Artistic Expression Research Articles

Historical Development and Learning of Marimba in Chinese Educational Institutions

Background and Aim: The significance of the historical development and learning of the marimba in Chinese educational institutions lies in the evolutionary and developmental process of these institutions and the interesting nature of the learning process. It is necessary to study the introduction and learning process of the marimba. The aim is to explore the historical development and learning of the marimba in Chinese educational institutions. Materials and Methods: Qualitative research and content analysis were used, based on the principles of the historical development of the marimba, to convey and promote Chinese culture through marimba sound, playing techniques, and the learning process in educational institutions. Results: The marimba was introduced to China in the 1980s. Teaching and playing methods mainly follow the international mainstream. Due to its low popularity, few schools offer marimba courses. Automatic lifting systems have emerged. There is scope for further development. The learning is comprehensive, in-depth, and innovative, helping students gain proficiency and cultivate musical literacy and innovative abilities. It originated in Guatemala and spread worldwide, entering China in the 1980s. In China, it has gradually become an important part of the music education system. Courses and training programs have been established in various educational institutions. Learning requires basic skills and the pursuit of artistic expression and cultural understanding. In the future, the marimba will have broader prospects with the development of music education and the acceleration of the internationalization process. Conclusion: Despite its initial lack of popularity, the marimba—which was brought to China in the 1980s—has grown to be an essential part of the country's music education program. Students develop proficiency and musical literacy through thorough and creative teaching methods, and as internationalization and music education progress, the instrument's future in China appears bright.

Visual Art Representation and Social Attitudes Towards Transgender Individuals in Pakistan: Exploring Queer Theory, Personal Narratives, and Societal Change

This research paper investigates the intricate interplay between visual art representation, social attitudes, and the experiences of transgender individuals within the Pakistani context. By integrating the frameworks of queer theory, personal narratives, and the recent enactment of the transgender bill, this study aims to contribute to the creation of a more inclusive and supportive society for transgender individuals in Pakistan. The paper begins by providing a comprehensive understanding of key terms such as LGBT, transgender, and gay, clarifying their distinct meanings to avoid misconceptions. It then introduces the theoretical lens of queer theory, which offers critical insights into challenging societal norms and perceptions regarding gender and sexuality. Through an in-depth case study of a college friend who underwent a gender transition and now identifies as a woman, the researcher engages in meaningful dialogue to gain a profound understanding of her personal experiences, challenges, and transformative journey. This exploration sheds light on the emotional disorientation and internal conflicts often encountered when interacting with individuals who have undergone gender transitions, emphasizing the need for empathy and understanding in fostering meaningful connections. Furthermore, the research delves into the realm of visual art practices among transgender individuals in Pakistan, analyzing the artistic expressions of transgender artists and those who explore transgender themes. By examining the transformative power of visual art to raise awareness, promote empathy, and challenge stereotypes, the study highlights the potential of art as a catalyst for social change and acceptance. In addition, the paper addresses the broader societal implications and attitudes towards transgender individuals in Pakistani society, particularly in the context of the transgender bill. It underscores the urgency for progress in terms of ensuring equal treatment, inclusivity, and acceptance, aiming to dismantle discriminatory practices and foster an environment that embraces diversity. Overall, this research contributes to the ongoing discourse on transgender rights and social attitudes in Pakistan. By amplifying personal narratives, employing queer theory as an analytical framework, and recognizing the transformative potential of visual art, this study advocates for the dignified treatment and facilitation of transgender individuals as valued members of society with respect and equality.

The Artistic Expression and Aesthetic Value of the Artistic Conception of Tang Poetry on Landscape

The Artistic Expression and Aesthetic Value of the Artistic Conception of Tang Poetry on Landscape

Upper Palaeolithic fishing techniques: Insights from the engraved plaquettes of the Magdalenian site of Gönnersdorf, Germany.

The ~15,800 year-old Magdalenian site of Gönnersdorf, in Germany, has produced 406 engraved schist plaquettes which have been extensively studied in the past. The introduction of advanced imaging technologies, notably Reflectance Transformation Imaging (RTI), has now precipitated a re-evaluation of these artifacts, uncovering nuanced depictions of fishing practices previously unrecorded for the Upper Palaeolithic. Our investigation harnesses RTI to elucidate fine engraving details on the plaquettes, revealing depictions of fish and accompanying grid motifs. The analytical process enabled by RTI has exposed an intricate link between the grid patterns and fish figures, showing that they were a deliberate combination portraying the use of fishing nets. This discovery posits a significant departure from earlier interpretations of the site's iconography, which predominantly emphasized more naturalistic representations of fauna. Furthermore, these findings illuminate aspects of Magdalenian cultural praxis, suggesting that representations of aquatic life and fishing technologies were not merely utilitarian in nature but were embedded within a broader symbolic framework. This study enhances our comprehension of Magdalenian peoples' interaction with the aqueous milieu, revealing a sophisticated symbiosis between ecological adaptation and artistic expression.

