Batik Cloth Research Articles

Batik Pacitan: Kontinuitas dan Perubahannya

The main objective of this research is to explore and observe the existence, development, and changes of Pacitan batik, especially in the aspect of form, function and product of Pacitan batik in social, cultural and economic contexts. This research is descriptive qualitative by using a multidisciplinary approach, culture, aesthetics in the hope that it can answer all the problems. Changes caused by internal factors can occur due to new interpretations and perceptions of the Pacitan community, as a community that supports batik cloth. Pacitan people have a sense to participate in the development, innovation, ideas, and new creations of Pacitan batik. Changes caused by external factors generally occur because of relationships, communication, and social and cultural interactions with other cultures. Pacitan batik products have also experienced developments and changes, both in quantity and quality. Broadly speaking, the changes that occurred in Pacitan batik were marked by a change in its function, from the beginning as a long cloth worn by women during official events or during celebrations, to now becoming a trade commodity product. The motifs applied to Pacitan batik initially contained deep philosophical symbolic meanings, but now these meanings have been put aside, and only evaluated for their aesthetic aspects. Changes in cultural products will have an impact on the supporting community, both in terms of socio-cultural aspects, as well as socio-economic aspects.

PENERAPAN KURVA TRIGONOMETRI UNTUK MOTIF KAIN BATIK - MEDIA PEMBELAJARAN PERSAMAAN TRIGONOMETRI

The subject of trigonometric equations is a learning material given to high school students majoring in Mathematics and Natural Sciences and also deepened in student lectures in the fields of science such as mathematics, engineering, informatics and others. The problem discussed in this study is that learning media is still needed to support learning trigonometric equations. The purpose of this research is to create a media for visual simulation of the results of trigonometric equation functions, namely the sine function with various equation models and by modifying the coefficient values in the equation. The results of this simulation are various curve images and are used as a choice of batik motifs. The research methodology uses mathematical modeling with trigonometric equations of sine functions. By changing some of the coefficients in the modification of the sine function, we get an interesting selection of images for batik patterns. The results of the study were in the form of a batik cloth motif design. This research can be used as an interesting learning medium on the subject of trigonometric equations and to addto the richness of various types of batik cloth motifs as an option for lovers of batik cloth art.

Improvement Of Writing Batik Skills Of Pkk Women, Tajinan Village, Kepanjen District, Malang Regency

The purpose of this service at PKK RW.06 Tajinan village, Kepanjen sub-district, Malang Regency is to empower PKK members with various activities that can improve their economy. Activities carried out by making batik from the initial process until it becomes batik cloth and processing it into skills that have economic value. The method used is by transferring knowledge to members of PKK RW.06 Tajinan village, Kepanjen sub-district, Malang Regency, covering the process of batik until it becomes a skill that is ready to be sold. and food packaging with direct assistance. Results devotion to community train skills member of PKK RW.06 Tajinan village, Kepanjen sub-district, Malang Regency in the resulting batik PKK members.

Photodegradation of Dyes From Cual Batik Waste Using TiO2 Photocatalyst From Ilmenite Bangka

Cual batik is one of the local products of the Bangka Belitung Islands. The expansion of cual batik in Bangka Belitung continues to increase, resulting in an increase in the production of cual batik cloth. Cual batik contains remasol dyes which are carcinogenic so that waste handling is appropriate and safe for the surrounding environment. One of them is using the TiO2 photocatalytic method from ilmenite Bangka. The results of XRF characterization showed that the TiO2 content after magnetic separator and HCl washing reached 69,975% and 77,260%. The results of XRD characterization showed that the optimal temperature of calcination was at 700ºC with the peak diffraction intensity of anatase TiO2 crystals at 2θ 48.9º, 53.53º and 53.92º. In FTIR characterization, there is a functional group spectrum of titanium dioxide (TiO2) at the absorption wave number 795 cm-1 showing Ti-O-Ti stretching vibrations, at wavenumber 2326 cm-1 showing Ti-O stretching vibrations. The results of photodegradation of cual batik waste showed a decrease in the dye content of remazol briliant blue when exposed to UV lamps and sunlight at contact times of 30, 60, and 90 minutes 85.21%, 82,75%, and 86,72% (UV light); 70,75%, 78,92%, and 93.51% (sunlight).
 

