1050 Book Reviews TECHNOLOGY AND CULTURE are restatements of the conventional wisdom. So it is here. Therefore, the most interesting portions of the book, at least to a reviewer familiar with many of the arguments tying technical to economic change, are those that fit the editors’ thesis less well. These are the essays that assess the interactions between technology and urban form (by Kenneth T. Jackson), politics (by David C. Hammack), education (by Geraldine Clifford), and religion (by Martin E. Marty). When the power of the marketplace is tempered by or mixed with other forces, the historical patterns are more ambiguous, less one-sided. This is especially dear in Derk Bruins’s interesting and innovative study of the effect of technological change on social structure in the U.S. Navy. There the power of tradition and politics often resisted the sort of technical improvements that would have succeeded much more rapidly in the economy. These essays make it plain that technological change, operating through the economic system, is now generally acknowledged to have been the most important source of changes in society since the 18th century. To be sure, there are sectors where its influence has been slowed or muted, particularly when noneconomic motivations have played a significant role. Nevertheless, its fundamental dominance is clear. And so is our ambivalence about this state of affairs. When we care most about material achievement, we celebrate technology’s triumph. When we concern ourselves with other values, however, we fear the power of technology, and we doubt our ability to control or even to influence its course. In the end the question, as Martin Marty concludes, is “not how to resist or worship technology but how to make the technological order more open to humaneness” (p. 287). We have come a long way from the Enlightenment optimism that accom panied the origins of our technical, industrial world. Glenn Porter Dr. Porter is the director of the Haglev Museum and Library. He was the editor of the three-volume Encyclopedia of American Economic History, published by Charles Scribner’s Sons in 1980. The Pilot and the Passenger: Essays on Literature, Technology, and Culture in the United States. By Leo Marx. New York: Oxford University Press, 1988. Pp. xx+ 357; notes, index. $29.95. In his pioneering The Machine in the Garden: Technology and the Pastoral Ideal in America (1964), Leo Marx argued that literary aware ness of accelerating mechanization appears in classic American works of the 1830s, much earlier than critics had assumed, and found that writers like Hawthorne and Twain revealed their anxieties in images of locomotives or steamboats invading an Edenic landscape. Here, in The Pilot and the Passenger, a splendid collection of essays written TECHNOLOGY AND ( I I I I RI Book Reviews 1051 between 1950 and 1987, Marx recasts this dichotomy between pasto ral dream and industrial reality into a permanent dialectic, an engine of culture still operating in the present. As he is careful to define it, however, the pastoral ideal itself already represents a balancing of the alleged harmonies associated with an unmodified nature, on the one hand, and the more doubtful virtues linked to rapidly advancing civilization, on the other. The traditional American version of tech nological moderation is Jefferson’s vision of a “middle landscape,” a primarily rural countryside populated by yeomen who would manu facture just enough goods for sufficiency, a préfiguration of later ecological and “small is beautiful” movements. If pastoral loyalties gave political style to the vernaculars of Twain and Whitman, they have also furnished substance for modern ideologies like those of Herbert Marcuse and Susan Sontag: where cultural agendas are concerned, pastoral and postindustrial values seem rhetorically, psy chically, and politically dependent on one another. Nevertheless, Marx points out, efforts to wed the pastoral ideal to social action are likely to fail, as happened in the 1960s. Detailing the reasons for its political failure also outlines the dimensions of the dream. In our century, technology can no longer be equated with its synecdoche, the machine; technology is better understood as the organizational complexes in which we live and function. Decisions concerning those systems, however, are political. The major expression of the...