Aesthetic Analysis Research Articles

Assessment of Adequacy of Product Appearance Attributes to the Design Objective

A new method for assessment of product aesthetics („Assessment of adequacy of product appearance attributes to the design objective and to values of market segment”, Adequacy Method, in short) was developed by the author. The method is based on the need to assess product aesthetics against the design objective and the human values / goals of the target market segment. In a pre-test, eight products (from four classes) with the most different design were chosen for testing the method. Then, in an experimental study, the products were assessed using the proposed method by students from a technical university. After statistically analysing the assessment results, it was found that the method criteria and the method itself proved to be reliable, efficient, and clear. The proposed method was also tested by comparison with a complex method (FTESE – Functional, Technical, Ergonomic, Significance and Esthetic Analysis). The same products used in the paper presenting the FTESE method were assessed using the proposed method and lead to the same ordering of products according to their aesthetics. But the comparison also indicated that the proposed method allows for a superior refinement.

Characters and Historical Facts: An Aesthetic Analysis of the Modern Chinese Historical Television Drama the Age of Awakening

Characters and Historical Facts: An Aesthetic Analysis of the Modern Chinese Historical Television Drama the Age of Awakening

Free Crushed Cartilage Filler Graft to Optimize Tip Aesthetics in Asian Rhinoplasty.

The thick skin and weak cartilages make tip rhinoplasty very challenging in Asian patients. Most require an open approach for structural grafting in order to achieve the desired projection and rotation. This need for substantial tip grafting may result in subtle imperfections that are only noticed as the incisions are closed. This study describes the senior author's technique of free crushed cartilage filler graft to optimize nasal tip aesthetics in Asian rhinoplasty. The goal is to introduce this easy-to-use and effective technique to refine the final nasal tip aesthetic with immediate visual and tactile feedback. This is a retrospective review of all patients with free crushed cartilage filler graft with at least 12months of follow-up. Medical records were reviewed for patient demographics, intra-operative manoeuvres, and complications. Photographs were analysed to evaluate changes in nasal length, tip height, and nasolabial and columellar-labial angles as well as aesthetic complications. Sixty-six patients were included in this study, with an average follow-up of 16.3months. Nasal length was 8.3% greater than pre-op (P < 0.01), and nasal tip height was 12.7% greater than pre-op (P < 0.01). Aesthetic analysis demonstrated that 6.1% of patients had an amorphous tip, 3.0% had an irregular or asymmetric tip, and 4.5% had visible tip grafts. 12.1% of patients expressed aesthetic dissatisfaction, but none was recommended for or pursued revision surgery. When used correctly, free crushed cartilage filler graft can improve the final tip aesthetic and help camouflage underlying prominences to give the patient a natural result. This journal requires that authors assign a level of evidence to each article. For a full description of these Evidence-Based Medicine ratings, please refer to the Table of Contents or the online Instructions to Authors www.springer.com/00266 .

Quantitative and Aesthetic Analysis of Changes in Eyebrow Position After Subbrow Blepharoplasty.

Narrowing of the distance between the eyes and eyebrows is commonly observed after subbrow blepharoplasty. The purpose of this study was to quantify the changes in brow-lid distance after subbrow blepharoplasty in Asian women. We observed and standardized the pre- and postoperative photographs of 63 patients who underwent subbrow blepharoplasty from January 2020 to October 2022. We measured the distances from the medial and lateral eyebrow to the lower lid margin on the right side of the face and then analyzed the changes in postoperative brow-lid distance using the standard iris diameter for Asian women of 11.5mm as a reference. Photographs of 63 patients were included in the study. All 63 patients were females. The average postoperative distance of the lateral eyebrow to the lower lid margin was 30.08 ± 2.74mm, a significant decrease in comparison to the preoperative distance (31.84 ± 2.65mm) (P < 0.001). The mean postoperative distance of the medial eyebrow to the lower lid margin was 25.84 ± 2.87mm, compared with that of the preoperative distance (27.59 ± 2.94mm), which was a significant decrease (P<0.001). All 63 patients (100%) had a decrease in the lateral eyebrow distance, while 59 (93.65%) had a decreased medial eyebrow distance. There was a statistically significant change in brow position, consistent with our observations. Subbrow blepharoplasty can cause a decrease in the distance between the eyebrows and eyes. This journal requires that authors assign a level of evidence to each article. For a full description of these Evidence-Based Medicine ratings, please refer to the Table of Contents or the online Instructions to Authors www.springer.com/00266 .