THE PARTHO-ROMAN RELIEFS FROM TUR ABDIN: ROCK-CUT RELIEFS OF BEGANI

This paper analyses the Begani rock reliefs, a crucial body of works reflecting the complex cultural and artistic interactions of the Partho-Roman period in northern Mesopotamia. The study investigates the strong links between the reliefs and Parthian and Mesopotamian artistic traditions and focuses on the iconographic elements that characterise this period, such as clothing, postures, and weapons. The analyses indicate that the Begani reliefs have common features with sculptural works from prominent artistic centres such as Edessa, Hatra and Palmyra, pointing to a broader cultural network in the region. The synthesis of local traditions in the depicted garments, including tunics and trousers, demonstrates the widespread influence of these artistic expressions across different regions. Furthermore, the paper highlights the Adiabene kingdom's role as a major regional power, which probably influenced artistic production in neighbouring principalities by evaluating the reliefs in the context of the kingdom of Adiabene. The influence of the Parthian Empire and subsequent Roman control has been recognised as crucial in shaping the region's artistic landscape. Despite the difficulties posed by the damage the reliefs suffered, which made it challenging to identify the figures, the details provide insight into the artistic transformations of the period. The results emphasise the importance of further research into the iconography of the Begani reliefs and their relationship with other regional works. This approach aims to improve our understanding of the social and religious contexts of the sculptural traditions of northern Mesopotamia and their interrelationships within the framework of artistic production in the region.

Audiovisual Imagery in Multimodal Perception and Performance of Qigang Chen’s Er Huang Concerto

In the realm of musical performance, the role of a pianist extends beyond the mere execution of musical scores to become a pivotal contributor to artistic expression. This study delves into the auditory and visual imagination through the perception and performance of piano works by the Chinese-French composer Qigang Chen from the early 21st century, involving the performer’s meticulous response to the nuances of musical sound as well as the interplay of visual synaesthesia.The study also explores the inherent conveyance chain within the performance process, experimenting with multimodal forms of expression. These creative choices not only enrich the narrative of the arts but also contribute to crafting a comprehensive, immersive concert experience for the audience. The principal aim of this research is to explore the prismatic view within Qigang Chen’s piano work, offering multiple possibilities of meaning and emphasizing the crucial role of the pianist in forming and elucidating the fusion of auditory and visual senses in performative action.By transcending traditional performance boundaries, this exploration invites the audience to witness the multimodal interactions inherent in musical performances, providing a fresh perspective on dynamic exchanges between different sensory elements and cultural influences.

TEACHING POLYPHONIC TECHNIQUES TO CHINESE STUDENTS USING PIANO ENSEMBLES OF CHINESE COMPOSERS

Chinese piano music is a unique phenomenon. Developing under the influence of Western European culture, it has not lost its uniqueness and national identity. Polyphony as a structure of multi-voice music is not characteristic of Chinese piano music, however, elements of polyphonic artistic expressiveness are present in composers’ works quite often. Their use is connected with the solution of a specific artistic problem in each individual work, form- building, as well as with the effective emphasis on the features of intonation, rhythm, and national colour of Chinese music. In musicology, the concept of “Chinese style” appeared, which synthesised the components of national, regional, genre style and even the style of an era into one musical system. The “Chinese style” has become a label for the national cultural identity of Chinese piano music in the world music art. Piano ensemble is a genre that occupies a significant place in the work of Chinese composers. It reflected the traditions and innovations of the “Chinese style”, including in the aspect of the use of polyphonic techniques.

Emotion and Inspiration through Generative AI Art

Art inspires emotion. The process of creation invigorates the senses and keeps the researcher on fire. To create artistic masterpieces using words through natural language processing further stimulates the mind and helps to overcome writer’s block. An AI tool interprets the words and transforms them into artistic expressions that feel like magic. Yet, AI art is not without consequences. Critics challenge the digital rights of AI-generated images, noting that they are derivative works. This paper examines the joy of creation as well as the copyright challenges creators face when writing detailed prompts to generate amazing artwork. The role of affective computing illustrates the relationship between the designer and the AI tool while ethical concerns remind designers to use caution in their prompts. The article examines the architecture of a prompt, the characteristics to enhance it, and examples of generative AI art. Additional content includes references to handouts, art catalogs, and legal opinions regarding the copyright debate. The article concludes with a recommendation with respect to the intellectual property rights of artists and their creative work.

