African Identity Research Articles

Indigenous Feminism in Environmental Sustainability: Zora Neale Hurston’s Dust Tracks on A Road (1942)

Abstract In this essay, I explore and analyze Zora Neale Hurston’s autoethnography The Dust Tracks on a Road (1942) as an alternative to the modern anthropological simplification of nature and the African American indigenous identity. Hurston’s indigenous feminist subjectivity is focused on environmental sustainability and her resistance to anthropocentrism and racialized labor. Hurston’s subjectivity as an indigenous feminist scholar can be articulated as minoritarian in the critical posthumanities since it is not about margin; rather, it revolutionizes anthropological discourse by re-signifying the African American lumberer identity and environmental sustainability in a robust, appealing, and unique manner. She reconceptualizes Black indigenous lumberers by articulating their historical and cultural relationality with the forests owned by forest industries in Polk County, Florida.

Transforming library systems in Africa: advancing literacy and cultural preservation through digital innovation

Transforming library systems in Africa is essential for advancing literacy and preserving cultural heritage in an increasingly digital world. The integration of digital innovation into African libraries has the potential to revolutionize access to information, promote lifelong learning, and safeguard indigenous knowledge. This review explores the role of modern technologies, such as digital archiving, e-libraries, and mobile platforms, in enhancing literacy rates and preserving Africa's rich cultural traditions. By transitioning from traditional, print-based models to digital systems, libraries can bridge the educational gap in underserved communities, offering wider access to educational resources and promoting literacy at all levels. Additionally, digitization facilitates the preservation of local languages, oral histories, and cultural artifacts, ensuring that future generations can engage with Africa's diverse heritage. The challenges of digital transformation in African library systems, including limited infrastructure, funding, and digital literacy, are also discussed. The review emphasizes the need for strategic investments in technology, capacity building, and policy frameworks to create a sustainable digital ecosystem. By harnessing digital innovation, African libraries can evolve into dynamic centers of learning and cultural preservation, contributing to both socio-economic development and the protection of African identities. This transformation is critical to fostering a more educated, culturally aware, and globally connected African society.

Close Encounters of the Archival Kind: Affect and Transnational Solidarities in African Diaspora Archives

Recent explorations of affect in the archives have focused on the experiences of users and particularly the distress archival collections could possibly cause them. Perhaps because they have, until recently, been trained to think of themselves as engaged in objective and neutral work collecting and preserving memory, archivists rarely reflect on or talk about their work, how they engage with the materials they manage, and how they personally feel about what they encounter in the course of their professional lives. Using an autoethnographic conceptual framing, this article uses four archival encounters in the Manuscripts, Archives and Rare Books Division of the Schomburg Center for Research in Black Culture to reflect on affect in the archives invoked by archival work. Through these encounters, the article seeks to demonstrate archives of the African diaspora as both a locus of transnational African diasporic identities and solidarities, as well as a critical site for the (re)building of the same. Finally, it also hints at how such affective experiences can, in fact, further the cultural and political work of Black archivists and archives.

A Critical Analysis of Cremation Burials Within Some of the South African Tribes: A Contextual Practical Theological View

The colonial erosion of African traditional and cultural practices continues to dislocate the African identity in different ways. The changes and shifts made to burial practices have simply paved a way for the colonial agenda to bring about more Western ways of doing things, burial rites included. It is important to note that cremation, as another way of burying the dead, is slowly becoming a norm for black people. This paper intends to not only unveil the causes and contestations around cremation burials, but to also seek an African theological response as a way to guide black African culture moving forward.

