Art Journal Research Articles

Antiquity – Renaissance – Classicism: a chain of time and the «bundle of groups» in the drawing Russian baths by Mikhail Kozlovsky (1778)

The article is devoted to the methods of citing visual images in the rhetorical culture era, which extended from Antiquity to the 18th century inclusive. The drawing by Mikhail Kozlovsky that became his significant achievement in the course of studying the artistic heritage of Antiquity and the Renaissance in Rome was chosen as a case study to achieve this goal. In order to identify prototypes that one of the best students of the Fine Arts Academy could cite in his work the method of iconographic analysis of particular figures and groups of his drawing was applied in the context of preserved documents: reports sent by him to the Academy and, especially, Kozlovsky’s journal of art works that he had seen in Rome. This iconography is considered in close connection with the works of art mentioned and characterized by him in these texts. The analysis allowed us to discover first in the drawing Russian baths images based on the art of Raphael and his pupil Giulio Romano. For the first time in the study of Kozlovsky’s work is also used the iconological method based on the analysis of his drawing through the text of A Brief Guide to the Knowledge of Drawing and Painting of Historical Kind… by his contemporary Ivan Urvanov that allowed to find a theoretical justification of assimilation of the classic images by the graduate of the Fine Arts Academy of the 18th century. The author of the article discovered prototype of one of the groups of Kozlovsky’s drawing in the Vatican fresco Battle of Constantine. On the example of this group (as well as its ancient probable source) he considered a very important figure of visual rhetoric such as the contrapposto (antithesis in verbal art).

Utilising Poetry Dynamic Criteria Mapping (PDCM) to analyse how comparable liberal arts institutions evaluate poetry

ABSTRACT In We Need To Talk: A New Method for Evaluating Poetry (2018), Michael Theune and Bob Broad present a study that uses a version of their ‘Poetry Dynamic Criteria Mapping’ (PDCM) methodology to empirically and inductively investigate the implicit criteria in the selection of poems in creative arts journals. I employ a version of PDCM in my study. I coded and analysed 752 poems from the past three years’ issues of nine creative arts journals from liberal arts institutions in the same academic conference. Two important patterns emerged: (1) the vast majority of the poems are outgrowths of confessional poetry: free verse, serious, introspective, and focused on emotion; and (2) few poems seem aligned with other values, including those espoused by avant-garde, slam, and socially and politically engaged poetry.

Abstracts

Journal Article Abstracts Get access Oxford Art Journal, Volume 42, Issue 3, December 2019, Pages 415–417, https://doi.org/10.1093/oxartj/kcz023 Published: 14 January 2020

Oxford Art Journal Essay Prize Winner 2018 La maladie de porcelaine: Liu Jianhua’s Regular/Fragile (2007) at Oxburgh Hall and the History of Massed Porcelain Display in English Aristocratic Interiors

Oxford Art Journal Essay Prize Winner 2018 La maladie de porcelaine: Liu Jianhua’s Regular/Fragile (2007) at Oxburgh Hall and the History of Massed Porcelain Display in English Aristocratic Interiors

Er-Risâle Dergisindeki Doğu Edebiyatına Dair Yazılar Üzerine Bir İnceleme

er-Risâle dergisi Ahmed Hasan Zeyyât editörlüğünde 1933-1953 yılları arasında haftalık olarak çıkartılan edebî bir dergidir. Alt başlığında kendisini edebiyat, sanat ve bilim dergisi olarak tanımlamıştır. Derginin editörü ve sahibi olan Ahmed Hasan Zeyyât, Ezher'de ve Mısır Üniversitesi'nde eğitim almış, Edebiyat Fakültesi’nden sonra Fransız Hukuk Okulu'nu bitirmiştir. Mısır'da bulunan Mecmau'l-lugati'l-Arabiyye’de, Şam'daki el-Mecmau'l-ilmiyyu'l-Arabî'de, el-Mecmau'l-ilmiyyu'l-Irakî'de, Lecnetü Mu'cemi elfâzi'l-Kur'ân, Lecnetü'l-lehecât, Lecnetü'l-Mu'cemi'l-vasît gibi Arap dili ile ilgili çalışmalar yapan önemli kurullarda üyelik yapmıştır. Vahyu'r-Risâle kitabıyla devlet ödülü ve Mısır'da edebiyat dalında devlet takdir ödülü kazanmıştır. Ahmed Hasan Zeyyât’ın sahibi olduğu er-Risâle dergisinde dönemin en önemli edebiyatçılarından olan 'Abbas Mahmud 'Akkâd, Ahmed Emin, Tâhâ Hüseyin, Tevfik Hakîm, Ali et-Tantâvî ve 'Abdülvehhâb 'Azzâm gibi isimlerin yazıları yayınlanmıştır. Ayrıca Mısır dışındaki Arap ülkelerinden de pek çok yazar bu dergide makale kaleme almıştır. Böylece er-Risâle tüm Arap dünyasına hitap eden bir dergi olmuştur. Dergi Arap edebiyatının yanı sıra Batı edebiyatına ve Doğu edebiyatına da yer vermiştir. Doğu edebiyatı köşesi genelde 'Abdülvehhâb 'Azzâm tarafından yazılmış ve bu köşede Hint edebiyatı, Fars edebiyatı, Uzak Doğu edebiyatı ve Türk edebiyatı ele alınmıştır. Bu çalışma, derginin editörü ve dergi hakkında genel bilgiler verildikten sonra, derginin ilk yılında Doğu edebiyatı köşesinde yayınlanan yazıları ele almıştır. Doğu edebiyatı bölümünde İran ve Türk edebiyatına ağırlık verildiği görülmektedir. Bu makaleler eleştiri ve tahlil yazıları şeklinde değildir. Tarihi bilgi aktaran ya da örnek metinlerin tercümesini veren didaktik yazılardan oluşmaktadır.

