Aesthetic Beauty Research Articles

Special Protection of Nakhchivan Autonomous Republic Natural Areas

The presented article provides information on specially protected natural areas of Nakhchivan Autonomous Republic. The environmental strategy implemented under the leadership of Heydar Aliyev since the 70s of the last centuries is successfully continuing in Nakhchivan Autonomous Republic today. The article also pays special attention to the beauty of the nature of Nakhchivan and the potential of ecotourism. As a result of the research, it was found that in the past period, in order to improve the environmental situation and protect biodiversity, the negative impact on the environment was minimized, and modern technologies were used in economic development. Specially protected natural territories have been created to protect the flora and fauna species of the territories that fascinate with aesthetic beauty, ecological balance, protection and restoration of biodiversity, the uniqueness of the natural environment, rare and endangered species. The article also contains detailed information about the territories of the Ordubad State Nature Reserve, Ordubad National Park, Shahbuz State Nature Reserve, Arpachay State Nature Reserve and Arazboyu State Nature Reserve, their geographical position, flora and fauna species listed in the Red Book. also reflected. Created and protected reserves, reserves and parks are also of particular importance in terms of visibility when conducting production experiments for high school students.

Reef visitors' observation of assisted coral recovery devices in situ reduces concern about their use.

Assisted coral recovery (ACR) initiatives are establishing rapidly in coral reefs worldwide, using a variety of devices and techniques. In the Great Barrier Reef (GBR, the Reef), site-scale ACR field trials are occurring at multiple sites in the Cairns-Port Douglas region through Reef stewardship activities involving GBR tourism operators, Traditional Owners, and not-for-profit organisations. It is hypothesised that these field trials and the presence of ACR devices at reef tourism sites do not negatively affect visitor experiences, and when accompanied by appropriate educational information, can potentially help to raise awareness of Reef stewardship and conservation efforts. We tested these hypotheses using a survey of 708 Reef visitors on five tourism vessels, 346 of whom reported observing ACR devices in situ during their coral reef experience. Ordinal regression tests of survey responses found no statistical relationship between respondents' observation of ACR devices and (i) their overall Reef trip satisfaction, (ii) the perceived aesthetic beauty of the site(s) they visited, and (iii) their concern about the future health of the GBR. However, Reef visitors who observed ACR devices showed significantly lower levels of concern about the use of these devices on the Reef. The perceived quality of educational information presented to respondents was among the significant factors associated with their reef trip satisfaction and perceived beauty of reef sites. Our findings have implications for ACR practitioners and proponents who are concerned about public visibility, perceptions, and support for ACR initiatives, as the scale of such initiatives is expected to increase.

Exploring the digital heritage of Ajanta Caves through VR technology

The Ajanta Caves, a UNESCO World Heritage Site located in Maharashtra, India, are renowned for their exquisite ancient rock-cut Buddhist cave monuments. Dating back to the 2nd century BCE and spanning over a period of several centuries, these architectural marvels exhibit exceptional craftsmanship and artistic mastery. The caves consist of mesmerizing murals, sculptures, and architectural features that depict various scenes from the life of Buddha and other significant figures in Buddhism. These paintings portray an array of vibrant colors and delicate details that have withstood the test of time remarkably well. What makes Ajanta Caves truly remarkable is not only their aesthetic beauty but also the cultural significance they hold. It is crucial to preserve and promote the cultural heritage of these caves for future generations. For this study we have selected Ajanta Cave No. 1. This research aims to investigate how Virtual Reality (VR) technology enhance the digital experience of exploring the Ajanta Caves.

