Afro-Asian Intimacies Across Southern Cartographies:Race, Sex, and Gender in Toni Morrison's Home and Yusef Komunyakaa's Dien Cai Dao Evyn Lê Espiritu Gandhi (bio) In 1953, following the Korean Armistice Agreement that ostensibly ended direct U.S. intervention in Korea (but, in reality, merely led to a recalibration of the unending Korean War), African American soldier Clarence Adams was one of twenty-one prisoners of war who refused repatriation back to the United States and instead migrated to the People's Republic of China. His decision was influenced by the antiblackness that structured the segregated U.S. South, curtailing his chances of upward mobility, as well as his compassion for the Korean civilians devastated by U.S. military intervention, prompting recognition of the shared oppression of Third World peoples.1 Twelve years later, during the Vietnam War, he broadcast a message to Black soldiers via Radio Hanoi, urging them to return to the United States: "You are fighting the wrong war. Brothers, go home. The Negro people need you back there."2 According to Daniel Y. Kim, "Adams mobilize[d] a historiography of a race war to cast both the Korean and Vietnam Wars as ones waged by a white empire against a colored population," exemplifying what Bill Mullens terms "Afro-Orientalism": a phenomenon in which Black activists turned to idealized Asian subjects for anti-imperialist and antiracist inspiration.3 I begin with Adams' story for three reasons. First, it highlights continuities between Black narratives of the Korean and Vietnam Wars. Whereas historians have elucidated the experiences of Black soldiers during the Korean and Vietnam Wars, respectively, few studies have grappled with these two Cold War fronts in relation, noting patterns and [End Page 97] particularities in Black subject formation across the two U.S. imperial conflicts.4 With the signing of Executive Order 9981 in July 1948, President Harry S. Truman desegregated the U.S. military, exemplifying the United States' project of racial liberalism and bolstering the expansion of the liberal empire, vis-à-vis the Soviet Union, even as Jim Crow laws continued to delimit the mobility of African Americans on the home front. Whereas the Korean War was the first U.S. experiment in militarized integration, it wasn't until the Vietnam War that the question of Black–white tensions in the military, transposed from the continental United States to the battlefront in Asia, gained widespread visibility. As Martin Luther King, Jr., famously observed in his "Beyond Vietnam" speech of April 1967: "[We watch] Negro and white boys on TV screens as they kill and die together for a nation that has been unable to seat them together in the same schools. So we watch them in brutal solidarity burning the huts of a poor village, but we realize that they would hardly live on the same block in Chicago."5 Segregation at home was only interrupted by "brutal solidarity" abroad: the uniting of Black and white soldiers in a common project of racialized wartime destruction.6 But continuities between the Korean and Vietnam Wars also led to political mobilization: many civil rights and Black Power leaders active during the Vietnam War era, such as Bobby Seale, James Forman, Ivory Perry, and Robert F. Williams, were radicalized during their experiences as Black soldiers in Cold War Korea.7 Second, Adams' story stitches together three southern spaces that are rarely discussed in relation: the U.S. South, South Korea, and South Vietnam. To focus on the southern-ness of these three sites is to trace the convergence of white supremacy, antiblackness, imperialism, and anticommunism that cohere at the intersection of the U.S. Civil War and Cold War politics.8 Raised in Memphis, Tennessee, amid the structural antiblackness of the segregated U.S. South, Adams joined the U.S. Army to escape incarceration at the hands of white policemen. This military service brought him to South Korea: a decolonizing nation that the United States had taken upon itself to protect in the Cold War struggle against North Korea, Communist China, and the Soviet Union. These south-south relationalities—the transposition of a Black subject of the U.S. South to the southern warfront of a new...
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