activist,and Aurobindo Ghose, a Cambridge-educatedBengaliwho was for a while activelyengaged in nationalistpolitics:'Itwas surelynot coincidentalthat the development of campaigns based on boycott and swadeshi (the locally made) occurred in Bengal not long afterthe onset in Irelandof the Celtic Revival'(p. Io9) and Sinn Fein's supportof native Irishtrades.For both campaigners,the worshipof Kali, the destroyingmother, was synonymouswith love of nation. The South African Solomon Plaatje,whose polyphonic writing 'is in many ways reminiscentof the multivoicedbricolage'(p. 15I)of TheWaste Land,is shown to have learnt from African American resistance, as the American situation of race-based oppressionwas comparablewith South Africanexperience. EllekeBoehmer argues that the discourses of self-representationof the colonized subject at this period, drawn as she shows they are from cross-national encounters, resemble some key modernist texts. Finally, she turns to the work of two writers associated with metropolitanmodernism, LeonardWoolf and W. B. Yeats, looking for evidence of cross-borderintertextuality.In Woolf s letters from Ceylon and in his fiction the contradictionsof empire are exposed; as he writes in a letter: 'We treat them as inferiors& tell them that they are their own equals' (pp.I90-9I). Yeats collaborated brieflywith RabindranathTagore, the Bengali poet. Like Tagore, Yeats was preoccupied by questions of cultural nationalism, and of retrieving the myths and stories of dispossessed people: 'Breaking inherited moulds becomes the radical recaptureof native myth and an uncolonized spirituality'(p. 200). The key words in the book's argument and strategy are 'interdiscursivity'and 'interbraiding'.Interdiscursivityis used in preferenceto intertextualityto signal the inclusion of fluid and unscripted channels of communication such as orature, hearsay, and performative tactics of resistance. Interbraiding signifies crossings upon crossings, as for example when the English-educated Aurobindo Ghose's thoughtwas shapedby the Irish-bornNivedita'sbook on Kali worship.A significant trope of shuttlingin-betweenness recurs significantlyin the form of voyages. Both Gandhi and Plaatje wrote major books on ships travellingbetween continents, a liminalspace in which time seemed suspendedand racialand classbarrierscould be either highlightedor to some extent broken down. Questions can be raised about the choice of case studies.Two of the five, Woolf and Yeats, are icons of metropolitan modernism and are not examples of interaction between peripheries.There is a largerquestion,posed for instancein Tabish Khair's BabuFictions,of whether interference rather than interdiscursivityoccurs when a native elite speaksfor non-English speakingmasses. This readerwondered why was there no concluding chapter to the book, possibly opening out further areas of enquiry. But the queries lead to a productive conversation between the reader and the text. UNIVERSITY OFSTIRLING ANGELA SMITH 'ATruthful Impression of theCount?y': BritishandAmerican TravelWriting in China,i88oI949 . By NICHOLAS R. CLIFFORD. Ann Arbor: University of Michigan Press. 2001. xxi + 231 pp. $39.50; 725. ISBN:0-472-11197-3. A Truthful Impression oftheCountypresentsan analysisof travelwritingin China from the end of the nineteenth century up to 1949. Although there were instances of writingbefore 1895,the defeat of China byJapan in that year acted as a triggerfor an increase in Western visitors. Nicholas Clifford differentiateshis material from activist,and Aurobindo Ghose, a Cambridge-educatedBengaliwho was for a while activelyengaged in nationalistpolitics:'Itwas surelynot coincidentalthat the development of campaigns based on boycott and swadeshi (the locally made) occurred in Bengal not long afterthe onset in Irelandof the Celtic Revival'(p. Io9) and Sinn Fein's supportof native Irishtrades.For both campaigners,the worshipof Kali, the destroyingmother, was synonymouswith love of nation. The South African Solomon Plaatje,whose polyphonic writing 'is in many ways reminiscentof the multivoicedbricolage'(p. 15I)of TheWaste Land,is shown to have learnt from African American resistance, as the American situation of race-based oppressionwas comparablewith South Africanexperience. EllekeBoehmer argues that the discourses of self-representationof the colonized subject at this period, drawn as she shows they are from cross-national encounters, resemble some key modernist texts. Finally, she turns to the work of two writers associated with metropolitanmodernism, LeonardWoolf and W. B. Yeats, looking for evidence of cross-borderintertextuality.In Woolf s letters from Ceylon and in his fiction the contradictionsof empire are exposed; as he writes in a letter: 'We treat them as inferiors& tell them that they are their own equals' (pp.I90-9I). Yeats collaborated brieflywith RabindranathTagore, the Bengali poet...