Plant Density and Location: Optimization of Growth and Quality of Cut Sunflower in Tropical and Subtropical Environments

The cultivation of sunflower (Helianthus annuus L.) as a cut flower stands out in floriculture due to its aesthetic beauty and commercial value. Understanding how cut sunflower genotypes adapt to different edaphoclimatic regions and management practices is essential to optimize flower quality and productivity. This study aimed to evaluate the effect of plant density and location on the development, growth, and quality of cut sunflower in tropical and subtropical environments. Plant densities of 10, 20, 30, 40, and 50 plants/m2 were evaluated in tropical climate and subtropical climate using a randomized block design in a factorial scheme. Results showed significant differences between locations for plant height, capitulum and stem diameter, final number of leaves, leaf area, leaf area index, phyllochron, and the developmental cycle. Plant density significantly influenced these variables except for plant height and developmental cycle. The interaction between location and plant density was significant only for capitulum diameter and final leaf number. The findings indicate that both planting density and location significantly influence the developmental cycle of cut sunflowers, with lower densities favoring more robust plants at harvest. A density of 30 plants/m2 is recommended for efficient space use without significantly compromising floral stem quality. All produced stems are marketable, suggesting that adjusting planting density can optimize production without compromising quality, adapting to specific regional conditions.

Marnkutyi Parirna Theatre - An acoustically adaptable theatre design

Most schools will only embark on one significant arts complex in their lifetime. As with any space constructed for educational purposes, there is an appeal for accommodating a wide range of educational experiences and uses in that single space. This however often contrasts with venue needs such as the acoustic design needs to accommodate multiple uses. Quality performance venues are typically acoustically fine-tuned for a single use as differing uses can have competing requirements. This can limit performance outcomes when designing a static space, which can leave schools with theatres which are either great at one thing or mediocre at many... acoustically speaking. However, we aspired to deliver more than this for Trinity College. The role of the acoustician, theatre designer and architect became paramount to the venue's successful delivery. Achieving acoustic excellence and aesthetic beauty for a creative space requires a holistic understanding of engineering, architectural design, and artistic vision. Flexibility and adaptability were key to the venue operation, as was ease of operation. This paper presents a case study that includes the combination of music, art and science in the delivery of the 500-seat adaptable theatre known as the Marnkutyi Parirna Theatre in South Australia.

Seni Kaligrafi: Peran dan Kontribusinya Terhadap Pengembangan Peradaban Islam

The art of calligraphy has played an essential role in the history and development of Islamic civilization. The aim of this research is to review the contribution of calligraphy art to the development of culture, religion and science in Islamic civilization. Calligraphy is a form of visual art that is highly valued in the Islamic tradition. Calligraphy not only functions in the field of decoration, but it is also an intermediary in conveying religious messages and moral values. In this research method using historical and textual analysis, researchers found that the art of calligraphy enlarges the intellectual and spiritual life of Muslims, and also becomes an important tool in spreading Islamic teachings. Calligraphy participated in the development of Islamic art and architecture, publishing monumental works that combined aesthetic beauty and depth of religious meaning. This research shows that the art of calligraphy is not only a cultural heritage that must be preserved, but calligraphy also has a sustainable connection in the modern context.

The unhappy category of nature: sexuality and Hegel

ABSTRACT Hegel insists that the category ‘nature', expressed in relation to the ideal of aesthetic beauty, is not nature as such but a supplementary deviation coloured by the subjective position from which this ‘nature' is posited. We cannot distinguish nature ‘in itself' from the ideological-artistic conditions of the distorted ‘use' of nature. Nature exists to us only by reference to what is subjectively treated as non-natural. A similar relation is posited by Lacan in his famous assertion that ‘there is no sexual relation'. For Freud and Lacan, the ‘all too human' sexual drive derives from a deviated/distorted enjoyment of the initial failure to enjoy a purely natural sexual relation: an inevitably castrated enjoyment, where ‘natural' sexuality is revealed as impossible. In other words, sexuality is for Lacan and Freud its own distortion of the category of ‘natural'. Sexuality is a perpetually distorted and abnormal form of enjoyment, for which the alternative is not ‘normal/natural enjoyment’, but rather the negative state of a fundamental lack of any relation. Through Hegel and sexuality, this paper argues that the unavoidable misuse of nature is not caused by improper application/categorisation, but instead reflects an internal incompleteness or indeterminacy in nature as a category.

