The futurological model presented in “My brother Alexei’s Journey to the Land of Peasant Utopia” by A. V. Chayanov (under the name of Iv. Kremnev) is focused on preserving and reviving the traditions of the times past, which are harmoniously integrated into a new way of life. The utopian worldview is very eclectic: along with manual agricultural labor, there are the latest inventions: meteorophores and aircraft, atmospheric precipitation is controlled. Art as a philosophical imperative defines all aspects of society. The leaders of the state, rely on the achievements of eugenics, striving to maximize the realization of each person’s talent, education is based on the principles of harmonious personal development: utopia’s residents not only master a specialty, but must know the history of art, play sports, which should also serve to reveal their abilities. The ideal is formed by both the ancient culture and manor pastime, where a person works in close contact with nature, spending leisure time in literary or musical pursuits. Knowledge of history and art is considered fundamental here: even cooking and entertainment are focused on preserving the memory of the past. Many of the ideas on which utopia is based are Chayanov’s ideas about the proper structure of education, its cultural and art history components, pedagogical and methodological principles, and the formation of a versatile and multifaceted scientist. But in a way, it is also an answer to the disputes of the late 19th — early 20th centuries about the role of man as a theurgist, the limits of his capabilities and power.
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