Within and Outside the Black-Maghrebi Binary

Abstract What does it mean to be both Black and Tunisian, Black and Maghrebi, when the two identities are defined as different from each other, and in opposition with each other, in both North Africa and its diaspora? This article is an annotated conversation with Dr. Maha Abdelhamid, a Tunisian Black activist and scholar who has been crucial to the creation of the Black movement in Tunisia and Tunisian diaspora. This conversation examines the construction and negotiation of Tunisian-Black and Maghrebi-Black identities through Abdelhamid’s experiences of living in and working against racism in both Tunisia and France. It details Abdelhamid’s trajectory in becoming conscious of her Black and African identities, her complex relationship with her Arab identity, her role in building the Black movement in Tunisia after the 2011 revolution, and her arrival in France and experiences of exclusion in both Maghrebi diasporic as well as Black feminist civil society organizations. The interview points to the possible essentialization of Maghrebi and Black as separate identities not only in socio-political discourses that racialize and marginalize these groups, but also among groups challenging Islamophobia or anti-Blackness, leaving those with overlapping identities and racializing experiences outside their scope.

How Parenting Facilitates Adolescents’ Tricultural Identity Development: A Mixed Methods Collective Case Study of Tridimensionally Acculturating Black Jamaican Immigrant Families

This article presents a mixed methods collective case study of the role of maternal socialization in shaping the tricultural identity development of Jamaican immigrant adolescents in the United States, who are known to acculturate tridimensionally. Seven Black adolescents (14–18 years; four male) completed online surveys and their Jamaican-born mothers completed online interviews during the dual COVID-19 and Whiteness pandemics. In-depth mixed methods case analyses and cross-case comparisons revealed both particulars and universals. Across all cases, adolescents had strong Jamaican private identities shaped by steady proximal and remote enculturation into Jamaican culture, and mothers’ skillful authoritative parenting supported their autonomy in acquiring and navigating U.S. cultural affiliations. Case particulars grouped adolescents into four profiles with one case fitting two profiles. 1) “Triculturals” had strong Jamaican or multicultural socialization with positive psychological and academic adaptation, but differing multicultural identity conflict. 2) “Reluctant Majority Culture Assimilators” had high achievement but differing psychological adaptation with mothers whose socialization first involved accepting their teens’ African American identities. 3) “Majority Culture Rejectors” had high belonging and no psychological distress but low average grades with maternal socialization that promoted the American Dream master narrative and resisted the alternative narrative of negative linked fate of ethnic minorities. 4) Finally, “Minority Culture Assimilators” had low multicultural identity conflict but differing psychological and academic adaptation and were being socialized by their mothers to resist being either victim or perpetrator of racial discrimination by harnessing cultural variability to play up and play down cultural identities and by avoiding use of ethnic-racial generalizations.

"The Role Of Magical Realism In Shaping African American Identity In Toni Morrison's Novel"

This research paper embarks on a captivating exploration of the profound and intricate narrative technique of magical realism within the literary world of renowned American author Toni Morrison. We delve into the mystical realms created by Morrison in her novels, transcending the boundaries between the ordinary and the extraordinary. Through a comprehensive analysis of select novels, such as "Beloved," "Song of Solomon," and "Jazz," this paper uncovers the deep-rooted themes, motifs, and symbolism that enhance the reader's understanding of the African-American experience.Morrison's exceptional ability to seamlessly blend the real with the mystical invites readers into a world where the boundaries between the natural and the supernatural are blurred, offering unique insights into the complexities of human existence. In this journey, readers encounter characters grappling with supernatural occurrences, symbolic animals, and ghostly entities, all of which unveil profound insights into the intricacies of life. The six keywords that guide this exploration are Toni Morrison, magical realism, African-American literature, cultural symbolism, supernatural elements, and narrative technique.

Decolonizing Gender Dynamics: Reclaiming Lawino’s Voice in Okot p’Bitek’s Song of Lawino

Using Ngũgĩ wa Thiong’o’s decolonization theory, this article argues that Okot p’Bitek’s Song of Lawino reclaims African cultural voice and identity. Even though it is available in English, Song of Lawino is a kind of narrative poetry borrowed from the traditional Acholi song. This study uses contextual and stylistic analysis to show how p’Bitek’s poetry acts as a force for decolonization, advocates for cultural preservation, and addresses collective issues. Findings show that by satirizing African middle-class elites who adhere to Western values, the two chapters from Song of Lawino studied “The Woman with Whom I Share My Husband” and “Let Them Prepare the Malakwang Dish” highlight the clash between European and African cultures. In these poems, Lawino challenges gender dynamics and defends traditional practices, as well as criticizes the shallowness of Westernized lifestyles adopted by her husband Ocol. Through this strong-willed woman’s criticism, Okot p’Bitek’s poetry reveals the negative impacts of credulous cultural assimilation and underlines the import