Perception of dental appearance and aesthetic analysis among patients, laypersons and dentists.

Current concepts of beauty are increasingly subjective, influenced by the viewpoints of others. The aim of the study was to evaluate divergences in the perception of dental appearance and smile esthetics among patients, laypersons and dental practitioners. The study goals were to evaluate the influence of age, sex, education and dental specialty on the participants' judgment and to identify the values of different esthetic criteria. Patients sample included 50 patients who responded to a dental appearance questionnaire (DAQ). Two frontal photographs were taken, one during a smile and one with retracted lips. Laypersons and dentists were asked to evaluate both photographs using a Linear Scale from (0-10), where 0 represent (absolutely unaesthetic) and 10 represent (absolutely aesthetic). One-way analysis of variance (ANOVA) and t-test analysis were measured for each group. Most patients in the sample expressed satisfaction with most aspects of their smiles and dental appearance. Among laypersons (including 488 participants), 47 pictures "with lips" out of 50 had higher mean aesthetic scores compared to pictures "without lips". Among the dentist sample, 90 dentists' perception towards the esthetic smile and dental appearance for photos "with lips" and "without lips" were the same for 23 out of 50 patients. Perception of smile aesthetics differed between patients, laypersons and dentists. Several factors can contribute to shape the perception of smile aesthetic. To compare the perception of dental aesthetic among patients, laypersons, and professional dentists, to evaluate the impact of age, sex, educational background, and income on the judgments made by laypersons, to assess the variations in experience, specialty, age, and sex on professional dentists' judgment, and to evaluate the role of lips, skin shade and tooth shade in different participants' judgments. Patients sample included 50 patients who responded to DAQ. Two frontal photographs were taken: one during a smile and one with retracted lips. Laypersons and dentists were asked to evaluate both photographs using a Linear Scale from (0-10), where 0 represent (absolutely unaesthetic) and 10 represent (absolutely aesthetic). One-way ANOVA and t-test analysis were measured for each group. Most patients in the sample expressed satisfaction with most aspects of their smiles and dental appearance. Among laypersons (including 488 participants), 47 pictures "with lips" out of 50 had higher mean aesthetic scores compared to pictures "without lips". Whereas among the dentist sample, 90 dentists' perception towards the esthetic smile and dental appearance for photos "with lips" and "without lips" were the same for 23 out of 50 patients. Perception of smile aesthetics differed between patients, laypersons and dentists. Several factors can contribute to shape the perception of smile aesthetic.

The Artistic and Aesthetics Analysis of the Costume of Egungun Elewe in Igbomina Land

The Artistic and Aesthetics Analysis of the Costume of Egungun Elewe in Igbomina Land

Reply: "Color Match Following Free Flap Surgery in Head and Neck Reconstruction: A Colorimetric and Aesthetic Analysis".

Reply: "Color Match Following Free Flap Surgery in Head and Neck Reconstruction: A Colorimetric and Aesthetic Analysis".

Aesthetic Analysis and Re-creation of Fine Arts Lines Based on Hough Transform in CAD Interactive Environment

Aesthetic Analysis and Re-creation of Fine Arts Lines Based on Hough Transform in CAD Interactive Environment

The Representation of Sexuality in the Film Dua Garis Biru (A Cinematic Narrative and Media Aesthetic Analysis)

Film is a cinematographic work that not only presents captivating audiovisual elements but also serves as a medium for artistic and cultural expression, often addressing important issues. Dua Garis Biru is a film that boldly tackles social issues still considered taboo in Indonesia, such as early marriage and sexual education. This research aims to analyze the representation of these issues through the character Dara, using a semiotic approach. The focus is on how audiovisual elements—narrative, visuals, and sound—contribute to conveying messages about sexuality and sexual education within the social and cultural context of Indonesia. The research method employed is qualitative, involving an in-depth analysis of cinematic narrative and media aesthetics. The findings explore how Dua Garis Biru portrays issues of sexuality outside the context of marriage through dialogue, visual symbols, and the use of sound elements that strengthen characterization and atmosphere, providing deeper insight into the themes presented in the film.

