion of women, especially in the current millennial era. Beauty for the perception of many women can be relative and difficult to describe, but its meaning can be seen in different perspectives. This study aims to reveal what the meaning of beauty looks like for students of the IAIN Metro Social Studies Department, because based on the author's observations it is found that there are differences in perceptions in terms of interpreting beauty which tend to be seen from appearance so that students try to look beautiful by wearing make-up on campus so that beauty becomes a necessity of social recognition, appreciation and self-actualization. This study was analyzed using the theory of Phenomenology by Alfred Schutz. This study uses a qualitative research method with a phenomenological study approach. The results showed that there were various perceptions of the meaning of beauty for each student, especially Tadris IPS IAIN Metro students in interpreting beauty which tended to be objective in terms of: (1) ideal body shape (2) white and bright skin (3) attractive (outer beauty) rather than subjective meaning as seen from (1) Intellectual Intelligence (2) Emotional Intelligence (3) Spiritual Intelligence (Inner Beauty). The meaning of beauty for students is very diverse, every effort is made to meet certain beauty standards because then they will be more confident, get praise and attention and feel welcomed in a social environment.

PKM Ecommerce, Packaging Design dan Manajemen Pemasaran untuk Usaha Kuliner Kota Batam

Culinary business is very developed in Batam City. Moreover, the majority of people are workers. Because they do not have time to cook, people prefer to buy food outside while relaxing with family. More and more demand, more and more businesses have also opened up in this culinary field. So that competition in selling gets heavier. This service activity aims to increase the market share of Miss Tape and Toteles Donuts through the use of e-commerce, design improvement, and marketing management fostering. The result of the service that has done is the creation of partner websites to promote their products, attractive design packaging (packaging design) becomes its concern for buyers. Taste does determine the repurchase, with a beautiful look that is expected to add positive value to the customer's eyes. Dedicated solutions will require implementation by creating unique shapes and different print layouts. Marketing management is doing by guiding how businesses can maintain business continuity and still pay attention to buyer satisfaction. More details are: analyzing, planning, implementing, and monitoring the program so that the goals of culinary business continue to advance and develop.

BEAUTY CONCEPT REPRESENTED ON COSMETIC ADVERTISEMENT

The issues surrounding beauty concepts such as related to women in color, how society make their own standard of beauty and how its prevalence in any mass media’s advertisements deserve our attention. Fenty Beauty tried to handle those problems related to skin tone and beauty standards. The objectives of this research were to analyze how the cosmetic advertisement represent beauty concepts according to semiotics signs, and to decipher messages conveyed by verbal (tagline) and visual signs in cosmetic advertisement represent beauty concept. The participants of this research are Rihanna and eleven models in Fenty Beauty advertisement video in each scenes. The Fenty Beauty video itself captured woman with different skin tones, hair, body sizes, ethnicity and religion. To obtain the data the researcher used two instruments namely video observation, and documents analysis. The findings investigating the beauty concepts cover the skin tones, make up, hair and face symmetry. Meanwhile, the finding examining messages there verbal and visual sign. Verbal sign was found in two types. The first is ‘the new generation of beauty’. It means as freedom of expression in creating beauty looks based on their apparences. The second is ‘Fenty Beauty by Rihanna’, it means beauty is something personality. The messages are conveyed in visual signs are everyone is beautiful in their own way with what is God already given. There’s no concrete standard for beauty relate to skintone, hairs and face symmetry. The natural make up always makes someone more gorgeous. Furthermore, the researcher would also suggest further research to incorporate readers to think critically and open-minded what they see in cosmetic advertisement.

Aesthetic medicine cabinets — economic aspect activities

On the global scale, the market of aesthetic medicine increased in the years 2015–2016 by 8.2% on average, while in Poland by 12–15%. The reasons for the strong development of the Polish market may be related to a systematic increase in the number of affluent Poles [3], ease of access to aesthetic medicine treatments, a change in the way of thinking about this type of treatment, and increased awareness of the appearance and striving to preserve a young and beautiful look. The share of new patients in the cabinets of this industry is a proof of great interest in aesthetic medicine procedures. In 2017, new patients accounted for between 25% and 50% of all patients. From an economic point of view, current economic conditions with forecasts of further growth of the aesthetic medicine market are the premise for undertaking activity in this industry. To take full advantage of the potential of the facial cosmetic surgery, it is worth taking care of all possible aspects of its functioning — high competences of medical staff, as well as economic aspects of running such activities, including identification of possible risks in order to avoid them.