The Politics of a Portrait: Biopics, Slavery and Contemporary Racial Politics in the United States

The article examines the connection between the past and the present, and between the personal and the political, in three recent biographical pictures directed by filmmakers of color: The Birth of a Nation (2016, dir. Nate Parker), Harriet (2018, dir. Kasi Lemmons), and Emancipation (2022, dir. Antoine Fuqua). By addressing the history of American slavery, the films not only come into a dialogue with the preexisting representations of slavery in music, photography and cinema, but also reflect on current racial politics and antiracist activism in the United States. They offer a commentary on changing attitudes towards the issue of race in America, and engage with the collective memory of slavery - a past trauma, which has shaped the African American identity.

Reclaiming African Identity: Analyzing Issues of Postcolonial-ism in Chinua Achebe’s “Things Fall Apart"

Chinua Achebe's "Things Fall Apart" stands as a seminal work in postcolonial literature, exploring the intricate dynamics between colonizers and the colonized in the context of European colonization's impact on African societies. This abstract delves into the novel's portrayal of postcolonial themes, focusing on the disruption of traditional Igbo culture, power dynamics between Europeans and indigenous peoples, and the psychological and emotional repercussions of colonization. Achebe was motivated to write the novel as a response to European portrayals of Africans in literature, particularly influenced by Joyce Cary's shallow depiction of Africa in "Mr. Johnson." Achebe's use of language, particularly his appropriation of English to convey African experiences, challenges Eurocentric narratives and offers a counter-narrative that centres African perspectives. Through meticulous depiction of pre-colonial Igbo society, Achebe reclaims African history and cultural identity, countering colonial misrepresentations and emphasizing the resilience and dignity of indigenous cultures. Additionally, the abstract discusses Achebe's critique of colonial ideologies, particularly Christianity, which undermines native traditions and fractures communal bonds within Igbo society. By contrasting "Things Fall Apart" with Joseph Conrad's "Heart of Darkness," Achebe challenges demeaning depictions of Africans in Western literature and asserts the importance of authentic representation in postcolonial discourse. Overall, "Things Fall Apart" remains a powerful testament to the enduring legacy of colonialism and the ongoing struggle for cultural autonomy and identity in the postcolonial world. By using a postcolonial framework, the study aims to shed light on the socio-political implications of Achebe's work and highlight the importance of diverse narratives and marginalized voices.

Transformation of the Constitutional Identity in South Africa aft er the Fall of Apartheid

Abstract This article investigates the designed transformation of South African political identity and its constitutional framework as a core aspect of the democratization of South Africa. It compares the racist and exclusive identity of the apartheid state with a redesigned identity of an inclusive and open ‘Rainbow Nation’, a concept coined by Archbishop Desmond Tutu and spearheaded by Nelson R. Mandela along with the African National Congress. The study considers changes in the legal framework of identity politics, from the Republic of South Africa Constitution Act of 1983 (and the previous apartheid republican Constitution of 1961) through the interim democratic Constitution of 1993 to the Constitution of the Republic of South Africa of 1996. It discusses the possible significance of the 18 amendments to the act regarding South Africans’ social and political identities, and establishes a complex and detailed portrayal of the republic’s legal framework of identity politics. The study combines legal, political, and cultural analysis of the role of law in formatting social and political identities, using survey results to test its impact on society. In conclusion, the paper considers the effects of post-apartheid identity transformation in South Africa.

