Vaspurakan’s jewellery carries the traditions of Armenian art in general and directly continues the culture of Van or Ararat Kingdom, which in its turn was the continuation of the Bronze Age rich art. Archaeological materials and written sources show the development and the variety of the ancient jewellery art in the Armenian Highland and the localities of the archaeological discoveries (temples, palaces, fortresses tombs, etc.) show the ways they were used. Different historians provide valuable information about the medieval jewellery of Vaspurakan. The ritual objects and the covers of handwritten and printed religious books also show the high level of the skillful masters. The clergymen also were engaged in jewelry making over the centuries. In the 19th and the beginning of the 20th century, the products of Van masters were distributed in Turkey and exported to Europe, Africa and America. The jewellers used various techniques such as casting, stamping, filigree, double threading, embossing, granulating, engraving, gilding, niello, etc. Although niello was known from very early times, it began to be widely used from 1860 - 1870’s, then passed to the Caucasus and from there to Russia. The master jewellers of Van have always been known for their talent, and they always taught, transfered and spread their skills wherever they lived. The descendants of Vaspurakan jewellers are still working in Armenia and in different countries of the world.