Discussing Architecture and the City as a Metaphor for the Human Body : From Marcus Vitruvius Pollio, Leon Battista Alberti, Andrea Palladio to Other Renaissance Architects

This thesis explores Vitruvius and his impact upon other Renaissance architects who compare a city to a building or a building to a city, who match the city and the building into a human body, and who develop their own works. The objective of this study is to furnish an interpretation of their theory and practice through their literature and designs. In this point of view, this article takes notice of Vitruvius’s six concepts coined from venustas and divides them into two parts: i.e. aesthetic quality (ordinatio, dispositio, and distributio) and technical activity (eurythmia, symmetria, and decor) each. This thesis indicates that Vitruvius’s successive impacts from the concepts bring about concrete design principles through proportional measurements, placing together, and hierarchic values for the former, as well as appropriate use through beautiful look, symmetrical harmony, and appropriate uses for the latter, tracking notions between a city as a house and vice versa, and either the ideas of the house or the city in the synthesis of the human body, which follows the perfect number and module based on the human body. The thesis shows that the representations of architecture and the city take place with the form of a circle and a square that express the religious belief and the cosmos, substantiating the connection between the proportions of the human body and numbers, and ultimately satisfying a concept of centrality, which is slowly extended to the enclosed plaza at the urban level from chambers, atrium, and corridors at the residence level.

Modern Glass: How Williams Reframed Duchamp’s Window

IN a 1924 letter published transatlantic review, Mina Loy chastises those readers who ignore impact of modernity and modernism: Modernism is a prophet crying wilderness of culture that humanity is wasting its aesthetic time. For there is a considerable extension of time between visits to picture gallery, museum, library. It asks what is happening to your aesthetic consciousness during long long intervals? The of is pouring its aesthetic aspect into your eyes, your ears - and you ignore it because you are looking for your canons of beauty some sort of frame or case of tradition [...]. Would not be lovelier if you were constantly overjoyed by sublimely pure concavity of your wash bowls? (Loy, Gertrude 429-30) Loy reiterates a familiar avant-garde pitch: one must seize present moment, accept impact of modernism and recognize beauty of unexpected, lowly, contemporary objects. Instead of experiencing modern art and literature at particular times, such as when we pick up Ulysses or visit Armory Show, she asks us to acknowledge everyday experience of both modernity (the of life) and modern/sm (its aesthetic aspect) quotidian life. Just as Marinetti's later Futurist Cookbook proposes a constant absorption of art and via your stomach, Loy asks that we accept aesthetic even when it appears as morning bath. Henry Sayre rightly associates Loy's appreciation of sublimely concave wash bowl with her friend Marcel Duchamp's aesthetic defense of his Readymades, particularly urinal titled Fountain (1917) (Sayre, Ready-mades 11). Loy's letter thus reveals influence of both futurism and Dadaism on her thinking. But there are echoes of Duchamp's aesthetics another part of quotation. When Loy writes that we mistakenly look for beauty in some sort of frame or case of tradition, she is not only asking us to recognize shock of art unaccepted ways and places (futurist food for dinner, a urinal turned on its side and placed on a pedestal). She is also making point that picture frames and cases are similarly flawed examples of stabilized culture: both cut off spectator from the of life - living world of art object - thus making art appear sterile and lifeless. Her logic implicitly makes a claim about how frames and cases function. In Loy's formulation, painting frames (by keeping flux of life out of painting) and cases (by preserving art object from corrosive effects of flux of life) do same kind of unnecessary work. That is, effect, work of frames, separating world of one environment from that of another while permitting each environment to be mutually viewable. For if a frame is understood as trapping a painting stifling, airless atmosphere of museum, just as a sealed case removes a precious object from world, then, according to Loy, physical world as we experience it can enter - and should be allowed into - art. We need only eliminate windows: painting frames and cases of tradition. At first, this observation seems unremarkable. By early twentieth century, history of art was also a history of picture frames (if not cases) imagined as windows onto another world. This history begins, at least, with Leon Battista Alberti's fifteenth-century description of picture frame as open through which I see what I want to paint, and Leonardo da Vinci's claim that perspective is nothing else than seeing of an object behind a sheet of glass (Alberti 55; Leonardo 369). By nineteenth century, an expanded window/ painting informed development and theorization of realism such that, 1860s, French art critic Charles Blanc used the metaphor to describe naturalism, while Emile Zola praised Monet's paintings as a window open to nature (Levine 98). …