Africa si(gh)ted in Spanish: an introduction

The introduction to this special issue, “Africa-Si(gh)ted in Spanish,” presents readers with essays that illustrate the creative energy emerging in various countries in Africa and the diaspora. The works analyzed may be viewed as exophonic literature, demonstrating how contemporary African writers are shaping African Hispanic identities that defy colonial nation-state notions of belonging and assert the centrality of Africans in interpreting the world. The “Africa-si(gh)ted” approach’ as we term it, involves simultaneously prioritizing perspectives drawn from African lived experience and reclaiming the place of Africa as an ever-evolving site of knowledge generation and negotiation about Africans and African-descendant people. We propose Spanish as a language of affiliation and relation amongst creators from different cultural traditions—drawing on Edward Said and Édouard Glissant respectively—to offer a deeper understanding of the novel communities of belonging that are being forged in African Hispanism.

Considerations for trustworthy cross-border interoperability of digital identity systems in developing countries

AbstractIn developing nations, the implementation of Foundational Identity Systems (FIDS) has optimised service delivery and inclusive economic growth. Cross-border e-government will gain traction as developing countries increasingly look to identity federation and trustworthy interoperability through FIDS for the identification and authentication of identity holders. Despite this potential, the interoperability of FIDS in the African identity ecosystem has not been well-studied. Among the difficulties in this situation are the intricate internal political dynamics that have led to weak institutions, suggesting that FIDS could be used for political purposes; additionally, citizens’ or identity holders’ habitual low trust in the government raises concerns about data security and privacy protection. Similarly, vendor lock-in, cross-system compatibility, and ambiguous legislative rules for data exchange are other concerns. Interoperability is fundamentally necessary as a precondition for e-government services and serves as the foundation for the best possible service delivery in the areas of social security, education, and finance, as well as gender equality as demonstrated by the European Union (EU). Moreover, the integration of cross-border FIDS and an ecosystem of effective data governance will be created by unified data sharing via an interoperable identity system. Thus, in this study, we point to the challenges, opportunities, and requirements for cross-border interoperability in an African setting. Furthermore, we investigated current interoperability solutions such as the EU’s eIDAS and Estonian X-Road and proposed an approach for scoping requirements to achieve a fully functional interoperable identity ecosystem in the African setting. Our findings show that interoperability in the African identity ecosystem is essential for expanding the scope of e-government throughout the continent and for bolstering the smooth authentication and verification of identity holders for inclusive economic growth.

Secular Framings

Abstract The secular Ghanaian state frames and governs ‘African Traditional Religion’ (‘ATR’) in three main ways. As culture and heritage, aspects of ‘ATR’ are integrated into public performances and national narratives, displaying the African identity of the Ghanaian nation. As providers of traditional forms of therapy, traditional shrines are administered as health facilities and supervised by the Ministry of Health. As religion, ‘ATR’ is counted as one of the country’s religions. This article discusses these framings and their social dynamics drawing on framing theories and secularity studies. Devising secular framings and eclectically appropriating traditional religious presences, the Ghanaian state seeks to govern ‘ATR’ and integrate it into its nation-building politics. Traditional religious actors have reappropriated these framings, carving out spaces of their own. The relations between ‘ATR’ and the Ghanaian state are subject to constant negotiations that impact both.

Exalting Blackness in Wynetta Willis Martin's: Black Mormon Tells Her Story

ABSTRACT: Black and Mormon were seemingly irreconcilable identities during the priesthood/temple ban against people of African descent (c. 1852–1978). But in 1966, Wynetta Willis Martin converted to the Church of Jesus Christ of Latter-day Saints. And in 1972, Martin published Black Mormon Tells Her Story . In this book, Martin interwove her African American and LDS identities in a powerful way. Challenging anti-Black racism in the LDS community, Martin produced a new story about Black Mormon identity: past, present, and future. Previously underestimated as a problematic book, this article retheorizes Black Mormon Tells Her Story , emphasizing Martin's agency in race-making. This article extends Judith Weisenfeld's theory of Black new religious movements to analyze a "religio-racial narrative" authored by a Black member of the predominantly white LDS Church. Demonstrating how Martin positively reconstructed the meaning of Blackness, this article fills a gap in the scholarship on Mormon racial construction.