Ghãtu: Femininity and Indigenous Aesthetics

Ghãtu is a cultural capital that explores the esteem of femininity and Indigenous aesthetics. Despite its aesthetic value, the main theme is sati custom, the over-exploitation of females. This tribal festival does not only belong to Gurung or Magar. Its horizon is up to Tamang, Dura, Darai, Baram and Aryal Kshetri in central and mid-western Nepal. All of them observe with almost similar methods and rituals. Except for Aryal Kshetri, other Indigenous groups claim that it is their hereditical cultural activity. The slow-motion meditative trance dance and melodious verses of songs represent the aesthetic beauty of Nepali folk music and folklore. The study concerns why ethnic groups adopted Ghãtu and the significance of implications of this cultural activity. The ethnic groups adopted it for its zeal for music. The study's implication is to internalize this folk dance as a source of social integration, human relations, teamwork, music and folk literature, and a goldmine of cultural studies research works. Now, Ghãtu is a common cultural capital and a central stone of indigenous aesthetics and cultural studies. This study aims to project how this cultural activity represents a common cultural heritage like the Chhath festival. The findings of the study show that maintaining integral human relations is impossible until or unless society respects femininity and cultural values. So, culture, language, rites and rituals, and dresses are common, if the mass accepts it. Gender discrimination is another focal point, and there has not been research on how Ghãtu has been the archive and cultural heritage. The study employs document analysis and feminist theories.

Transformation of Beauty in Digital Fine Arts Aesthetics: An Artpreneur Perspective

The evolving nature of beauty in digital fine arts aesthetics signifies profound shifts within contemporary social and cultural contexts. Technological advancements have enabled artists to explore new mediums, creating works that reflect and respond to current societal issues. This study examines the paradigm shift in digital fine arts, focusing on the interpretation and manifestation of beauty in digital creations. It explores the interplay between digital aesthetics and societal realities, providing insights into the transformation of beauty in the digital age. An interdisciplinary approach is utilized, incorporating textual analysis of relevant literature, participatory observation at art exhibitions and online platforms, and a comprehensive literature review. These methods trace the evolution of beauty in digital fine arts and analyze how artists incorporate visual, auditory, and interactive elements. The research demonstrates that technological progress has significantly impacted the creation and perception of beauty in fine arts. This transformation includes broader definitions of aesthetics, integrating multisensory experiences and community participation. Digital fine arts now serve as a dynamic medium that reflects diverse social, political, and cultural themes. The transformation of beauty in this field underscores the complex relationships among art, technology, and society. Digital artworks provide innovative aesthetic experiences and mirror contemporary social dynamics. Despite concerns regarding the authenticity and preservation of digital art, its role in expanding artistic expression and fostering innovation is undeniable

Call to action for cross‐border conservation of the critically endangered Lake Chala tilapia (Oreochromis hunteri)

AbstractLake Chala straddles the Kenya–Tanzania border, with a narrow strip of terrestrial habitat around it. The steep rocky shores are bedecked in a backdrop of Kilimanjaro at sunrise, giving the area the aesthetic beauty of an important tourist destination. The lake has important conservation implications ranging from endemic species including a critically endangered and rapidly declining fish to other unique biodiversity. This calls for urgent action to prevent extinction and promote sustainable management, building on previous work and action plans such as a proposed new conservancy, as the best safeguard against the threats.

PHYSICAL FITNESS FOR BHARATANATYA DANCERS

Bharatanatyam is an Indian classical dance that originated from Tamil Nadu in southern India. It is a tradition steeped in Indian history and culture. Today, Bharatanatyam is a dance style that encompasses religious and non-religious themes, as well as fusion styles. Characterized by precise movements, sharp edges, and expressive body language, this tradition has delighted audiences for generations. Like many other aspects of Indian tradition, this art form has struggled through times of oppression. However, with the efforts of teachers and students all over the world, Bharatanatyam has been revived to continue to serve the people who find joy in the formal and intuitive expressions embodied in the structure of the dance. Bharatanatyam, an ancient classical dance style originating from South India, combines aesthetic beauty, spiritual expression, and physical skill. Bharatanatyam mesmerizes global audiences with its rich cultural background, exquisite footwork, beautiful gestures, and expressive narrative. The dancer's physical health is crucial for performing intricate movements with accuracy, strength, and elegance in this art form.

