Art Perspectives Research Articles

봄꽃 이미지를 형상화한 헤어아트 연구

This study attempted to add formative aspects to hair art from the perspective of fine arts by broadening a scope of its creativity by establishing its concept and research classification and creating diverse works and make hair art accepted as a part of new art expressions. If nature is recognized as the parent of art, the beauty of art is being formed after art is shaped with the genetic beauty of nature. In this study, three different styles were created based on the images of spring flowers, using the fancy colors, symbolicity and shamanistic meaning of flowers with a goal of generating visual effects and enhancing marketability from a creative and unique hairstyling perspective. For this, hairstyles were created through design development, color sampling and styling in consideration of design intention and methods. It was possible to create gorgeous hairstyles with new motives to generate visual effects and marketability by using diverse techniques such as strewing, attaching, coating and extending. “Based on the results of this study, future research on creative and vivid hair art is expected while exploring various expression methodologies.”

An Experimental Plan: Teaching of Astronomical Clock Tower under View of New Liberal Arts Perspective

At the end of the 11th century, the “Astronomical Clock Tower” developed by Su Song’s team involved many scientific knowledge, advanced and complex technologies, and created many world firsts. It played an important role in the history of science and technology in China and even the world. It was the best test sample for exploring the teaching method of the history of science and technology content in the teaching reform of the undergraduate history (normal) major “Ancient Chinese History” course under the guidance of the new liberal arts and science concept. The experimental plan focuses on the common characteristics of this type of content, closely adheres to teaching objectives, fits the actual learning situation, and is based on general teaching conditions. Within the limit of class hours, it introduces the background, structure, and function, explains the principle and process of key components, analyzes ideas and methods, highlights the key points and difficulties, and strives to be interesting, easy to understand, and memorable, so that students can feel the outstanding wisdom and innovation of the sages, clarify its position and influence in the history of science and technology in China and the world, and accumulate knowledge and methods for future teaching of this type of historical content.

Artistic Research and Redesign of Backprint Style

The pattern is one of the most distinctive traditional art patterns and characteristic symbols in China. It represents the cultural heritage of a long history and a good beginning and a good end. It takes the pattern of the dynasties as Decorative patterns, As an aesthetic pattern, through the artistic perspective of decoration, the aesthetic characteristics of the pattern and its connotation elements in the aesthetic form of historical evolution are analyzed. On the basis of determining its characteristics, the aesthetic means of deconstruction, reorganization, change, conversion and re-decomposition are used to design new aesthetic forms such as group plans, homes, etc. This paper studies the cultural heritage of the pattern, so as to inject new life into the redesign of the pattern and adapt to the development trend of the times.

The Integration of contemporary art and ethnic culture: Taking the creation of ethnic fiber art as an example

The purpose of this research is to analyze the development trend of ethnic culture from the perspective of contemporary art, focusing on the art form of the expression of contemporary ethnic fiber art on ethnic culture. Through the research methods of questionnaire survey and case analysis of works, it is found that ethnic culture can show its artistic charm through diversified fiber art forms. Contemporary ethnic fiber art will be the innovative carrier of the integration of contemporary art and ethnic culture. In the case analysis of works, it is found that contemporary art and ethnic culture can be integrated into contemporary art creation through traditional handicraft innovation, pattern recombination and deconstruction, color reference, national spirit and other aspects. Therefore, this research proves that the integration of ethnic culture and fiber art is full of contemporary artistic interest, which not only enhances the social influence of ethnic culture, but also helps to enrich the form and content of contemporary fiber art, which is of great significance to promote the development of traditional ethnic craft.

Communities and the Dead in Africa and Ancient Ethiopia (50–800 CE)

AbstractIn the Global North, death is often treated as the departure of a person. However, across Africa, families and communities often include living and dead members, usually called “ancestors.” In this article, we use archaeology to support educators in communicating key aspects of deathways and the study of ancestors in Africa. We do this through an example drawn from the ancient kingdom of Aksum in Ethiopia (50–800 CE). Archaeologist Dilpreet Singh Basanti previously analyzed human remains from Aksum and reconstructed an ancient community’s burial and ongoing engagement with a young woman. Artist Naomi Mekonen has created a surrealist lens to present this woman’s story of death in this article’s figures. Surrealism is a rising perspective in modern art from the Tigray region and is used here to shift the tone from death as a grim tale of loss to death as a love story. We show how ongoing actions around the young woman’s tomb relate to her continued role in her family and community. Our example illustrates that ancestors are elements of healthy community life. Ancestors provide a guiding voice that helps to define people’s values and experiences of the world. In this way, ancestors are inseparable from “culture,” and exploring these themes helps us to appreciate the role of culture as a guiding way that connects generations of loved ones, living and dead.