The Reception of Russian Arts and Crafts in French Art Journals

Abstract This article focuses on the French reception of Russian Arts and Crafts in the early 1900s. As a consequence, firstly, of the Russian display at the 1900 “Exposition Universelle,” and, secondly, of the increasing number of Russian exhibitions and other cultural events in Paris, French art periodicals and sections on art in the mainstream press contained many reports about the movement. Several writers expressed their opinion about Russian modern Arts and Crafts and participated in their promotion in France. The main purpose of the article is to shed light on those French critics who were responsible for this process of mediation and the way in which their discourses adopted a comprehensive approach to Russian Arts and Crafts experiments. It examines which artists and which exhibitions were particularly welcomed in around 1906; special attention is paid to Abramtsevo and Talashkino, and, therefore, to Maria Tenisheva.

Editorial Preface

We would like to present, with great pleasure, the third volume of a scholarly journal, journal of arts and social Science. This journal is devoted to the gamut of arts and social science issues, from theoretical aspects to application-dependent studies and the validation of emerging technologies in arts. This journal was envisioned and founded to represent the growing needs of arts and social science as an emerging and increasingly vital field, Its mission is to become a voice of the arts and social science community, addressing researchers and practitioners in areas ranging from arts to applied arts, from design to technology in design, from humanity to social science, presenting verifiable arts methods, findings, and solutions. Transactions on arts focuses on original high-quality research in the realm of social science in parallel and distributed environments, encompassing facilitation of the theoretical foundations and the applications of arts to massive daily life. The Journal is intended as a forum for practitioners and researchers to share arts techniques and solutions in the area, to identify new issues and to shape future directions for research. In this issue, is discussing about art, design, and culture in various area. This special edition focusses on several issue in Art. The writings in this issue reflect the artworks in the exhibition title STILL (A) LIVE organized by Department of Fine Art, Faculty of Art & Design, UiTM Perak. The collaborator researcher shared their in-depth description of the improvement of civilization in Asian

Editorial Foreword

We are very pleased that Idealogy Journal of Arts and Social Science is presenting its 4th volume and 2nd issue. We are also very excited that the journal has been attracting papers from a variety of advanced and emerging countries such as Indonesia, Pakistan, Saudi Arabia, Bangladesh, etc. The variety of submissions from such countries will help the aimed global initiatives of the journal. We are also delighted that the researchers from the Arts and Social Science fields demonstrate an interest to share their research with the readers of this journal. This issue of Journal of Arts and Social Science contains five outstanding articles which shed light on contemporary research questions in arts and social science fields

Editorial

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George Tooker Papers

Previous articleNext article No AccessAcquisitionsGeorge Tooker PapersJosh T. FrancoJosh T. Franco Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Archives of American Art Journal Volume 58, Number 2Fall 2019 Sponsored by the Archives of American Art, Smithsonian Institution Article DOIhttps://doi.org/10.1086/706838 Views: 58Total views on this site © 2019 by The Smithsonian Institution. All rights reserved.PDF download Crossref reports no articles citing this article.

