The Coronavirus lockdown in 2020 pushed videoconference technology as a common means of synchronous communication for emergency remote teaching in Higher Education. In a short period of time, educators and students had to use cameras and stream their images over the Internet to keep on with academic interaction from home. But not all stakeholders had the same experience using this type of communication means, and their values and perceptions on what was an appropriate framing style for educational purposes yielded different types of camera compositions, not all agreeable to watch. To study videoconferencing framing among University stakeholders, a two-tier intervention was conducted to inquire about the values and perceptions of educators, and to observe the actual production decisions they made before and during a videoconference for educational purposes. In this paper, the video references and framing preferences of 6031 teachers were analysed, and a set of categories were constructed and used to conduct observations of 1111 videoconference frames. The findings were used to understand the production decisions academic stakeholders took for the spontaneous production of their home-made real-time video for virtual classes.Keywords: Visual literacy; videoconference; virtual education; academic continuity; higher education; emergency remote teachingPart of the Special Issue Visual literacies and visual technologies for teaching, learning and inclusion <https://doi.org/10.21428/8c225f6e.bf2afe2e>
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