ABSTRACT Background Fostering students’ creativity is a key feature of education. While Chinese students score well on international measures of science attainment, their performance on measures of science creativity is less impressive. Purpose To develop an analytical model for science classroom creativity in China and examine its likely applicability, given Chinese culture and other factors. With suitable modifications, our model may apply elsewhere, too. Design and methods We critically evaluated three established creativity models and developed a new analytical model for science classroom creativity in China by synthesising components from the three models and additional development in light of a literature review on science education practices. Results Our model for science classroom creativity in China has four components: ‘creative students’ (who possess or are developing creative characteristics, including scientific knowledge, divergent thinking, and intrinsic motivation); the ‘creative process’ (students’ engagement in scientific inquiry activities within classrooms, facilitated by the guidance of science teachers); ‘teachers’ attitudes to creativity’ (teachers’ perceptions of creative students and teachers’ feedback on creative ideas); a ‘creative environment’ (the physical and the socio-cultural environments within which teaching and learning take place). Conclusion In Chinese science classrooms, some students typically have adequate but not challenging scientific knowledge and a lack of divergent thinking and intrinsic motivation. Additionally, the inappropriate understanding and practice of scientific inquiry among some Chinese science teachers, coupled with their limited pedagogical content knowledge, can impede the creative process. This challenge might be further compounded by teachers’ partial understanding of creative students and negative feedback towards creative ideas. Moreover, the lack of a suitable physical environment and sufficient time prevent students from engaging in authentic scientific inquiry. Finally, the socio-cultural environment in which harmony, encouraged by collectivism and Confucianism, may not encourage difference, and cultural factors concerning ‘Face’ may discourage students from developing their creativity.