Aesthetic Analysis and Historical Context of Shandong Folk Songs: Focus on 'Embroidering a Purse' from Cangshan, Shandong, China

This study presents an in-depth aesthetic analysis and historical contextualization of the Shandong folk song "Embroidering a Purse" from Cangshan, Shandong, China. Shandong folk songs are a vital component of the province's cultural heritage, reflecting the region's history, values, and daily life. "Embroidering a Purse," a lyrical folk song, narrates the story of a young woman embroidering a purse for her lover, symbolizing love and craftsmanship. This research explores the song's lyrical content, musical structure, performance practices, and cultural significance. By analyzing its lyrics, melody, and performance style, the study highlights how "Embroidering a Purse" encapsulates the cultural and emotional landscape of Cangshan. Additionally, the study traces the historical development of Shandong folk songs through different dynastic and socio-political periods, offering insights into their evolution and enduring significance.

The Social Aesthetics of Digital Diplomacy

Abstract This article presents a theory and analysis of the social aesthetics of digital diplomacy. Drawing inspiration from the sociology of taste and visual theory, we conceptualize social aesthetics as the encoding of social norms and hierarchies into visual representations. Through this lens, we examine how the multitude of images uploaded by diplomats on social media daily contribute to the symbolic authority of their profession, ritually conveying ideals of international mediation and sovereign equality. Using advancements in computer vision methods, we analyze over 55,000 images sourced from tweets by more than 1,000 ambassadors globally. In contrast to prevailing research highlighting how social media images disrupt traditional diplomatic norms, facilitate strategic nation-branding, or promote individuals, our large-scale analysis reveals a remarkable uniformity in these images across diplomats from different countries. We demonstrate how diplomatic images perpetuate a Western visual canon, thereby reinforcing structures of power and distinction, and delineating the normative boundaries of diplomacy as a global institution. The article contributes to debates about diplomacy, aesthetics, taste, rituals, and power in international relations. Furthermore, it underscores the value of computer vision and convolutional neural networks in uncovering large-scale social patterns and relationships within practices previously perceived as highly personalized or strategic.

Esthetic analysis of upper lip morphology variation after the cross-arch fixed restoration of maxillary implant-supported prostheses via radiographic methods

Objective: To measure and analyze upper lip morphology variation before and after the cross-arch fixed restoration of the maxillary implant-supported prostheses using cone- beam CT (CBCT) to provide an esthetic objective reference for maxillary edentulous patients. Methods: There were 32 maxillary edentulous patients selected in the Department of Dental Implantology, The Affiliated Stomatological Hospital of Nanjing Medical University from January 2010 to December 2023. The CBCT data of patients with maxillary full-arch implant-supported fixed prostheses were retrospectively collected before implantation (T0), at the time of radio-guide insertion (T1), and after final repair (T2). The length and thickness of the upper lip were measured and analyzed at each time point, and the correlation between the upper lip contour data and facial esthetic parameters was analyzed. Results: After the final prosthodontic treatment, the length of the upper lip was significantly increased from (21.72±2.84) mm to (24.98±2.93) mm (t=-8.13, P<0.001) compared with that before implant treatment. The widths of the middle and vermilion of the upper lip (Sm-Hm/Ls-UP), were reduced from (13.24±1.41), (12.81±1.67) mm to (11.36±1.67), (10.21±1.69) mm, with significant differences (t=7.79, P<0001; t=9.37, P<0.001). The lower face height (Sn-Gn) was increased from (54.52±4.95) mm to (58.70±4.42) mm, with significant differences (t=-11.05, P<0.001). However, the nasolabial angle reduced significantly from 95.35°± 7.70°to 90.53°±7.28°(t=7.68, P<0.001). The width of the middle of the upper lip with a radiation guide was (10.94±1.24) mm, and it increased significantly compared with that after the final prosthesis treatment (t=-0.76, P<0.05). The proportion of straight upper lip profiles accounted for 59% (19/32), and the proportion of concave upper lip profiles accounted for 41% (13/32) after the final prosthesis treatment. In addition, the results of correlation analysis showed that the nasolabial angle variation was weak and negatively correlated with residual bone height (r=-0.37, P=0.490). Conclusions: After the treatment of the maxillary full-arch implant-supported fixed prosthesis, the length of the upper lip increases, and the thickness of the upper lip becomes significantly thin. The maxillary full-arch implant-supported fixed prostheses support upper lips to improve the patients' side appearances.

