Excavations at Tepe Hissar, Persia, 1931 The work of the joint expedition of the University Museum and the Museum of Art, Philadelphia, at Tepe Hissar, near Damghan in northern Persia during the season of 1931 is described by Dr. E. F. Schmidt, with numerous illustrations in the Museum Journal (Philadelphia), 22, No. 4. The Damghan region contains a number of occupation sites, but, so far as at present ascertained, the only prehistoric site is Tepe Hissar. Three phases of culture were distinguished in the period of occupation, which, as equated with the contemporaneous culture epochs in Mesopotamia, extend from the early Sumerian to early Kassite times, or in"Anatolia from the Red Pottery Age to the consolidation of the Hittite Empire. Occupation ceased at about the middle of the second millennium B.C., when Period III abruptly came to an end, and the site was unoccupied for about two thousand years until the palace of a Sassanian noble was erected on the marginal debris of the ancient towns. Stratum I was sounded in platforms cropping out from below the later deposits. It is characterised by wheel-made painted pottery, and already belongs to the metal age, as is indicated by daggers, points and pins. Many stone objects were still in use. The pottery is decorated with simple geometrical designs and conventionalised animal designs. Great numbers of seal-shaped ornaments are characteristic. The burials were contracted, and in all periods adorned with an incredible number of small beads. In Stratum II a foreign grey ware displaces the painted pottery? but Period I forms persist, though the decoration disappears. Metal work increases, copper mace-heads, nails, bracelets and anklets of wire appearing. Period III appears to grow out of Period II, but with the addition of western culture traits. Tentatively this period is attributed to the first half of the second millennium B.C. Silver vessels are found only in this stratum, and, with them, exquisitely moulded vessels of alabaster and other stone. Copper seals show elaborate patterns and cylinder seals point to a connexion with the west. Animal figurines faithfully represent the originals. Conventionalised female effigies are also found. The mortuary equipment of certain graves is lavish and suggests a dominant social caste.
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