Assessment of forest cover change, key drivers of change and perception of locals in Birendranagar Municipality, Surkhet District, Nepal

Land use and land cover change has an immense impact on the global environment and ecosystem and is mostly connected with human activities such as conversion of forest into agricultural land and settlements. Forests are changing globally in quantity and quality, and in both increasing and decreasing trends. For the Birendra Nagar Municipality, this study evaluated LULC dynamics, the conversion of forest cover from 2000 to 2020, as well as community perceptions on forest cover change, its drivers. Landsat images of 2000 and 2020 were used for LULC dynamics and for forest cover change detection Using software GIS 10.8. Questionnaire survey, key informant survey, field observation and secondary data were acquired from journal articles, reports, District Forest office, books, and various other sources to find out drivers of forest cover change and perception of locals. It was found that 1146 ha of forest area, 280.53 ha of water bodies, 752.62 ha of barren land were lost between 2000 and 2020. However, 1147.74 ha of settlement area and 1032.40 ha of agricultural land was gained.Net forest cover decreased overall by 4.67%, however, some areas within the municipality experienced an increase in forest cover namely Ward 11 and ward 16 of Municipality shows Highest positive and Negative Forest cover change in terms of Area. Expansion of agriculture land and settlements with the encroachment of forest area, haphazard infrastructure development, illegal timber harvesting and low regeneration capacity of land responsible for the reduction of forest, along with Community forestry approach, plantations programs, promotion of agroforestry practices, fuel transition were responsible drivers for improvements of forest cover. Water cycle disruption, Increases Natural hazard, Temperature rises, shortage of wood for fuel, extinction of indigenous species were the most perceived negative impacts of the forest cover reduction whereas income generation Activities, support biodiversity, easy to collect fuel wool and fodder and others including purifying air quality, increasing aesthetic beauty were the most perceived positive impacts of the forest cover improvement in the study area. Most of the locals have a holistic understanding of forest cover change. Strengthening forest protection, improving soil and water conservation structures, awareness creation, enrichment planting, Promote Alternate Energy Resources and Equitable benefit-sharing mechanism are possible solutions perceived by locals.

Cultural Identity in Museum Exhibits: Power Symbols in Intercultural Communication

The research provides a comprehensive investigation into the profound impact of museum exhibits, particularly those centered on potent symbols, on audience cultural identity and cross-cultural exchange, especially within the contemporary context of globalization. It elucidates the pivotal role played by museums as essential conduits of cultural expression, leveraging historical artifacts and symbolic representations not only to deepen audience appreciation of their own cultural heritage but also to foster empathy and appreciation for the diverse cultural perspectives prevalent worldwide. Through meticulous analysis of these exhibits, the study reveals the intricate cultural narratives they convey, thus emphasizing the critical role museums play in facilitating profound cross-cultural understanding, nurturing meaningful cultural dialogue, and shaping both individual and collective cultural identities. By showcasing objects rich in historical significance, aesthetic beauty, and societal values, museums emerge as dynamic platforms for cultural interpretation and exchange, effectively bridging cultural divides and promoting mutual understanding amidst the diverse tapestry of global cultures.

The Philosophy of Art Behind the Aesthetics of ‘Keris Malela’

This study explores the profound philosophical significance and aesthetic beauty of the Malela keris blade within Malay civilization. Utilizing Herbert's qualitative analysis of artistic forms, the research aims to appreciate the philosophical underpinnings imbued in the keris's design. The methodology involves observing the physical forms of the Malela keris blade, focusing on elements such as lok, akut, bone, canyon, groove, and cliff, which distinguish it from other keris blades. The study emphasizes the craftsmanship finesse of Malela keris blacksmiths, highlighting the unique appearance identity and deep crafting philosophy of the blade. While limited to the blade alone, the research draws from library resources including books, articles, and journals to enrich its findings.