The Other: Homage to Edward Said

The current investigation aims to explore the multimodality of the visual language in cinema, which articulates pictures and words into a creative medium of contemporary aesthetics and criticism. This multimodal discourse analysis focuses on Al-Akhar (The Other, 1999), a film that renders the postcolonial philosophy of Edward Said (1935-2002), the Palestinian-American critic. Youssef Chahine (1926-2008), the Egyptian cinematic artist, produced this film. The present creativity of multimodal cinematic visual language is significant in articulating form and content, where expressive components manifest through graphic, aesthetic, and semiotic symbolisms overlapping with local/global cinematographic ecologies. Three decades ago, Al-Akhar imagined today's media dominance when it criticised the sociopolitical landscape of the 1990s, which led to a series of inhumane incidents across different geographies at the beginning of the new millennium. It investigates the impacts of media and globalisation on Arabic social systems, discussing economies and cultural heritage with imperialism, colonialism, and capitalism. This paper aims to identify Youssef Chahine's cinematic art as a medium of Edward Said's criticism. Methodologically, it adopted the aesthetic analysis as a qualitative research method to explore the visual language in the cinematic medium. The research's question corresponds to the critical role of media in rendering the cultural issues of identity from aesthetic perspectives. This paper is significant because it explores the impact of critical thinking on multimodal media, which aesthetically incorporates language, fashion, architecture, sociology, philosophy and education. Furthermore, it identifies a significant dualism in art resembling a multimodal articulation of Edward Said's criticism and Youssef Chahine's cinema.

Aesthetics of the Fantastic in Pan's Labyrinth

The paper addresses the analysis of aesthetics in Guillermo del Toro's Pan's Labyrinth, a 2006 film in which the fantastic genre predominates. Various aspects are studied: The structure of the plot and composition of the story, which revolve around the presence of two fictional levels: one related to the events of the characters in the mimesis context of the historical and a second fictional level related to the fantastic, producing an understanding of the metaphysical reality of the film. Semiotics of the work in relation to the fantastic regarding the link between Ofelia and the pan. Semiosis of the internal pragmatics of the work in relation to the viewer and the PECMA flow. The acting role of the character Ofelia and her wisdom within the different options presented by the plot. The cultural construction and the attitudinal around gender, are analyzed in relation to their significance. The contribution made by this analysis is an approach to the perceptual process within the film and its relationship with the fantastic. The intervention of the fantastic causes the rupture of the real mimesis, where fantasy allows transgressing the limits of the understanding of the real and generates a character with unusual metaphysical projections.

Research on the Integration of Guzheng Performance and Music Aesthetic Principles

The purpose of this study is to explore the integration of guzheng performance and music aesthetics, and to reveal the unique status and value of guzheng art in modern music aesthetics. Through the method of literature analysis and theoretical discussion, this study first sorted out the historical development of guzheng performing art, and analyzed its aesthetic characteristics and evolution process in different historical periods. Then, the research deeply discusses the basic principles of music aesthetics, including formal beauty, emotional expression, cultural connotation and so on, combined with the specific practice of guzheng performance, analyzes its embodiment and application in music aesthetics. In the process of research, through the aesthetic analysis of the classical works of guzheng, it reveals the unique expression of guzheng music in the aspects of sound beauty, structural beauty and emotional beauty, and discusses how these aesthetic characteristics can be conveyed and sublimated through the performance art. The results show that the performance of guzheng is the display of musical skills, and the concrete practice and embodiment of the principles of musical aesthetics. Through its unique timbre, playing techniques and cultural connotation, guzheng music shows rich aesthetic value and can occupy an important position in the modern music aesthetic system. The research also points out that the aesthetic value of the performance art of guzheng lies in the inheritance of its traditional culture, and in its innovative application in modern music creation and performance. Through the integration of guzheng performance and music aesthetic principles, this study provides a new perspective and method for the theoretical research of guzheng art, and also provides theoretical support for the development and innovation of guzheng performing art.

Intervención sonora en una escultura tipo Baschet

Some contemporary art practices base their discursive strategy on the amalgamation or mixture of different artistic media; these media are united and/or blended and thereby produce new aesthetic approaches to be experienced by both spectators and performers. This condition of contemporary art compels critics, historians, or writers to navigate certain unknown waters, delving into languages that are sometimes foreign to the visual arts and proper to other artistic media. In 2017, the sound artist Josep Cerdà, heir and successor to a large extent of the sculptural work developed by the Baschet brothers, was in Bogotá running a creative workshop to build a Baschet-type sound sculpture that was later used to create a sound intervention; this essay attempts an historical and aesthetic analysis based on this intervention. Readers are advised to first view and listen to the sound intervention at the following link in order to understand the development of the essay: https://www.youtube.com/watch?v=4FyYm15xGbs