Editor’s Note

Previous articleNext article FreeEditor’s NoteFull TextPDF Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreThis issue introduces an expansion of the journal’s “Art Work” section to include both artists’ and curators’ creative engagements with the Archives of American Art. Reaching across the collections, curator Robert Cozzolino composes a visual argument about the ethics of seeing private, and at times unexpected, materials in artists’ archives. Through his judicious selection, juxtaposition, and display of primary sources, he thinks about how and if researchers should disseminate such materials. Cozzolino asks: Are there aspects of artists’ papers that, once uncovered, can or should ever be unseen?If this curatorial intervention sheds light on what it means to see into archives, the essays in this issue’s “New Research” section grapple with the issue of not seeing. They do so by probing a variety of archival absences and ambiguities. Sarah Gordon considers why a New Deal mural by Rockwell Kent, which offered a controversial message of liberation to Puerto Ricans, has been largely lost to history. Christina Weyl asks, through the case of Worden Day, how scholars might fill in the missing or forgotten details of a woman artist’s life and career. Amelia Barikin and Chris McAuliffe treat the remains of an unrealized film script as both a record and component of Robert Smithson’s artistic practice.“Archive Matters” continues the themes of absence and ambiguity by reflecting on what archival rediscoveries can tell us about American art and its histories. In my own essay, I find that unearthing a lost archive devoted to Maine art reveals a great deal, including the critical revaluation of regionality since the 1960s. Julia Bryan-Wilson, however, argues for not allowing the information we uncover in archives to determine solely the meaning of art. She focuses on her own archival find: notes on possible titles for Louise Nevelson’s abstract sculptures.In closing, I wish to note that Liza Kirwin, deputy director of the Archives, has been integral to the editorial team since we relaunched the journal in 2015, working on every issue alongside me and Emily D. Shapiro. It is in grateful acknowledgement of her efforts and support that we add her name to the masthead. Previous articleNext article DetailsFiguresReferencesCited by Archives of American Art Journal Volume 58, Number 2Fall 2019 Sponsored by the Archives of American Art, Smithsonian Institution Article DOIhttps://doi.org/10.1086/706830 Views: 95 © 2019 by The Smithsonian Institution. All rights reserved. Crossref reports no articles citing this article.

Is It Okay to See This?

My curatorial intervention for the Archives of American Art Journal presents a range of materials (photographs, letters, journal entries, clippings) I have encountered in my work that have made me ...

Renee V. Cox Papers

Previous articleNext article No AccessAcquisitionsRenee V. Cox PapersErin Jenoa GilbertErin Jenoa Gilbert Search for more articles by this author PDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Archives of American Art Journal Volume 58, Number 2Fall 2019 Sponsored by the Archives of American Art, Smithsonian Institution Article DOIhttps://doi.org/10.1086/706840 Views: 55Total views on this site © 2019 by The Smithsonian Institution. All rights reserved.PDF download Crossref reports no articles citing this article.

Make It So: Harnessing Technology to Provide Professional Development to Regional Museum Workers

Make It So: Harnessing Technology to Provide Professional Development to Regional Museum Workers

Algumas novidades do quinto ano da revista ARJ

Editorial da ARJ – Art Research Journal/Revista de Pesquisa em Artes, volume 5, número1, 2018, em que é apresentada a nova concepção gráfica da revista, considerando a migração de todo seu conteúdo para a nova plataforma de fluxo de trabalho, agora na versão OJS 3.1.1.2, mantendo-se a colaboração do LabDesign, Universidade do Estado de Santa Catarina, e a hospedagem e suporte do Portal de Periódicos da Universidade Federal do Rio Grande do Norte. Seguem-se apresentações aos artigos de Gisela Reis Biancalana, Marcilio de Souza Vieira e Denise Mancebo Zenicola, e às contribuições de alguns dos participantes do V Encontro ARJ e II Fórum Nacional de Editores de Periódicos da Área de Artes, 2017, Camila Monteiro de Barros, Marc Barreto Bogo, Rildeci Medeiros e Sonia Regina Albano de Lima, assim como o registro do trabalho de coordenação de Rejane Coutinho, Rita Luciana Berti Bredariolli e Margarete Arroyo, inclusive com os caminhos para repositório na internet com os vídeos das mesas do evento.

ARJ – a trajetória de uma revista multidisciplinar no campo das artes

O presente texto é um relato produzido pela Presidente da ANPPOM durante o V Encontro Art Research Journal e II Fórum Nacional de Editores de Periódicos da Área de Artes, realizado no Instituto de Artes da UNESP, em São Paulo, nos dias 26 e 27 de maio de 2017, cuja tema veiculado foi “Políticas Editoriais e Internacionalização”.