Planetary parks twenty years on. Balancing space protection with development

With increasing activity in space by both national space agencies and private organizations, there is a renewed purpose in considering how to achieve the protection of certain regions of the extraterrestrial environment, yet allow for the commercial development of space to encourage a permanent human presence beyond Earth. This paper revisits the idea of planetary parks twenty years on. One advantage of this concept is that, like national parks on Earth, they can allow for the protection of land for many reasons including scientific value, aesthetic beauty, sites containing historical artefacts, and others. None of these motivations are mutually exclusive and they can be manifested to different degrees in different places. Planetary parks provide the flexibility to incorporate these motivations within a single framework. Outside planetary parks, land can be developed and transformed. Planetary parks offer a way to move beyond the generic notion of ‘planetary protection’ towards a more local targeted preservation mechanism, encouraging the emergence of a space environmental ethic in parallel with the objective of commercial space development.

An Insight on the Geometry of the Golden Ratio

Mathematics has a strong logical interconnection with structural design and architecture. Ratios are good examples of their interconnectivity. Nature is attractive due to the proper ratios of various components in them and between others. In nature, trees, forests, leaves, flowers, fruits, Himalayas, hills, valleys, springs, rivers, lakes, etc. show a rhythmic balance and seem harmonic and aesthetically pleasing. The golden ratio is considered the most pleasing to human visual sensation not limited only to aesthetic beauty but also found prominently in the natural world and is a fascinating topic. It can be constructed in different ways depending on the geometrical structures preferred. In this paper, our focus is on the geometry of the golden ratio.

English Translation of Fuzzy Beauty of Classical Chinese Poetry

This paper attempts to probe into English translation of fuzzy beauty of classical Chinese poetry via imagery. Classical Chinese poetry is the cream of Chinese culture. It attracts millions of Chinese and western readers with its subtle and profound fuzzy beauty. The ultimate requirement of English translation of classical Chinese poetry lies in transferring its fuzzy beauty. Fuzzy beauty of classical Chinese poetry falls into three categories: fuzzy beauty in form, fuzzy beauty in imagery and fuzzy beauty in artistic conception. Imagery, being the soul of classical Chinese poetry, serves as a communicative and operational medium of transference of fuzzy beauty. The essence of fuzzy beauty consists in "gaps of indeterminacy" which conjures up the reader's unrestrained association. "Gaps of indeterminacy" constitute the "appealing structure" in a text which is subject to the reader's free interpretation according to his own "horizon of expectation". Fuzzy aesthetics sheds light on the aesthetic features of fuzzy beauty, and the hierarchical structure of fuzzy beauty in fuzzy aesthetics corresponds to different layers of fuzzy beauty of classical Chinese poetry. Therefore, both aesthetics of reception and fuzzy aesthetics are of instructive value to English translation of classical Chinese poetry. This paper is composed of five sections. The introductory section is concerned with the significance and purpose of the research. The second section reveals in detail fuzzy beauty in classical Chinese poetry. In the third section, the techniques and principle for translation of poetic fuzzy beauty are put forward in light of aesthetics of reception and fuzzy aesthetics and imagery is recommended as an ideal medium of transference of fuzzy beauty. The fourth section centers on how to transfer fuzzy beauty of classical Chinese poetry using imagery as a medium, analyses and proposals are given from such angles as fuzzy modifiers, syntax, juxtaposition, and cultural influences. A natural conclusion is drawn in the last section.

Analisis Stilistika dalam Lagu Jawa Widodari Karya Denny Caknan

The song Widodari is a song that uses the dangdut genre and is sung by Denny Caknan using the Javanese language. An interesting thing to study further is the use of diction, namely by looking at the style of language used. The purpose of this study was to analyze the diction contained in the lyrics of the song Denny Caknan. Stylistic studies are directed to discuss the content of literary works. In general, regulating stylistic studies includes diction or word choice (lexical choice), sentence structure, figure of speech, partnership, rhyme patterns, and dimensions used for authors or available in literary works. This study aims to analyze the use of diction and themes contained in Denny Caknan's Dangdut Song Lyrics. The method used is a qualitative descriptive method because the object is the text of the Song Lyrics. Data was taken from 1 album by random sampling and was considered representative. The theory used in this research is stylistic. The stylistic theory is used to see aesthetic beauty in song lyrics. The end of this research is the result of the data analysis presentation. The presentation of the results of the data analysis begins with the presentation of the diction on the data source contained in the lyrics of the song Denny Caknan. Then proceed with an explanation of the theme of the lyrics. The results of the research found are diction and themes in the Widodari song which was popularized by Denny Caknan.