Beauty Looks Down on Me

Beauty Looks Down on Me Eun Hee Kyung (bio) Translated by Sora Kim-Russell (bio) Spring Snow I cannot forget the day I first saw Botticelli's The Birth of Venus. A late spring snow was fluttering down. As I followed my father into the carpeted Italian restaurant, I realized it was a world apart from any place I had ever known. Small flower vases and candlesticks were set on the tables, and the air in the room was quietly stirred by the subdued conversations of affluent, refined looking people skilfully handling Western-style silverware. Father and I were shown to a reserved table beside a window. A waiter took my father's elegant overcoat and my old, clumpy parka and hung them on a coat stand. From the moment I sat facing him, I directed my gaze at a large painting dimly lit by a spotlight on the wall behind him. I couldn't look him in the face. The air inside was warm and sweat soon began to ooze along the folds on my neck. Now that you're a middle school student, you must do more for your mother. I nodded almost imperceptibly in response to Father's words. And you can call me whenever you want. That sounded a bit like a lie. As soon as the food arrived, I lowered my eyes and pretended to be absorbed in eating. Transferring a shrimp to my plate after dipping it in sauce, Father spoke again. You have a healthy appetite. Don't worry. When [End Page 201] you grow up, the fat will melt off on its own. Why, when I was your age, my nickname was Pork Bun. I thought that sounded like a lie too. Once all the food was eaten and the plates cleared away, I had nowhere to focus my eyes, so I looked up at the painting again. Following my gaze, Father turned to see where I was looking. A superior smile rose to his lips. That's Venus. The scene where she's born out of the sea foam. Why did I feel so sad the moment I heard those words? Was it because of the smooth, beautiful face like that of a porcelain doll, milky-hued with a touch of green? Or the long, blond hair wrapped around her slender, naked body and fluttering in the breeze, or the defenseless-looking, bare, white feet poised on a great gaping shell? Or was it because of the mysterious sorrow deep in her eyes that were gazing up into the empty air? I'm sorry, Father said mournfully, sighing deeply, when he saw that my eyes were brimming with tears. Looking back, as I followed my father around that day, I was constantly tormented by the question of why I was born. Every time my footsteps lagged behind, he would stop and stand waiting for me, probably thinking, just as other people did, that it was on account of my size. I was already used to that kind of misunderstanding. Having been a fat kid, I always looked crabby or unhappy, when in fact I was merely shy. On the days I met Father, I always went home feeling sad because I was convinced I could never please him. He seemed especially displeased with the fact that I was fat. Had he been with a bright, innocent child, he could have been the tragic hero, but a fat kid who looks stupid or crabby could never amount to any more than someone who reminded him of his own mistake, his one moment of folly. Venus Once I was old enough to be able to buy things I liked with my own money, I hung a picture of Botticelli's Venus on the wall of my room. Since it had a naked woman in it, my friends thought it was [End Page 202] a different style of pornographic poster. B said that fat people are obsessed with the classics as a form of psychological compensation to try to prove how refined and sensitive they are. But neither the sensuous Venus welcoming her lover Mars into her bed, nor the pure, innocent Venus standing...

Functional and Aesthetic Endpoints in Orthognathic Surgery

Although facial deformity can accurately be described and classified, the treatment goal can be more difficult to define. Functional and esthetic endpoints calibrated to a set of normal facial proportions may achieve a "normal" face but one that is not necessarily beautiful. Results of orthognathic surgery can dramatically be improved by adding an aesthetic concept to the surgical plan. We can achieve a face with both stable occlusion and a beautiful look each time. Additional soft tissue procedures may be required to perfect the final balance and harmony of the face.

Beauty and Art

Definitions of beauty and art have been turned upside down when trying to describe 20th century and postmodern art. The classical sense of beauty looks toward the replication of nature as its inspiration. The development of Impressionist art and modern art forced the rules of aesthetics to be rethought and revised. Old standards of aesthetics were brought into question with each successive artistic challenge. This article endeavors to explore the meaning of beauty and the aesthetic experience as it relates to defining art.

