AbstractThis essay argues that the concept of extinction, polysemous if not overdetermined, is becoming an emergent keyword of contemporary public life as it faces the climate crisis. To make this argument the essay critically considers the ways in which extinction is currently being made public—within and by the environmental humanities but also in the wider public sphere of political and cultural contestation. The essay begins by problematizing the concept of extinction itself, positing that it makes sense to think of the Sixth Extinction as the first historical extinction event—that is, as a social articulation of an organic process in which the causes and impacts are at once natural and social. Then the essay discusses the different extinction imaginaries that have operated across modernity, before finally turning to the writings of the Extinction Studies Working Group, whose conception of extinction as a process rather than event, and whose arguments that mass extinction presents an ethical call to responsibility, have become a template for how extinction is thought about within the field of the environmental humanities. The essay ends by posing some companionly criticisms of the extinction studies project.
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