Minerva Caves; device of power and resistance in his postmodern art

In this essay we explore a perspective of postmodern art through the analysis of the work of the Mexican Minerva Cuevas, with the Foucauldian categories of device of power and resistance, which play a fundamental role in explaining how Cuevas' work provokes multidisciplinary reflections on the themes exposed.

现代东巴画的发展现状研究

As an important intangible cultural heritage in China, the Dongba painting of the Naxi ethnic group holds an irreplaceable important position and artistic value. Overall, there is a lack of comprehensive analysis of the current development status of modern Dongba painting, and research on modern Dongba painting from an artistic perspective is also relatively lacking in existing research. This study investigates the modern Dongba painting in the northwest region of Yunnan, describes its development stage and current situation, points out the problems of relatively lagging theoretical research, the impact of economic development and cultural integration on Dongba painting art, and the shortage of young artists engaged in modern Dongba painting creation. Corresponding suggestions are proposed: government agencies assist in promoting the development of modern Dongba painting, and develop excellent modern Dongba painting products through multiple channels, and optimize the combination of modern Dongba painting and university education to cultivate more Dongba painting talents.

Improving Artistic Creativity Through Fostering Karawitan Art For Youth Gong Groups In Ulian Village | Meningkatkan Kreativitas Seni Melalui Pembinaan Seni Karawitan Terhadap Sekaa Gong Remaja Di Desa Ulian

Ulian Village, Kintamani District, Bangli Regency is one of the villages that is lagging behind in the field of musical arts. This backwardness is due to the absence of artistic figures who have become pioneers in both musical and other arts. The participation of Ulian Village in various performances held throughout the Kintamani District was also very minimal, Ulian Village had only participated in the event once. So from this the author chose Ulian Village as a Thematic Real Work Lecture (KKNT) partner. In Ulian Village, there are no artists who know about the Semarpegulingan gamelan, that the Semarpegulingan gamelan actually has a patet system and this gamelan is not like gong kebyar, so it sounds strange to the public's ears. The results of observations that the author observed in Ulian Village from an artistic perspective, namely karawitan art, mostly in this Ulian Village the percussion or gending that is played is percussion telu lembang, and there is gamelan semarpegulungan which is rarely used or played. The solution that we offer in this Thematic Real Work Lecture (KKNT), namely, training on gamelan semarpegulungan for youth sekha gong which will be initiated by the author. in this case students can contribute in providing reinforcement, training, and knowledge.

A Review of Current Cultural Jewellery Trend

Purpose: The emergence of the cultural-based creative industry is particularly becoming an important strategy for preserving the national culture and heritage communicated by significant works of art. Theoretical framework: The study established that cultural significance, design innovation, market growth, financial success, young consumer preferences, and symbolism are all major trends observed in the jewellery market. Method: From the perspective of Dunhuang art, this paper aimed to review the current cultural trends in the Chinese jewellery market. It involved conducting a secondary data analysis of qualitative sources related to Dunhuang art. Investigated how contemporary jewellery designers are inspired by traditional rock art design and other cultural works of art to come up with new designs. Results and Conclusions: These findings suggest that jewellery companies and designers should focus on incorporating cultural elements into their designs to capitalize on the growing demand for art-inspired jewellery. These findings are related to previous research by Lucas. Research implications: This study also provides insights into how jewellery designers can leverage cultural elements to attract consumers and increase the market base for both fashion brands and artists. Originality/value: This highlights the importance of marketing and targeting efforts towards younger consumers and creating products that cater to their preferences and values.

College English teaching based on peer feedback in writing tasks under the perspective of New Liberal Arts

This study aims to explore the teaching model of medical universities’ English education based on peer feedback in writing classes under the new liberal arts perspective. Using construstivism as the theoretical framework, the scaffolding theory as the analytical framework, this study employs experimental control methods and utilizes SPSS software for data analysis to evaluate the effectiveness of peer feedback in improving writing abilities. In-depth text analyses of questionnaires and reflection reports are conducted to examine the mediating effects of this strategy on students’ text revision, academic discourse knowledge, cultural literacy, and research awareness, and to investigate how peer feedback contributes to the cultivation of autonomous learning, self-assessment, and critical thinking. The findings confirm that peer feedback not only enhances students’ writing levels but also fosters their deep learning habits. This study provides an effective teaching model that integrates deep learning and ideological education for medical universities’ English instruction based on peer feedback in writing classes under the new liberal arts perspective.

