Abstract

Abstract The secular Ghanaian state frames and governs ‘African Traditional Religion’ (‘ATR’) in three main ways. As culture and heritage, aspects of ‘ATR’ are integrated into public performances and national narratives, displaying the African identity of the Ghanaian nation. As providers of traditional forms of therapy, traditional shrines are administered as health facilities and supervised by the Ministry of Health. As religion, ‘ATR’ is counted as one of the country’s religions. This article discusses these framings and their social dynamics drawing on framing theories and secularity studies. Devising secular framings and eclectically appropriating traditional religious presences, the Ghanaian state seeks to govern ‘ATR’ and integrate it into its nation-building politics. Traditional religious actors have reappropriated these framings, carving out spaces of their own. The relations between ‘ATR’ and the Ghanaian state are subject to constant negotiations that impact both.

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