Previous articleNext article No AccessReading Blackface in West Africa: Wonders Taken for SignsCatherine M. ColeCatherine M. Cole Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by Critical Inquiry Volume 23, Number 1Autumn, 1996 Article DOIhttps://doi.org/10.1086/448825 Views: 42Total views on this site Citations: 37Citations are reported from Crossref Copyright 1996 The University of ChicagoPDF download Crossref reports the following articles citing this article:Rachel Ama Asaa Engmann Coups, castles, and cultural heritage: conversations with Flight Lieutenant Jerry John Rawlings, former President of Ghana, Journal of Heritage Tourism 16, no.66 (Sep 2020): 722–737.https://doi.org/10.1080/1743873X.2020.1817929FREDERICK J. SCHENKER , Journal of the Society for American Music 13, no.11 ( 2019): 1.https://doi.org/10.1017/S1752196318000500 , ( 2019): 155.https://doi.org/10.1108/978-1-78973-347-120191010 Introduction, (Jan 2019): 1–32.https://doi.org/10.1215/9781478003328-001 La Catrina:, (Jan 2019): 35–54.https://doi.org/10.1215/9781478003328-003Rien Fertel Charles Gayarré and the Imagining of an Exceptional City:, (Jan 2019): 55–71.https://doi.org/10.1215/9781478003328-004Aaron Nyerges Phony City:, (Jan 2019): 72–89.https://doi.org/10.1215/9781478003328-005Felipe Smith “Things You’d Imagine Zulu Tribes to Do”:, (Jan 2019): 93–116.https://doi.org/10.1215/9781478003328-007Bryan Wagner The Saga of the Junkyard Dog, (Jan 2019): 117–137.https://doi.org/10.1215/9781478003328-008Helen A. Regis Local, Native, Creole, Black:, (Jan 2019): 138–161.https://doi.org/10.1215/9781478003328-009Vicki Mayer, Heidi Schmalbach, Toby Miller The Contradictions of the Film Welfare Economy, or, For the Love of Treme, (Jan 2019): 162–176.https://doi.org/10.1215/9781478003328-010Alecia P. Long “Queers, Fairies, and Ne’er-Do-Wells”:, (Jan 2019): 179–198.https://doi.org/10.1215/9781478003328-012Vern Baxter, Maria Casati Building Black Suburbs in New Orleans, (Jan 2019): 199–218.https://doi.org/10.1215/9781478003328-013Marguerite Nguyen Refugee Pastoralism:, (Jan 2019): 219–238.https://doi.org/10.1215/9781478003328-014Megan French-Marcelin Boosting the Private Sector:, (Jan 2019): 241–260.https://doi.org/10.1215/9781478003328-016Cedric G. Johnson What’s Left for New Orleans?, (Jan 2019): 261–287.https://doi.org/10.1215/9781478003328-017Vincanne Adams Neoliberal Futures:, (Jan 2019): 288–306.https://doi.org/10.1215/9781478003328-018 The Myth of Authenticity and Its Impact on Politics—in New Orleans and Beyond, (Jan 2019): 307–325.https://doi.org/10.1215/9781478003328-019 References, (Jan 2019): 327–350.https://doi.org/10.1215/9781478003328-020Liz Gunner, Tom Penfold Dissonances from the Global South: song, art and performance in cultures of struggle, Social Dynamics 43, no.22 (Nov 2017): 155–166.https://doi.org/10.1080/02533952.2017.1369244Mariaclaudia Cristofano Signwriters in Ghana – from Handmade to Digital, Critical Interventions 8, no.33 (Nov 2014): 304–330.https://doi.org/10.1080/19301944.2014.975508Bryan Schmidt Fatty Boom Boom and the Transnationality of Blackface in Die Antwoord's Racial Project, TDR/The Drama Review 58, no.22 (Jun 2014): 132–148.https://doi.org/10.1162/DRAM_a_00351Monica Blackmun Visonà Warriors in Top Hats, (Oct 2013): 174–193.https://doi.org/10.1002/9781118515105.ch9Felipe Smith “Things You'd Imagine Zulu Tribes to Do”: The Zulu Parade in New Orleans Carnival, African Arts 46, no.22 (Jun 2013): 22–35.https://doi.org/10.1162/AFAR_a_00063Elisabeth Cunin Negritos et mestizos à Mérida dans la première moitié du XXe siècle. Métissage, région, race, Revue européenne des migrations internationales 27, no.11 (Jun 2011): 147–169.https://doi.org/10.4000/remi.5393John Collins Ghanaian Christianity and Popular Entertainment: Full Circle, History in Africa 31 (May 2014): 407–423.https://doi.org/10.1017/S0361541300003570 Introduction, (Jan 1999): 1–26.https://doi.org/10.1215/9780822381365-001 Crocodiles and Wealth, (Jan 1999): 27–79.https://doi.org/10.1215/9780822381365-002 Doctors and Airplanes, (Jan 1999): 80–116.https://doi.org/10.1215/9780822381365-003 Dining and Surgery, (Jan 1999): 117–158.https://doi.org/10.1215/9780822381365-004 Nurses and Bicycles, (Jan 1999): 159–195.https://doi.org/10.1215/9780822381365-005 Babies and Forceps, (Jan 1999): 196–236.https://doi.org/10.1215/9780822381365-006 Colonial Maternities, (Jan 1999): 237–280.https://doi.org/10.1215/9780822381365-007 Debris, (Jan 1999): 281–319.https://doi.org/10.1215/9780822381365-008 Notes, (Jan 1999): 331–412.https://doi.org/10.1215/9780822381365-009 Bibliography, (Jan 1999): 417–445.https://doi.org/10.1215/9780822381365-010Catherine M. Cole ‘This is actually a good interpretation of modern civilisation’: popular theatre and the social imaginary in Ghana, 1946–66, Africa 67, no.33 (Dec 2011): 363–388.https://doi.org/10.2307/1161180