Reviewed by: Leo Durocher: Baseball’s Prodigal Son by Paul Dickson Robert F. Garratt Paul Dickson. Leo Durocher: Baseball’s Prodigal Son. New York: Bloomsbury, 2017. 358 pp. Cloth, 28.00. The scrutiny of one of baseball’s bad boy figures by a seasoned historian of the game with many books to his credit should yield a lively and colorful story. Paul Dickson’s biography of Leo Durocher chronicles those episodes and events in the life of one of the most well-known and controversial personalities in baseball history. Dickson tracks Durocher from his young and ambitious days when a major league baseball career was still a dream, through his playing days beginning with the Yankees, followed by his star-crossed run as a player-manager and manager, to his final years as an embittered, isolated figure retired from the game that dominated and defined his life. All the key moments are here: Durocher as a player, a manager, and a public figure connected to Hollywood show business, offering a portrait of this flawed, talented, difficult, and outrageous individual. Dickson’s version of Durocher’s life is often entertaining and engaging, but also surprisingly incomplete. On several occasions, Dickson prefers to recount events in his subject’s life rather than to delve beneath the surface, to get at the inner workings of the man and reveal some evidence of his complexities. The appeal of Dickson’s book lies in the narrative of the feisty, colorful individual who is Leo “the Lip” Durocher. And Dickson covers the development of that flamboyant personality faithfully, from youth to decrepitude. Beginning with Durocher’s early years with the Yankees, where he carries on as a brash youth, dressing and speaking in a manner beyond his abilities and experiences, Dickson gives evidence of Durocher as “enfant terrible.” Dickson makes much of the famous stolen watch caper, when Durocher allegedly steals Babe Ruth’s watch on a Yankee road trip, a mysterious event that lingers throughout Durocher’s twenty-year acquaintance with Ruth. His early years in New York also prompted Durocher’s fascination with sartorial splendor, evident in his life-long love of expensive clothes and shoes, his attraction to the city’s night life, and a love of gambling that would linger throughout his career in baseball. One of the highlights of Dickson’s account of Leo’s days as a player emerges in the description of the St. Louis Cardinals in the 1930s and Leo’s role as a leading member of the Gas House Gang. Branch Rickey, the GM of the Cardinals, saw Durocher’s spirit and competitiveness as a missing ingredient in his ball club and traded with Cincinnati for Leo where he was an outstanding shortstop. He would bait umpires, fight with both team mates and opponents, and add his own brand of zaniness to an already colorful team that included Dizzy Dean and his brother Daffy. Durocher’s relationship with Rickey is an [End Page 207] important one, that carries over a number of years and two organizations, and while Dickson makes much of Rickey’s influence of Durocher’s life, both in St. Louis and, later, in Brooklyn, he does so without so much as a mention of Lee Lowenfish’s award-winning biography of Rickey. Dickson gives appropriate emphasis to Durocher’s life as a Brooklyn Dodger, where Leo would enjoy the lights of the big city and the attention of New York’s many sportswriters. Dickson credits John Lardner with the phrase “Leo the Lip,” used in a March 1938 article, a description that would stick throughout the remainder of Durocher’s career. It is with Brooklyn that Leo begins his managerial career, a role that would make him one of the most famous figures in all of twentieth century baseball. Dickson develops this managerial aspect of Durocher’s career, from Brooklyn, to the New York Giants where he achieved great success, and finally with the Chicago Cubs, where he received criticism for underachieving. Throughout his development of Durocher as manager, Dickson highlights the feistiness, the pugnaciousness, and the driving competitiveness that became Durocher’s style. There are descriptions of Durocher’s ability as a heckler...