Propeller vs. free fasciocutaneous flap in reconstruction of complex lower limb defects–A prospective study

BackgroundOf all body regions, lower extremity wounds have been and remain the greatest challenge. Free flaps have been accepted as a reasonable option to solve this dilemma, but they require the complexity of microsurgery. This study aimed to compare the postoperative and clinical outcomes of propeller flap and fasciocutaneous free flap in the reconstruction of complex lower limb defects. Materials and methodsThis randomized controlled trial was conducted from July 2021 to June 2023. Selected patients were randomized into two groups: the propeller flap group and fasciocutaneous free flap group. Demographic data, preoperative parameters, and postoperative parameter, including esthetic analysis, scar assessment, neurosensory analysis, psychosocial analysis, and lower extremity function, were estimated and statistically significant compared between the two study groups. ResultsRoad traffic accident (73.3%) was the most common etiology for lower limb defects in both groups. The foot and lower third of the leg were the most common site of defect, constituting 79.99%. The duration of surgery was significantly shorter in propeller flap as compared to fasciocutaneous free flaps. Flap size was smaller, with better neurosensory improvements in propeller flap group. Esthetic analysis, scar assessment, psychosocial analysis, and lower extremity functional analysis yielded similar results in both study groups. ConclusionPropeller flap has better outcomes compared to free flap in terms of smaller size of flap, shorter duration of surgery, and reduced length of hospital stay. Comparable results were obtained with respect to esthetic score, scar assessment score, psychosocial analysis, and neurosensory recovery and lower extremity functional score.

Classified diagnosis and treatment scheme of oral cosmetic restoration based on aesthetic analysis (part Ⅱ): Chinese aesthetic connotation and analysis scheme.

At present, the commonly used clinical protocols of oral cosmetic restoration are mostly based on the oral aesthetic indexes proposed by Western developed countries (referred to as Western aesthetics), which are different from the oral aesthetic indexes unique to Chinese people (referred to as Chinese aesthetics). In the design of restoration schemes and the evaluation of restoration effects, these differences have a large or small effect on the doctor-patient-technology triad. Improper handling could directly weaken the cooperation efficiency of the three parties, reduce patient satisfaction, and even lead to medical disputes in serious cases. From doing a good job of oral cosmetic restoration in China, the connotative characteristics of Chinese oral aesthetics are introduced in this paper, and the value of oral aesthetic analysis in diagnosis and treatment is discussed. The process and method of aesthetic analysis and assessment through the modified Chinese psychosocial impact of dental aesthetics questionnaire and the evaluation ruler of the expected value of oral cosmetic restoration are further introduced in detail.

Bridging Worlds Through Comparative Literature

This study emphasizes the critical role of comparative literary studies in understanding the modern literary process. Traditional literary analyses often overlook the rich intercultural dynamics that comparative studies highlight. Our research aims to bridge this gap by developing a theoretical framework that comprehends literary aesthetics in a globalized context through a qualitative analysis of diverse literary texts. Initial findings reveal that such a comparative approach not only deepens our understanding of universal literary themes but also enhances the appreciation of diverse cultural expressions. This work underscores the importance of integrating comparative literary studies into mainstream literary education to foster a more inclusive understanding of global literary phenomena. Highlights: Illuminates universal themes across cultures Develops new comparative literary framework Advocates comparative studies in education Keywords: Comparative Literature, Global Literary Dynamics, Contact Genetic Comparison, Aesthetic Analysis, Cultural Expressions.

Automation of visual communication and aesthetic construction of national image: a computational aesthetic analysis of social bots on Twitter

Abstract Vision and aesthetics are inseparable dimensions of national image building. Based on 106,562 China-related images from Twitter (renamed as X), this paper introduced a computational aesthetic approach to investigate the visual communication activities of social bots on Twitter and compared the similarities and differences between human and bot accounts’ posted images so as to explore the influence of social bots’ aesthetic strategies. The results show that social bots have displayed different aesthetic strategies in the construction of the China-related visual frame, and formed obvious stylistic differences with humans in brightness, saturation, color, etc. Negative binomial regression indicates that the aesthetic strategies of social bots contribute to more likes and shares. The automation of visual communication and aesthetic construction not only makes the global building and communication of national image face new situations and challenges, but also pushes the whole human visual aesthetic, creation, and communication activities under the potential subjectivity crisis.