Modernizing Batik Clothes for Community Enterprises Using Creative Design and Colorimetry

The objective of this study was to modernize batik clothes, a cultural heritage of Southeast Asia, through creative design, color characterization, and collection presentation. Three community enterprises from the southern regions of Thailand participated in designing batik motifs based on their local identities. The pattern of the first manufacturer group was influenced by stones and ancient beads of vivid orange and blue shades. The second community was inspired by the nearby sea, resulting in ocean blue, white, and emerald green colors on batik fabrics. Floras in the south of Thailand dominated the design of the final manufacturer group. Smartphone colorimetry was then used to characterize the batik fabrics. It was demonstrated that this proposed color quantification was not confined to the laboratory, and could easily be carried out by vendors or customers. The collaboration encouraged local batik artisans to use a variety of inspirations, new tools, as well as professional design and production methods. To introduce modernized batik to the public, collections of these newly designed clothes were displayed in a fashion show staged under the theme “Southern Chic.” The presentation of Thai batik clothes in seasonal collections highlighted the transformations of local manufacturers and products with increasing appeal to younger people. In addition to conservation and commercial advantages, the modernized approach is accessible and attractive for education purposes, engaging students in cultural heritage. Doi: 10.28991/esj-2021-01319 Full Text: PDF

Flower and plant variants as abstraction in Javanese batik motifs from classical to contemporary era

Batik is one of the artworks of old Javanese society which has continued to exist and develop until the present day. In the 18th century, batik was a special type of clothing worn by the nobility, and there were even prohibitions for using batik clothing with certain types of motifs. Its basic substance is the ornamental images made on the fabric. A piece of cloth can change its position and value only because of a difference in decoration. As a visual aesthetic, batik is the work of Javanese artists, created by abstracting the surrounding natural environment, especially various flora, and fauna. Up to 1912, there were more than 100 names of flowers, leaves, and plants that were abstracted to become classical motifs. In the contemporary era, where batik has become more acceptable as clothing for the public, flora-based motifs are no longer the result of abstraction of particular flowers or plants but are considered more for their ornamental aesthetic. The aesthetic value of contemporary batik motifs is no longer determined by the type of flowers or plants abstracted, but by how they are represented for the beauty of clothing.

The Development of Batak and Malay Batik Motif Stilation in Improving the Creative Industry in Indonesia

The purpose of this study was to determine the stylization of Batak and Malay batik motifs by developing the shape of a typical Batak batik motif with a typical Malay batik motif and to determine the process of developing a Batak and Malay batik motif design. The target of the research is to create and produce designs of stylized Batak and Malay batik motifs and to conduct batik trials on fabrics with motifs that have been developed, so as to produce textile products in the form of a blend of batik cloth between two tribes in North Sumatra. The research method used is the development research method (R&D). The research model is the IDI (instructional, development, Institute) development model, which includes three stages: define, develop, evaluate. The define stage includes: identifying problems, needs analysis, motive characteristic analysis, design concept analysis. The develop stage includes: development of motif designs and validation of product results by experts (validators). The results showed that Batak and Malay batik products deserve to be developed as a creative industry. The first validation gave a score of 0.89, the second validation got a score of 0.86 and the third validation obtained a score of 0.94. The average value of the validation results is 0.89, so the results of research on the development of stylized Batak and Malay batik motifs are included in the appropriate category and can improve the creative industry in Indonesian.