Beauty Looks After Herself

Beauty Looks After Herself

Illuminating Materials of Metyl Methacrylate Sheet

Methyl mehtacrylate sheet as an illuminating meterial has become by now an essential meterial in moddrn illumination industry and this is primarlly attributable to its high optical efficiency, its excellent heat and mechanical properties and its refined and beautiful look. This article deals with the various properties of methyl methacrylate sheet as an illuminating material and on its utilities.

The Lure of Beauty

THE THOMIST A SPECULATIVE QUARTERLY REVIEW OF THEOLOGY AND PHILOSOPHY EnnroRs: THE DoMINICAN FATHERS OF THE PRoviNCE oF ST. JosEPH Publishers: Sheed and Ward, Inc., New York City VoL. VIII APRIL, 1945 THE LURE OF BEAUTY ROM THE fifteenth century to the present day the western world has been drifting with more or less gay abandon from the solid moorings of truth and goodness. This vagrancy has been marked by two trends: an abandonment of scientific philosophy and theology in favor of the elevating experiences of esthetics, and a departure from classic Christianity under the guise of pursuing culture. The moderns give full expression to this now ancient vagabondage as they chant of the dawn of a new era of culture and revel in rhapsodies on art and beauty. Now, the allurements of beauty are very old. But they become extravagant when man despises true wisdom and departs from moral goodness. The temptations of esthetics are many. The mind of man has a desire to penetrate the material world about him. In a limited way the esthetic experience satisfies this desire, but at the same time it feeds the false hope that man can exceed his intellectual perfection, which here below consists in universal truths, and rival the divine and angelic in149 150 JOHN FEARON tellects in their total exploitation of the concrete individual. In the face of a reluctance on the part of the material world to expose its inner self to the human mind man artfully contrives to give matter an intelligibility not its own in an attempt to elucidate the beauty of his world. Loving the child of his own mind fosters in man the temptation to rest in his image and exult in his own self-expression. In a way this flatters the same presumption that toppled Adam-that man can be the principle of his own perfection. And just as there is a possibility of confusing the merits of esthetic and philosophic knowledge, there is the possibility of confusing the beautiful and the good. Succumbing to this temptation leads to the modem cult of culture. Disregard for truth and goodness makes the modern an easy target for the wily one who capitalizes on any and all temptations . But sound doctrine can reduce the potentiality of these temptations and rob beauty of its deceptive lure. The fundamental ideas of St. Thomas on beauty are the surest road to a realization of the distinctions and limitations which belong to esthetics. St. Thomas lived in a beautiful age, sometimes called the greatest of centuries. True, his observations on the beautiful are scattered through his works in terse phrases pregnant with meaning. He merely pauses to give a definition, to indicate beauty's relationship to the good or to assign its place in the Trinity. But this process is natural to the rapid pace at which a theological synthesis must travel. Furthermore, it is well to bear in mind that Divine Providence had definite designs upon the genius of the friar from Rocca Sicca. In doctrinal matters St. Thomas had one intent and purpose: to establish theology as a strict science, the most perfect of sciences. IDtimately this involved the production of a " summa " of Sacred Doctrine for beginners. The magnificence of this work has been recognized through the centuries, sometimes even with the silent encomium of resting on the shelves reserved for research and reference. Eric Gill once said " look after goodness and truth, and beauty will take care of herself.'' 1 The Angelic Doctor took care of truth. 1 Eric Gill, Beauty Looks After Herself, Sheed & Ward, N. Y. 1933, p. !M5. THE LURE OF BEAUTY 151 Pope John XXII gave Thomas Aquinas the title of Saint. Pope Pius XI gave St. Thomas Aquinas the title of Universal Doctor. This paper is not undertaken in the pontifical spirit which would add the tile of Esthete to those of Saint and Doctor. But perhaps it may help to lead the moderns back to truth and goodness. Then" beauty will take care of herself." I In attempting to piece together the scattered fragments of St. Thomas' esthetics into an integrated whole, harmonious with the rest of his synthesis, the usual...

Beauty Looks after Herself, by Eric Gill

Beauty Looks after Herself, by Eric Gill

Beauty Looks after Herself

Beauty Looks after Herself

Beauty Looks After Herself

Beauty Looks After Herself

Review of Book: Beauty Looks after Herself

Review of Book: Beauty Looks after Herself