Pengaruh Perkembangan Seni Kaligrafi Arab Terhadap Budaya di Indonesia

This research discusses the influence of the development of Arabic calligraphy art on culture in Indonesia. The art of Arabic calligraphy, with its beauty and philosophical meaning, has become an integral part of Islamic culture. In Indonesia, Arabic calligraphy is not only considered a form of visual art, but also as an expression of spiritual values ​​and Islamic aesthetic beauty. This research identifies and analyzes the impact of the development of Arabic calligraphy on various aspects of culture in Indonesia. First, Arabic calligraphy art has made a significant contribution to the development of Indonesian fine arts. His influence is visible in the decorative arts, architecture, and other works of art. Arabic calligraphy is not only an aesthetic element, but also a means of conveying religious and spiritual messages. Second, the art of Arabic calligraphy plays an important role in enriching language culture in Indonesia. Many Arabic words used in calligraphy became part of the local vocabulary, creating linguistic synergy between Arab and Indonesian cultures. Third, the art of Arabic calligraphy also has an impact on religious culture in Indonesia. The use of calligraphy in religious contexts, such as in mosques and other places of worship, creates a deeply spiritual environment and adds value to religious practices. Thus, this research details how Arabic calligraphy not only functions as a visual art medium, but also as an agent of cultural and spiritual change in Indonesia. It is hoped that this in-depth understanding of the impact of Arabic calligraphy art can enrich perspectives on cultural dynamics and diversity in Indonesia.

Evaluation of aphid resistance on different rose cultivars and transcriptome analysis in response to aphid infestation

BackgroundThe rose is one of the most important ornamental flowers in the world for its aesthetic beauty but can be attacked by many pests such as aphids. Aphid infestation causes tremendous damage on plant tissues leading to harmed petals and leaves. Rose cultivars express different levels of resistance to aphid infestation yet the information remains unclear. Not only that, studies about the transcriptional analysis on defending mechanisms against aphids in rose are limited so far.ResultsIn this study, the aphid resistance of 20 rose cultivars was evaluated, and they could be sorted into six levels based on the number ratio of aphids. And then, a transcriptome analysis was conducted after aphid infestation in one high resistance (R, Harmonie) and one highly susceptibility (S, Carefree Wonder) rose cultivar. In open environment the majority of rose cultivars had the highest aphid number at May 6th or May 15th in 2020 and the resistance to infestation could be classified into six levels. Differential expression analysis revealed that there were 1,626 upregulated and 767 downregulated genes in the R cultivar and 481 upregulated and 63 downregulated genes in the S cultivar after aphid infestation. Pathway enrichment analysis of the differentially expressed genes revealed that upregulated genes in R and S cultivars were both enriched in defense response, biosynthesis of secondary metabolites (phenylpropanoid, alkaloid, and flavonoid), carbohydrate metabolism (galactose, starch, and sucrose metabolism) and lipid processing (alpha-linolenic acid and linolenic acid metabolism) pathways. In the jasmonic acid metabolic pathway, linoleate 13S-lipoxygenase was specifically upregulated in the R cultivar, while genes encoding other crucial enzymes, allene oxide synthase, allene oxide cyclase, and 12-oxophytodienoate reductase were upregulated in both cultivars. Transcription factor analysis and transcription factor binding search showed that WRKY transcription factors play a pivotal role during aphid infestation in the R cultivar.ConclusionsOur study indicated the potential roles of jasmonic acid metabolism and WRKY transcription factors during aphid resistance in rose, providing clues for future research.