THE APPLICATION OF NATURAL DYES TO BATIK USING MANGROVE SPESIES RHIZOPORA STYLOSA, SOGA TINGI (CERIOPSTAGAL) AND INDIGOFERA

Technological advance leads the natural dyes to be eroded by the synthetic one. Synthetic colorant has advantages of salient, more uniform color and more practical use. Meanwhile, the disadvantage of it is much metal content harmful to the environment. The natural colorant is colorant (pigment) derived from plant, animal or mineral sources. The advantage of natural dyes is that it is more environment-friendly because it is not poisonous and safe for health. The disadvantage of it is storage difficulty. When natural dyes in liquid form is stored too long, it will be decomposed easily. For that reason, it should be stored in powder form.The method used to get natural dyes was extraction with a batch manner. The extraction was carried out with basic material-to-solvent ratios of 1:10, 1:7, and 1:5. The basic materials used were mangrove spesies rhizopora stylosa, Soga Tingi, and Indigofera. The best extract was obtained with a ratio of 1:5 for all basic materials. The powder was prepared by feeding the extracting solvent into a spray dryer so that the natural colorant powder was obtained. The application of colorant powder was used at 1 gram/100 ml, 2 gram/100 ml, 2 gram/100 ml, 4 gram/100 ml, and 5 gram/100 ml. The immersing with natural colorant was conducted in 2 conditions: extract and powder are immersing were carried out 5 times with each submerging of 15 minutes and dried. Then, fixation (color-locking) was done to batik. The fixer employed was tunjung (changing the color of batik into the darker one), alum (maintaining the batik’s color), and lime (change batik color into the brighter one). The fixated batik cloth was then examined for its fading against washing using launder meter and against rubbing using crock meter. The result of the examination was analyzed using a staining scale and greyscale. The examination using the staining scale was divided into 2: wet and dry rubbings. From the result of the wet and dry rubbing test, it was obtained the best result with tingi colorant, alum fixer solution, and powder condition. Meanwhile, on the greyscale, it was obtained the best result with tingi colorant, alum fixer, and powder condition. So, it could be concluded that the optimum application of powder to batik cloth was 4 gram/100 ml water and 5 times immersing. The best result of fading resistance against washing and rubbing was tingi with alum fixer and in powder condition.Keywords – extraction, spray dryer, fixation, launderometer, and crockmeter

BATIK PRODUCT INNOVATION THROUGH COLOR THEORY IN DESIGN AS A FORM OF PRODUCT DIVERSIFICATION

The purpose of Bina UMKM Batik is to provide training on the technique of mixing and matching (composition) colors, motifs and other materials (plastic) with batik waste produced by SMEs in order to produce batik products that are attractive in terms of color composition. As well as helping MSMEs in reducing the waste of batik cloth produced. The form of utilization of Batik waste will be the use of unused cloth from the rest of batik production which has been made in the form of patchwork in various sizes, colors and motifs characterized by Pekalongan batik. These materials will be designed by taking into account the type of product to be made, the materials used and the color composition to be used in the design of batik products such as bags, chair cushions and table ware sets. It is hoped that from this training, Batik SMEs can utilize the remaining batik cloth waste and reduce waste from existing batik and can produce product diversification that has design value and economic value. The process of making products will gradually be documented with videos so that MSMEs can follow how to produce products that have been designed. And product prototypes that have been made will be used as examples by MSMEs so that they can follow the design and quality standards of the products that have been made.

COACHING OF CREATING MANGROVE FOREST MOTIF MUARA GEMBONG AS A SOURCE OF BEKASI BATIK MOTIF IDEAS

Bekasi Regency has beautiful sea views and the existence of a stretch of mangrove forest, namely in Muara Gembong. Currently, Bekasi Regency does not have a typical Bekasi Regency motif as a regional characteristic. The potential of the mangrove forest can be used as a theme in the creation of a distinctive Bekasi motif design. The purpose of this community service is to create new, unique, creative, and innovative batik motifs based on the theme of the Muara Gembong mangrove forest, Bekasi, through graphic design training for students of Tunas Jakasampurna Vocational High School, Bekasi. The method of community service uses the Direct Coaching & Monitoring method. Of the nine students who were trained, one of the best designs was selected to be used as a sample in prototype training through screen printing technology and direct to the garment in the form of batik cloth and various forms of products. The results of this community service are expected to be Vocational High School students as motivators for Bekasi Micro, Small & Medium Enterprises (MSME) products and even encourage the creation of new products from Bekasi MSMEs.
 Keywords: Batik Motif Design; Muara Gombong Mangrove Forest; SMK Tunas Jakasampurna, Bekasi Regency, Various Forms Of Products

