Job-Sirach William J. Urbrock, Christopher T. Begg, John M. Halligan, and Thomas Hieke William J. Urbrock University of Wisconsin Oshkosh Christopher T. Begg Catholic University of America John M. Halligan St. John Fisher College Thomas Hieke Johannes Gutenberg Universität Mainz 2292. [Job] Zachary Margulies, "Oh That One Would Hear Me! The Dialogue of Job, Unanswered," CBQ 82 (2020) 582-604. Many have understood Job's encounter with God (38:1–42:6) as the crux of the Book of Job. Arguing from formal discrepancies in the text and evidence from two Babylonian parallels, M. posits the existence of a "Dialogue of Job" (chaps. 3–27; 29–31) that was composed independently not only of the prose tale (chaps. 1–2; 42:7-17) but also of the theophany. The article is divided into three major sections: (I.) Genre, Fabula, and the Mesopotamian Parallels (viz., the well-known compositions Let Me Praise the Lord of Wisdom and the so-called Babylonian Theodicy); (II.) Determining the Dialogue's Conclusion (this including discussion of four indicators suggesting that the theophany should be regarded as an addition to the original dialogue); and (III.) Interpretation (interpreting the dialogue apart from the theophany and then putting the book together again). M. concludes that the original dialogue ended with Job's accusations left unanswered. Job's powerful denunciation of God's neglect of justice was tempered with the addition of the (originally independent) prose fabula. Perhaps to push readers to contend thoughtfully with Job's assertions, the redactor contributed the divine speeches of the theophany to indicate that there are processes at work in the cosmos that are beyond human comprehension. As part of creation, humans owe God reverence, unexplained suffering notwithstanding.—W.J.U. Google Scholar 2293. [The Ambiguity of the Figure of Job in Job 1–2] Tobias Häner, "Zur Ambiguität der Ijobfigur in der Prologerzähling (Ijob 1–2)," PzB 28 (2019) 25-40. In the Prologue of the Book of Job, the protagonist might appear as simply a paradigm of piety. In a reader-oriented perspective, however, his portrayal reminds one of parallels and similarities to other passages in the Hebrew Bible, which serve to evoke subliminal ambiguities regarding the Joban figure of the Prologue. On the one hand, he evidences similarities with Abraham, but on the other, there are also subtle references to Balaam and Edom as well as reminiscences of the wisdom tradition. Moreover, the exaggerations in 1:1-5 and the ambiguities in 1:22 and 2:10 tend to undermine Job's integrity. The ambiguity of the figure of Job emerges then not only from a consideration [End Page 845] of the book as a whole, but is prepared already in the Prologue. [Adapted from published abstract of online article—C.T.B.] Google Scholar 2294. [Job 3; Job 38–39; Gen 1:1–2:4a] Tobias Häner, "Job's Dark View of Creation: On the Ironic Allusions to Genesis 1:1–2:4a in Job 3 and Their Echo in Job 38–39," OTE 33 (2, 2020) 266-84. Research on the intertextual relationship between Job 3 and Gen 1:1–2:4a by, e.g., Michael Fishbane, Leo Perdue, and Samuel Balentine, has demonstrated the existence of conspicuous parallels between the two texts. However, the rhetorical function of those parallels remains an unsolved problem. My reassessment of the lexical, motival, and structural parallels in question as well as my comparison of Job 3 with Jer 20:14-18 seeks to show that Job's soliloquy in the former text refers to the Genesis creation account by way of allusive irony that is designed to effect a critical engagement with the Torah. In addition, my analysis argues that the same rhetorical device is used in Yhwh's first speech in Job 38–39 which, in its turn, refers to Job 3 and does so in a way that ironically reverses Job's allusive curse and lament in that text. Based on these findings, I conclude that Job is ultimately defeated by Yhwh with his own arguments, albeit not in a harsh, but rather in a gentle, kindly way. [Adapted...
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