Artificial Intelligence Scene Creation with Virtual Technology for the DigitalFilm

Artificial Intelligence-based scene creation leverages advanced algorithms to generate realistic and immersive environments for various applications, including gaming, virtual reality, and simulations. By utilizing techniques such as procedural generation, deep learning, and computer vision, these systems can automatically create complex landscapes, detailed textures, and dynamic elements that respond to user interactions. This not only enhances the user experience but also significantly reduces the time and effort required for manual scene design, enabling developers to focus on creativity and innovation. In the realm of digital media production, the quest for lifelike scenes and efficient evaluation methodologies has led to the exploration of novel techniques. This paper investigates the synergy between point estimation and artificial intelligence (AI) in advancing digital scene creation and evaluation. Through comprehensive simulations and analyses, we assess the effectiveness of point estimation in quantifying scene attributes such as visual realism, dynamic interactivity, physical accuracy, and artistic expression. Additionally, we delve into the utilization of AI algorithms for automating scene classification, thereby streamlining decision-making processes and optimizing resource allocation in production workflows. Through comprehensive simulations and analyses, we assess the effectiveness of point estimation in quantifying scene attributes such as visual realism (mean score: 0.85), dynamic interactivity (mean score: 0.72), physical accuracy (mean score: 0.93), and artistic expression (mean score: 0.65).

5. Artistic Expression and Cultural perspectives in Healthcare and Community

5. Artistic Expression and Cultural perspectives in Healthcare and Community

Disability Arts and Disability Aesthetics

Disability aesthetics has emerged in the modern/contemporary era as a critical approach that challenges traditional notions of beauty, wholeness, and normalcy in art. By centering the experiences and perspectives of disabled individuals, disability aesthetics seeks to subvert ableist assumptions and stereotypes, presenting disability as a natural part of human diversity. This paper aims to explore how disability aesthetics challenges ableism, expands our understanding of art and beauty, and brings about societal changes through a critical analysis of various examples of disability arts in the modern/contemporary era. However, this paper also acknowledges the potential pitfalls within the field of disability aesthetics. These include the risk of fetishization or exoticization of disability, and the need for a more intersectional analysis that considers how disability intersects with other marginalized identities. As disability aesthetics continues to evolve, it is crucial to address these challenges and work towards a more nuanced and inclusive understanding of disability representation in art. Given this, by critically examining both the strengths and limitations of disability aesthetics, this paper aims to contribute to the ongoing dialogue about representation, identity, and artistic expression in the context of disability. Ultimately, it underscores the importance of continual reflection and refinement within the field to ensure that disability aesthetics remains a powerful tool for social change and artistic innovation.

중등학교 기악 교육의 내용과 방법, 평가에 관한 실태 분석

This study aims to analyze the current state, perceptions, and demands related to instrumental education in secondary school music classes, which has been receiving increasing emphasis in recent years, in order to identify issues and discuss possible solutions. To achieve this, various literature on the content, methods, and assessment of instrumental education was reviewed. Based on this review, a survey tool was developed to examine the actual state and demands of instrumental education, and a survey was conducted among secondary school music teachers across the nation. Statistical analysis was performed on the responses from 63 participants. The analysis revealed that secondary school music teachers strongly recognized the necessity of instrumental education. As a result, it was found that the majority of class time in music lessons is devoted to instrumental education. Most teachers also perceived a high level of student participation in instrumental lessons and held a very positive view of instrumental education. However, instrumental education was mainly limited to solo instrument instruction, focusing on posture, techniques, and basic performance skills, while instrumental ensemble activities were not well implemented, despite teachers’ high awareness of their importance. The predominant teaching method involved teachers directly demonstrating through performance and using modeling as an instructional approach. However, teachers felt that their own performance skills were inadequate. In terms of assessment, it was found that the evaluation of artistic and creative expression was not being adequately conducted.

Protecting Street Art and Graffiti as Artistic Works Under Indian Copyright Law: An Analysis

ABSTRACT Street art, known for its temporary nature and presence in public spaces, faces challenges in copyright protection. Despite these hurdles, street art is increasingly recognized as a legitimate artistic expression warranting copyright safeguards. This abstract explores how street art can be protected under copyright law, beginning with its definition and qualification as an artistic work under copyright statutes. It addresses practical and legal issues such as authorship, ownership, and the impact of public location. This study illustrates different approaches to protecting street art through circumstances and some legal precedents. It also examines the role of moral rights and public interest in balancing artists' rights with property rights and urban aesthetics. The abstract proposes legal reforms or policy interventions to enhance copyright protection for street art while maintaining its cultural integrity, contributing to the discourse on the intersection of copyright law and urban art.