APLIKASI PENGOLAHAN CITRA SEBAGAI MEDIA PENGENALAN BATIK NUSANTARA

In this case the development of clothing from year to year changes in motifs from certain areas. Traditional batik has many types and motifs where each variation contains a meaning that reflects the art of its manufacture, thus leading to a special meaning that is good to see with the many other motifs and variations. This research method uses several sources from the library, references and materials related to this research. The formula is how to design an application that can be used as an interactive batik introduction and the implementation process of this introduction media application can be more interesting. Testing this application using the black box and white box testing methods, the test results are stated that the test has been successful.
 The results of this study are Image Processing Applications as a Media for Introduction to Batik Nusantara, which helps users in selecting or matching batik cloth models that have been provided by markers easily and attractively.

Analisis faktor-faktor yang mempengaruhi permintaan kain batik Jambi di Kelurahan Mayang Mangurai Kecamatan Alam Barajo Kota Jambi

The purpose of this study was (1) to analyze consumer characteristics of Jambi batik cloth based on the amount of demand for Jambi batik cloth in Mayang Mangurai Village, Alam Barajo District, Jambi City (2) to analyze the effect of Jambi batik cloth prices, consumer income, and prices of substitute goods on cloth demand. Jambi batik in Mayang Mangurai Village, Alam Barajo District, Jambi City. The method used in this study is a survey method using primary data obtained from questionnaires and direct interviews. The data analysis method used was descriptive and quantitative analysis methods with multiple linear regression analysis. The results of the study indicate that (1) the average age of consumers of Jambi batik cloth in Mayang Mangurai Village is 42 years, the last education average of Jambi batik cloth consumers is S1, the average job of Jambi batik cloth consumers is as a civil servant, the average consumer of Jambi batik cloth has a family of 4 people, and the average income earned by consumers of Jambi batik cloth is Rp.4.240.000 on average per month in a year; and (2) simultaneously and partially independent variables, the price of Jambi batik cloth, consumer income and the price of substitute goods have a significant effect on the demand for Jambi batik cloth in Mayang Mangurai Village, Alam Barajo District, Jambi City. Keywords: Demand, Price, Income, Price of Substitute Goods

BATIK MOTIFS AS A MEANS OF BUILDING FOR PEACE: JAVANESE PERSPECTIVE

Batik is an Indonesian masterpiece with a variety of motifs. Among the motifs are expressions of human local genius, ideas, and community life expression. Hope, peace, and history were all expressed through batik motifs. The idea of peace brought by batik motifs is discussed in this paper. The batik's expression of peace has been reflected in its production. Batik cloth is created through a lengthy process. The makers can initiate by sketching motifs with a pencil, and then use wax to illuminate the motifs. The wax serves to both block and color the material. Waxing is a time-consuming process for blocking and coloring the fabric and completing a piece of batik cloth requires patience. Peace can only be achieved through patience, which can be seen in batik designs. Many symbols of peace can be found in batik motifs. The symbols reflect the harmonic situation with (1) God, (2) nature, and (3) creatures. The semen motif is associated with a harmonious relationship with God representing shaped like a God (deva) palace, symbolizing both the human and the divine. Batik always illustrates nature, and the parang motif illustrates the human-mountain-ocean bond. To reach the sea, the mountain must have a slope. In Javanese, pereng or parang refers to a slope. The Sekar Jagat motif (universe flowers) portrays a human in relation to the world or universe. The Truntum motif describes harmony with the night sky, stars, and flowers. There are patterns in the motif that are mostly taken from nature. I.e., the ceplok pattern adopts flowers in bloom, the lereng (slopes) pattern adopts a downhill road, the patterns semen adopts a plant in its first growth stage, the lunglungan pattern adopts tree vines, and the buketan pattern adopts flower or foliage arrangement. When humans have a harmonious relationship with nature, peace is formed. As a result, various batik motifs convey a message of world peace. Batik is a type of media used to promote peace in the world. Harmony with God, nature, and one another exemplifies peace.

