In the Transcendental Aesthetic, Kant explicitly rejects Newton’s absolutist position that space is an actually existing thing; however, Kant also concedes that the absolutist successfully preserves the a priori necessity that characterizes our geometrical knowledge of space. My goal in this paper is to explore why the absolutist can explain the a priori necessity of geometry by turning to Newton’s De Gravitatione, an unpublished text in which Newton addresses the essential features associated with our representation of space and the relationship between our geometrical investigation of space and our knowledge of the form of space that is a part of the natural order. Attention to Newton’s account of space in De Gravitatione offers insight into the sense in which absolutist space is a priori and reveals why, in the Aesthetic, Kant could concede a priori geometrical knowledge to his absolutist opponent. What I highlight in particular is that, by Kant’s standards, Newton employs the very constructive method of mathematics that secures the a priori necessity of geometry, even though, as an absolutist, and as emphasized in the arguments of the Aesthetic, Newton fails to provide a metaphysics of space that explains the success of his mathematical method.