THE EVOLUTION OF PERFORMANCES ON A NATIONAL LEVEL IN AEROBIC GYMNASTICS

Background. Performance aerobic gymnastics is, indeed, a form of art in motion, harmoniously blending elements from gymnastics, dance, and aerobics. Focusing on aspects such as coordination, mobility, strength, and endurance, this discipline challenges both the physical and mental abilities of athletes. The hallmark of performance aerobic gymnastics is the ability to execute quick and precise movements without compromising technique and accuracy. This requires a unique combination of strength, flexibility, and grace, as well as a good understanding of rhythm and music. Through this combination of traits, performance aerobic gymnastics becomes not just a form of training but also a captivating spectacle, attracting both athletes eager to test their limits and the audience with its dynamism and complexity. It is a discipline that manages to blend technical perfection with artistic expressiveness, thus creating an impressive and memorable spectacle. Purpose: The research aimed to assess the level of preparedness of aerobic gymnastics practitioners from the second category in Romania in relation to the specific requirements of technical, artistic, and execution components imposed by the scoring code. Additionally, the study aimed to identify any errors that athletes may have presented within these components. Methods: The research utilized bibliographic study to obtain a comprehensive understanding of the field of aerobic gymnastics and relevant points for evaluating athletes' performance. Statistical method was applied to analyze and interpret the results obtained by female athletes at the National Aerobic Gymnastics Championships, allowing us to highlight their evolution and identify performance trends. Additionally, graphical method was employed to visually represent the data of our analysis, facilitating their comprehension and interpretation. Subjects: The research period covers the evolution of athletes between the years 2019 and 2021, within the national championship. Our objective is to highlight and analyze the progress, stagnation, or regression of athletes participating in competitions over the course of the three years of study. Results: It is interesting to observe the evolution of the UNEFS sports club over these years and the fluctuations in their positions in the competition's ranking. Although there have been changes in the ranking from year to year, with a variation in the positions occupied, it is remarkable that UNEFS has generally remained in the upper part of the ranking. In 2019, the UNEFS club occupied positions 1, 4, and 6 in the ranking, and the following year, they managed to rise to positions 1 and 2, signifying an improvement in their performance. However, in 2020, they experienced a decline, dropping to 7th place. In 2021, the sports club once again managed to rank in the top two positions, but also found themselves in 6th place in the ranking. Conclusions: These fluctuations in the ranking can be influenced by a variety of factors, such as changes in athletes' training, training strategies, the level of competition, or even external conditions, such as changes in regulations or unexpected events. A detailed examination of these fluctuations can help identify patterns or trends that may affect the performance of the UNEFS club in the future. Based on these analyses, adjustments can be made in training and competition strategies to improve performance and ensure that the club remains competitive in the national championship and other future competitions.

Research on Color Management and Color Grading Applications in New Media Movies

This article studies the color management and color grading of new media movies, mainly studying the impact of color balance, stylized color grading and high dynamic range image adjustment on the visual effects and emotional expression of the film. However, there are currently not many specifications and requirements for the color requirements of new media movies. New media movies still have deficiencies in color aesthetics and artistry. They often pursue visual stimulation and alternative themes while ignoring artistic expression. Due to limitations in cost and production experience, online movies often have less investment in color aesthetics, and the production level is still far behind traditional movies. The research significance of this article is to emphasize the importance of color management and color correction technology in new media movies, and to propose solutions to color inconsistency problems caused by color management and cross-platform playback. Through scientific color management and delivery settings, new media movies can be ensured to present the best visual effects on different devices, improving the artistic value and enjoyment of new media movies. In general, the research in this article has reference significance for the standardization development and technological improvement of the new media film industry.

The Charm of Transcending Times: Aesthetic Value Trends and Current Significance of Early Chinese Film Classics ——Taking 'Street Angel' as an example

Against the historical background of internal and external difficulties, early Chinese films did not give up exploration and growth, but instead emerged a batch of masterpieces that combine ideological connotation and artistic expression, demonstrating the charm of crossing the times. This article takes "Street Angel" as an example to explore the aesthetic tendencies of early Chinese film classics and their implications for contemporary cinema. By analyzing the film's grasp of the dual structure of reality, critical examination of modern cities, and display of humanistic care, its unique artistic charm is revealed. The film not only represents the peak of early Chinese film creation, but its aesthetic tendency also transcends the times and has a profound impact on contemporary film creation and social culture.