Pembuatan Totebag Berbahan Dasar Kain Sisa Hasil Produksi Dengan Memanfaatkan Tukang Jahit Keliling Guna Meningkatkan Perekonomian Masyarakat Kota Solo


 
 
 
 
 
 
 
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 Poverty is one of the problems that often arise in various cities and even countries. Especially in this era of the Covid-19 pandemic. It is undeniable that this pandemic has resulted in a decline in the economy in Indonesia, especially in the city of Solo. The city of Solo is one of the cultural cities that has the potential for Batik as one of the icons of this city. Not only the potential of craft resources, the potential of human resources, which is often called craftsmen, is also widely found in this city. One of them is the itinerant tailor who goes around every day from one complex to another to help sew the clothes of the local residents. However, with the impact of COVID-19, many itinerant tailors have started to lose their jobs and have a negative impact on their economic growth. This has a negative impact on the sustainable development goals in point 8 regarding decent work and economic growth. In this paper, we use the Design Thinking method which aims to help improve the economy of the people in the city of Solo and also increase the potential of human resources through itinerant tailors who are our partners in processing the waste of the remaining batik cloth produced into a tote bag with a beautiful and elegant design. modern
 
 
 

Pengembangan Industri UMKM Batik Khas Kabupaten Malang melalui Digitalisasi Marketing Mix dan Teknologi

The development of SMEs is still one of the development priorities in Indonesia. One example is the Dewandaru Batik industry in Malang Regency. The business, which was started in 2017 and is engaged in batik cloth production, carries out the production process manually with limited tools. The price that is determined tends to be very cheap compared to batik marketed through the market and online galleries. Moreover, every month's limited production is the impact of the lack of technology used and little marketing. Marketing and utilization of appropriate technology are still the main obstacles faced; therefore, the solution to this problem is digitizing the marketing mix and proper technology. The method used is identifying problem-solving and assistance for increasing industrial innovation and digital marketing. The result of this activity was an increase in Dewandaru's batik industry's productivity with the help of a batik stamp tool and a dipping tub used for the coloring process. Furthermore, increasing quality makes for a broader marketing market. Batik Dewandaru also experienced improvements in business management because it made simple financial reports on the results of business management training.

PENCIPTAAN KARYA-KARYA SENI CETAK SARING DENGAN OBJEK VISUAL YANG BERBASIS KEARIFAN LOKAL

Sablon or screen printing has many functions and is usually more popular in the community for making t-shirts and banners and even batik cloth. The popularity of screen printing or screen printing, which is used by world-class artists, one of them Andy Warhol and also used by Marida Nasution, causes writers to feel inspired to work using this technique, because the technique is already popular in the community, making it easy to get tools and materials. To visualize this work, the author uses an art creation research methodology with an artistic creation process. The artistic creation process requires several stages to be passed, including experimentation, reflection and finally formation. The selection of these objects is indeed very interesting because these objects are increasingly disappearing in our lives. So that in this work, we try to marry or collaborate between modern art represented by graphic art with visual objects based on local wisdom that represent tradition. The paradigm of modern art with a touch of tradition as an effort to find the roots of the characteristics of Indonesia from year to year has begun to be explored by artists in Indonesia as an effort to find Indonesian cultural identity.Keyword: Sablon, Artistic Creative, Printmaking.