On Caryl Churchill

May 01 2019 On Caryl Churchill Julia Jarcho Julia Jarcho Julia Jarcho is a playwright and director with the company Minor Theater (minortheater.org). She writes about and teaches drama at NYU. Search for other works by this author on: This Site Google Scholar Author and Article Information Julia Jarcho Julia Jarcho is a playwright and director with the company Minor Theater (minortheater.org). She writes about and teaches drama at NYU. Online Issn: 1537-9477 Print Issn: 1520-281X © 2019 Performing Arts Journal, Inc.2019Performing Arts Journal, Inc. PAJ: A Journal of Performance and Art (2019) 41 (2 (122)): 30–31. https://doi.org/10.1162/pajj_a_00462 Cite Icon Cite Permissions Share Icon Share Facebook Twitter LinkedIn MailTo Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Search Site Citation Julia Jarcho; On Caryl Churchill. PAJ: A Journal of Performance and Art 2019; 41 (2 (122)): 30–31. doi: https://doi.org/10.1162/pajj_a_00462 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentAll JournalsPAJ: A Journal of Performance and Art Search Advanced Search This content is only available as a PDF. © 2019 Performing Arts Journal, Inc.2019Performing Arts Journal, Inc. Article PDF first page preview Close Modal You do not currently have access to this content.

In]Corporeal Architecture: On the Clothed Body and Architectural Space

In this paper, I will discuss the clothed architectural body and how it simultaneously experiences and constructs architectural space. For this purpose, I will analyse [In]Corporeal Architecture, an art experiment that I conducted at an outdoor exhibition space called Testing Grounds in February 2018 as part of my current PhD studies in Melbourne, Australia. [In]Corporeal Architecture challenges relationships between the body, cloth and architecture. To address this complexity, I draw on Gins and Arakawa’s book Architectural Body.&#x0D; &#x0D; Article received: December 18, 2018; Article accepted: January 23, 2019; Published online: April 15, 2019; Original scholarly paper&#x0D; How to cite this article: Karaičić, Danica. "[In]Corporeal Architecture: On the Clothed Body and Architectural Space." AM Journal of Art and Media Studies 18 (2019): 89–105. doi: 10.25038/am.v0i18.302&#x0D;

Murmurs: the journal of art and healing

In an era of unprecedented physician burnout and disconnection, there is growing recognition of the importance of integrating the study of humanities in medicine. Emerging research has underscored the importance of reflective writing and creativity in bolstering physician resilience. The publication “Murmurs Magazine,” therefore, should be of great interest to medical educators. This publication was developed and continues to be managed by medical students as a forum for creative expression and reflection.

Editor’s Note

Previous articleNext article FreeEditor’s NotePDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreThis issue opens with an essay on the aesthetic and political potential of the modern scrapbook. Makeda Best’s argument focuses on a unique object at the Archives of American Art, one that artist William H. Johnson created through careful selection, transformation, and recombination. I must admit feeling kinship with the scrapbooker when I collect and assemble the content for each issue of the journal. Diverse research materials intersect on our pages, bringing together multiple art-historical contexts, artistic media, and interpretive methods. At its best, the resulting arrangement—in this case, a sequence of articles concerning African American modernist painting and politics, the social practice of gift-giving in the art world of the 1960s, and the economics of nineteenth-century art—exceeds the sum of its parts. Taken together, this research by Best, David McCarthy, and Diana Seave Greenwald presents new ways of reading artworks and primary sources in the field of American art history.In “Archive Matters,” two essays apply inventive methodological questions to American aestheticism, focusing on personal papers at the Archives. Elizabeth Lee revisits her research on Abbott Handerson Thayer by considering what the diary of the artist’s physician-father and period letters might say (or not say) about medical themes in Thayer’s paintings. While archives can appear to their modern users as incoherent or incomplete, Lee advocates for subjecting them to a critical, indeed clinical, gaze that reanimates their contents and thereby an artist’s oeuvre. Erica E. Hirshler brings Thayer into her own reflection on archival absences by looking to the letters he exchanged with fellow painter John Singer Sargent. Hirshler is interested in the gaps in this, like most, archived letters. How do we creatively approach these gaps, Hirshler asks, while remaining critical of the interventions into the historical record that doing so necessitates?With this issue, the journal welcomes curator of African American manuscripts Erin Jenoa Gilbert. This new position is part of the Archives’ African American Collecting Initiative (2018–21), supported by the Henry Luce Foundation. We look forward to Gilbert’s expansion of the collections by and about African American artists, and to the exciting research opportunities her work will surely provide our authors and readers. Previous articleNext article DetailsFiguresReferencesCited by Archives of American Art Journal Volume 58, Number 1Spring 2019 Sponsored by the Archives of American Art, Smithsonian Institution Article DOIhttps://doi.org/10.1086/703658 © 2019 by The Smithsonian Institution. All rights reserved.PDF download Crossref reports no articles citing this article.