The Interpretation of Environmental Ideal Images Based on Ji Chang Garden’s Literary Texts

The creation of literary texts on traditional Chinese gardening was a cultural phenomenon among literati and officialdom; the fictional imagination and personal experience of the garden owner and other literati constructed the ideal images of the traditional Chinese garden environment together with the physical space. Therefore, garden literary texts become a mirror of the built environment that extends it into an idealised space-time through literary rhetoric such as metaphor and metonymy, an important medium for us to interpret the connotations of Environmental Ideal Images that combine physical space and fictional imagination. We take the Jichang Garden as the research object, the typical Chinese garden during the Ming Dynasty (1368-1644). By applying the methods of Linguistic Structural Analysis and Hermeneutic Phenomenology, we excavate the space-time hiding in texts and visualise the environmental ideal image inside literature through drawing methods such as diagrams, collages, plans and axonometry. We intervene in the texts as interpreters from the perspective of art and philosophy, question and break through the cognition of regarding the built environment as all of gardening, and ultimately reconstruct the overall Environmental Ideal Images of Jichang Garden that combines the physical space and fictional imagination. Through the research, we have found that the fictional ideal images created by literati involve specific activities in the present and collective memories of the past, which reveal the potential and attractive side of Chinese traditional gardens.

Symbolic forms in Church architecture: a case study of Saint Augustine Catholic Church Ikorodu, Lagos State

A religious building is nothing less than the symbolic representation of the tradition, values, culture and creativity levels of the special territory in which it stands. Each type of church architecture may have different symbolic qualities, but every church building transmits some symbolic messages. Human beings provide meanings to the images that are received from objects by their symbolic minds. The study examined architectural spaces in Saint Augustine Catholic Church Ikorodu, in Ikorodu Division of Lagos State Nigeria enacting from the perspective of indigenous form, art and symbols. It demonstrates the integration of cultural heritage, traditional forms, material availability, arts and symbols into the architecture of Catholic Church. The study is an historical, explanatory, qualitative using the methods of observation and focused interviews. The Church architecture illustrates how influences from indigenous and local forms and symbols have been incorporated in sacred spaces in the Catholic Church. The study expounded knowledge for the clergy and the institution of religion bodies and the enlightenment of academic expository. KEY WORDS: Catholic Church, Church Architecture, Culture, Ikorodu, Symbols.

The Broadening of Art Perspectives in an Art Course of Non-Art Major Students through a Korean Art Teacher’s Asian Art Viewpoint

This research explores how Multicultural and Asian art affects college students in a U.S. university. The students did not major in art, and they chose art as elective subjects. The art course consisted of art theory and practice based on DBAE(Discipline-Based Art Education). In the art class, some non-white students always enrolled in the course. The researcher found that DBAE was satisfactory but sometimes inappropriate because DBAE is rooted in Western high art. The researcher changed the art studio class with a multicultural perspective, especially Asian art because he wanted to introduce a new art style to the class and give them a chance to appreciate non-western art. Qualitative action research and arts-based research methods were used to conduct this project. The result revealed that the students of color showed more confidence and actively participated in the class. The works of students of color were changed and improved. Second, women became more aware of social issues and expressed their feelings and emotions in their works. It seemed that the women students would become social activists and voice their opinions by making their art. Third, some students, especially Hispanic and Asian students showed their identity through their artworks. Forth, some Korean students did not make much progress. By including multicul-tural art in art classes, more students could broaden their perspectives on art and understand diversity through their artworks.

Innovative Integration of Digital Storytelling and College English Education in China from the Perspective of New Liberal Arts

Innovative Integration of Digital Storytelling and College English Education in China from the Perspective of New Liberal Arts

THE ARCHITECTURE OF VIETNAMESE TEMPLES – A STUDY FROM AN ARTISTIC PERSPECTIVE

The pagoda in Vietnam is an architectural work with many artistic values. The pagoda is a sacred space, and it gathers the cultural and artistic values of the Vietnamese people. In addition, it has satisfied the living needs of life, meeting the aesthetic needs of the people. The temple is the most complete collection of visual elements, closely combining and supporting each other in a unified whole. From an artistic perspective, the temple is the most typical architectural art of the Vietnamese people. The beauty of the temple is reflected in its sanctity. The art of architecture and decoration of the temple expresses the thoughts and feelings of the Vietnamese people. Besides, it shows the creativity and aesthetic aptitude of the Vietnamese people. The pagoda is a typical example, a uniqueness that creates the unique beauty of the Vietnamese people.<p> </p><p><strong> Article visualizations:</strong></p><p><img src="/-counters-/soc/0091/a.php" alt="Hit counter" /></p>