Batik, Lengkeng, Zat Warna Alam PEMANFAATAN DAUN LENGKENG (Nephelium Logan) UNTUK PEWARNA BATIK

UTILIZATION OF LEAF LITCHI (NEPHELIUM LOGAN) FOR BATIK DYES.
 Abstract : The purpose of this study to determine whether the leaves litchi can be used as natural dye for batik cloth. This research uses experimental method and the result in laboratory test to see the quality of dyeing result with leaf litchi. The analysis used that is analysis descriptive on all results test laboratory . The object of this research is leaf litchi , primissima mori cloth that has been batik, type mordan (alum, lime tohor, tunjung). Leaf extraction process litchi with type different mordant showing existence difference old age color on fabric morri that is without mordan produce most young color with value the mean T% 44,32, with alum with value the mean T% 46,71, then chalk with value the mean T% 77.79, and tunjung produce The oldest color with value average of TT% 94.02. Conclusions can be explained that leaf litchi can be used as a source of natural dyes in bati k and the type of mordan used can affect the direction of the resulting batik color
 Keywords: Batik, Leaf litchi (Nephelium logan) , Natural Color Substance

Study of Sun Protection Factor (SPF) Batik Textile Fabric on Solar Radiation in Pekalongan

The amount of sunscreen ability is determined through the value of a person's Sun Protection Factor (SPF) when under the sun without experiencing sunburn. This study aims to measure the intensity of sunlight received by batik textile fabrics and SPF measurements to determine the ability of these fabrics to protect sunlight radiation. The research was conducted at the Sorogenen area in Pekalongan, Central Java. The intensity data collection is done during the sunny weather with 300C - 320C temperature. The SPF value is calculated by comparing the intensity of sunlight without and with a protective batik cloth. Between 10:00 a.m. and 2:00 p.m. (GMT +7), the average intensity is 85.160 lux to 113.400 lux. The results obtained by fabric with a thickness of 2 mm have an SPF greater than fabric with a thickness of 1 mm. Cotton fabric has the ability to protect against sunlight better than satin and Mori fabric. A blue cotton cloth owns the most significant SPF value with a thickness of 2 mm of 36.06. In comparison, the smallest SPF value is owned by yellow Mori fabric with a thickness of 1 mm of 5.24.

Practice and Transmission of Batik in Wukirsari Village, Yogyakarta -Safeguarding Intangible Cultural Heritage in Indonesia-

The target of this research is to figure out the state of practice and transmission of Batik, an Indonesian textile dyeing Intangible Cultural Heritage, and necessary angles for its conservation. Knowledge related to Batik is shared and transmitted in craftspeople communities in Wukirsari Village, which is one of Batik centers in Indonesia. What’s more, Batik cloth production organizations play an essential role in the transmission of Batik technique through creating job opportunities, establishing selling systems and so on. Apart from that, these organizations also hold mutual aiding activities, which build strong relationship among craftspeople and support daily life of craftspeople financially. So it is can be concluded that 3 points are necessary for the transmission of Batik culture: building a knowledge-sharing environment, making Batik practice an occupation, offering values beyond financial benefits.

Membaca Tingkat Kesejahteraan Perajin Batik Kemitraan UMKM Di Tanjung Bumi Melalui Maqāṣid Al-Sharīʻah

Referring to data from the Bangkalan Department of Industry and Trade in 2020, currently the number of batik artisans in Bangkalan Regency reaches 1,500,000 spread across Tanjung Bumi, Kokop, Modung and Burneh sub-districts. The majority of the wages earned for each piece of good quality batik is Rp. 300-500 thousand which takes 1-3 months and Rp. 75,000 per piece for ordinary batik cloth which can be completed in 1-2 weeks. In Tanjung Bumi District, in 2019 there was a group of batik artisans who partnered with the Bajumi MSMEs that succeeded in increasing their income.
 The purpose of this study is to analyze the welfare level of batik artisans in partnership with SMEs who apply a profit sharing system (nisbah) with maqoshid sharia indicators that combine outward and inner aspects. This research strengthens the partnership model of craftsmen and MSMEs as an effort to accelerate the improvement of welfare as well as poverty alleviation as well as the third cluster poverty alleviation program, namely MSME-based.
 This research is descriptive with a qualitative approach. While the techniques used are interviews, observation and documentation. The analysis used in this research is deduction. The results showed that the welfare of the batik artisans of the Bajumi UMKM partnership had an impact on the welfare at the dloruriyat level in the aspect of hifdlun nasl, while hifdlu din, hifdlun nafs, hifdlu aql were at the hajiyat level and hifdlul mal were at the tahsiniyat level