The Influence of African Heritage on Afro-American Literary Expression

This research paper explores the profound influence of African heritage on Afro-American literary expression. It begins by examining the historical context, emphasizing the impact of the transatlantic slave trade and early Afro-American literature's retention of African cultural elements. The Harlem Renaissance is highlighted as a pivotal moment that celebrated African roots and set the stage for future literary developments. Central themes derived from African heritage, such as resistance, resilience, and connection to ancestry, are analyzed, illustrating their prominence in both historical and contemporary works. The paper deal with storytelling techniques and narrative structures influenced by African oral traditions, folktales, and myths, highlighting how these elements enrich Afro-American literature. The use of rhythmic language, communal narration, and the call- and-response pattern are discussed as significant aspects that enhance narrative depth and cultural authenticity. The integration of African symbols, music, and communal values as cultural motifs is explored, showcasing how these elements infuse literary works with layers of meaning and cultural resonance. The reclamation of African identity is a key focus, with discussions on Afrocentric perspectives in modern literature, the impact of the Black Arts Movement, and contemporary literary movements. The challenges and opportunities of navigating dual heritage and cultural hybridity are addressed, emphasizing the complexities of identity formation and cultural expression.

Understanding the Role of African Religion in Enhancing Morality in Africa Today

Abstract Today, Africa, just like any other parts of the world, is rapidly changing in many aspects of life, morality being part of it. The question which has to be posed and answered at once is: is Africa, in terms of morality, changing for better or worse? Despite the presence and influence of other foreign religions in Africa such as Christianity and Islam, commentators argue that a plethora of unethical acts are persistent. Using the philosophical approach, this paper intends to examine the changing morality in Africa focusing on the nature, possible causes for such change and proposes the possible solutions. The proposed solutions are derived from African religion which is understood as having intrinsic connection with African ethics. Ethical values which are derived from such interface are identified and rethought as normative forces for enhancing morality in Africa today. Indigenous ethical values, which constitute the identity of Africans, ought to guide contemporary African societies rather than relying on foreign ethical models.

Amabhinca subculture: re-branded expression of black masculinity in South African townships

ABSTRACT Fears have been expressed that global forces diminish the integrity of local cultures through the influence of subcultures of consumption. This study examined the dynamic identities of black males, specifically within the amabhinca subculture to shed light on how neoliberalism and consumerist tendencies have re-shaped these identities. A qualitative research method was employed, with the researcher engaging with 30 males involved in the subculture on a social media platform. Contrary to the conventional notion of static, predetermined identities, the study uncovered a process of identity formation unfolding within distinct situational contexts. It highlights the pivotal role of clothing choices among amabhinca individuals as a potent emblem of identity, characterized by an urban sensibility and a preference for branded attire. These clothing selections that are often inspired by a tapestry of cultural sources, are recontextualized within the township milieu, significantly contributing to the evolution of a unique South African cultural identity. The research underscores the intricate interplay between global consumerist pressures and the preservation of local cultures, by its very existence, this subculture challenges and reshapes traditional perceptions of black masculinity within South African townships, offering a narrative of adaptability in the face of globalizing influences.

Resurrecting the Past to Find the True African American Identity: Gem of the Ocean by August Wilson

Resurrecting the Past to Find the True African American Identity: Gem of the Ocean by August Wilson

The representation of African American identity on screen for a Spanish audience

Existing studies of translations of audio-visual productions that explore African American issues focus exclusively on African American Vernacular English and culturally specific references, the standardisation or omission of which are seen to compromise the originals’ critique of race and their value for in-group identity. This article takes a multimodal approach to three such productions dubbed for a Spanish audience. Firstly, it examines how characters’ African American identity is rendered not only by language but also visually and aurally. Comprehension in dubbed versions is more likely to be affected by non-linguistic matters, such as casting of voice talent. Secondly, it is shown how translations shape the audio-visual creation of a fictional world and extra-diegetic elements that address a particular audience and thus enable in-group identification along ethnic lines. Lastly, an alternative translation strategy is outlined that targets audiences from the international Black diaspora to whom such productions might appeal.