Research on the Same Path of Chinese Excellent Traditional Culture and Art Design Courses from the Perspective of Cultural Confidence

Under the background of the new era, General Secretary Xi Jinping put forward the important content of “four self-confidence” for the thought of socialism with Chinese characteristics; cultural self-confidence has a more basic, deeper and more lasting power. The connotation of the construction of the new liberal arts is the development direction of disciplines that are upright and innovative, interdisciplinary and meet the needs of the times. As a new liberal arts perspective, design has become an important driving force to promote the development of culture. Design is not only the inheritor of culture, but also the successor of pioneering and innovation. Throughout the excellent design works at home and abroad, all of them are rooted in culture, and will be the integration of excellent traditional culture into the design classroom can not only enrich the design teaching, but also enable students to actively explore the spirit of traditional culture in the process of creating design works, and endow traditional culture with new vitality.

Art of Bahari Quran Manuscripts from MJRL

Islamic art, enjoying the fundamentals of religious intellectual in different forms, expresses the modes of its spiritual nature in Islamic civilizations as well as in Muslim art. Appearance of Quranic manuscript concepts in perspectives of Muslim arts in different creative periods. Multiplicity of artistic approaches in Islamic culture, through its exceptional element expressing the principles derived from the Allah’s words, leads to living Muslim artist for the establishment of masterpieces of Islamic art, the most glorious artistic reflections, that it has established at an extensive level which can be observed in book compositioning, illumination, embellishment and planning. This article discusses the illumination of Bahari Qur?anic manuscripts in the collection of Masvd Jhandher research library, privately run at the small town sardarpur Jhandher in tehsil mailsi, district vehari (Punjab, Pakistan). This paper compares the illuminative styles of the particular script comparing it with other contemporary to this calligraphy style, and the evolutionary phase of the calligraphy style and the paper used specially for these manuscripts. Bahari manuscripts are mostly written in the 14th to 18th century, lesser efforts are applied to adorn the manuscript but visually the script of the manuscript was composed and stylized in an expressive tone, as the illuminative elements are quite simpler than the later manuscripts.

The Art of Decorating Traditional Ceramic Tiles in Contemporary Vietnamese Architecture and Interior

Terracotta ceramic brick is a material with a long history in the life of the Vietnamese people, often used to build and decorate ancient architectural works with special techniques, visual arts, and decoration sharp. Over hundreds of years, although at present, the artifacts made from terracotta pottery are no longer intact on the ancient architectural works, they have still been kept as precious heritages, contributing to the formation of the imaging system. Unique statues and symbols in traditional Vietnamese architectural decoration art. Many designers have used traditional ceramic tiles to decorate contemporary architectural, interior, and exterior spaces to create a unique feature for each project. From the perspective of Fine Arts, Design, and a practical approach, the article aims to identify the characteristics, inheritance, and continuation of the artistic heritage of traditional ceramic tile decoration in architectural and interior design contemporary furniture in Vietnam, thereby proposing and suggesting some solutions to this problem.

Retracted: The Application of Artificial Intelligence Wireless Network in Music Contextual Teaching under the New Media Art Perspective

Retracted: The Application of Artificial Intelligence Wireless Network in Music Contextual Teaching under the New Media Art Perspective

Aesthetic perspectives on interactive art and Text-to-Image technologies (TTI)

By reconstructing the connections between different artistic forms, such as Art Sociologique, cybernetic, media and digital art, the paper addresses of how the concept of interactivity has evolved in relation to the development of aesthetic paradigms. Firstly, the paper problematizes the concept of interactive art, by discussing connections and differences with media and digital art. Secondly, the paper shows how Flussers’ concept of participatory media, influenced by the artistic work of Fred Forest, together with the theoretical perspective developed by members of the “Group for an Aesthetics of Communication”, contributed to the development of new perspectives in interactive art. Thirdly, the paper shows how theoretical perspectives such as “Relational aesthetics” and the “Aesthetics of Communication” constituted the basis for the successive reflection on the potentialities of virtuality and immateriality from an artistic perspective. By drawing on such premises, the paper addresses the issue of the meta-operational processes involved in the use of Text-to-Image technologies (TTI), discussing the level of interactivity and the creative processes involved in its use. Finally, the paper problematizes the features of interactivity that characterize emerging forms of art made possible by virtual devices.