SONIC EQUITY

SONIC EQUITY This exposition investigates questions of inclusion, equity, and decolonisation through the central voice of the Brazilian berimbau. Drawing on the approaches of artistic research, musical case studies are employed to investigate the core concepts, including the solo berimbau work of Adriano Adewale, as well as duo dialogues between Adriano Adewale on berimbau and Nathan Riki Thomson on double bass, seen through the conceptual lens of third space. Findings emerge in terms of uncovering and reimagining the unique, experimental sonic possibilities of the berimbau and the ways they can be utilized for artistic expression in both solo and duo playing. Through shining a light on the unique possibilities of the berimbau, questions arise in terms of why this instrument and its interconnected traditions have not been given equal space and value within higher music education, highlighting the need for institutions to continually reassess their policies through the lens of decolonisation. The artistic investigations further reveal issues related to the need for equity in music and music education, pointing towards a decolonised future where marginalized instruments such as the berimbau are given space and valued equally alongside all forms of musical expression. This connects back to the fundamental human need to be seen, acknowledged, and valued in our world, which is a commonality we can perhaps all relate to. Key words: berimbau, equity, decolonisation, interculturalism, higher music education, third space.

Laozi’s Influence on Contemporary Rap Music: A Study of Cultural Protection and Inheritance

This study investigates the influence of Laozi’s teachings on contemporary rap music, focusing on themes of cultural protection and inheritance. Through a mixed-methods approach, qualitative and quantitative analyses were conducted to explore the extent of Laozi's influence in rap lyrics. Qualitative analysis involved in-depth examination of lyrical content to identify thematic parallels with Laozi's philosophy, while quantitative analysis quantified instances of Laozi references in selected rap songs. The results reveal a steady increase in Laozi references in rap music over time, with prevalent themes including harmony, self-awareness, and balance. Geographic distribution highlights a global reach of Laozi-inspired rap, transcending cultural boundaries. Collaboration patterns, sentiment analysis, and commercial performance further elucidate the multifaceted relationship between Laozi's teachings and contemporary rap culture. This study contributes to understanding the dynamics of cultural transmission and adaptation in the modern music industry, showcasing the enduring relevance of ancient wisdom in shaping artistic expression.

The TIME, SPACE, and GESTURE in a crossdisciplinary context

In any performance genre, the use of time is a fundamental element that shapes the artistic experience. When artists from different disciplines come together to collaborate on the same material, the perception and utilization of time as an artistic device can undergo significant transformations. This exposition delves into the intricate realm of non-verbal artistic communication between performers from diverse disciplines, with a specific focus on how the actions of one artist can profoundly influence and shape the decisions of another. To explore this dynamic interplay, a compelling case study is presented, examining the enchanting character miniatures for solo piano composed by Alexander Scriabin during the middle and late periods of his life. These exquisite musical pieces are interwoven with the fluidity and spontaneity of contemporary dance improvisation, creating a rich tapestry of artistic expression. Within this crossdisciplinary collaboration, the exposition sheds light on the ephemeral layers of communication that exist between performers. It delves into thought-provoking topics such as the sense of flow, movement, and structure within the work, the role of physical distance between performers and its intricate relationship with the passage of time, the density of content (i.e., musical material) in the context of crossdisciplinary exploration, and the profound significance of gestural communication between artists. Through this crosspollination of ideas and artistic exchange, the potential for profound and transformative artistic impact emerges. In essence, this exposition offers a thought-provoking exploration of the transcendent power of artistic communication between performers from different disciplines.

FLORADAS POÉTICAS, REGISTROS DA FLORA DO CARIRI CEARENSE NA OBRA DO POETA PATATIVA DO ASSARÉ

Artistic expressions convey the perception, culture, and emotional dimensions of those who conceive, interact with, and transmit them. Patativa do Assaré, a popular poet, exemplifies this multifaceted grasp through his extensive work that portrays the landscape, culture, people, and history of the northeastern backlands. His book, "Sing There That I Sing Here - Philosophy of a Northeastern Troubadour," is the focus of this study. The aim was to identify common plant names, analyse them, and assess whether the poet could still draw inspiration from these plants today. The verses contain 2,639 citations related to nature, with 597 terms, 64 of which directly refer to plants. Botanical names were inferred through verse analysis and comparison with herbarium specimens from the Cariri region of Ceará. Despite increasing anthropisation, much of the landscape and place could largely be retold. This research joins others in enhancing the value of biological and cultural conservation, contributing to the conservation status of the imburana and pequi, as evoked by the artist in his work. Keywords: Ethnobotany; Popular plant names; Northeastern Flora; Patativa do Assaré; Cariri Ceará.