Abstract
ABSTRACT The paper analyses the susceptibility of the youths against political-religious polarisations as presented in the Indian (Hindi) superhero comic books. The focus will be on the character, Doga (Raj comics) as he appears in the comics from 1996 to 2019. This analysis will be carried out within the framework of deconstruction applied via political discourse analysis. The paper will read these titles - Doga Hindu Hai (Doga is Hindu) series, Doga ko Gado (Bury Doga) etc. These texts deal with political issues that are coloured with religious tones portraying situations in which youths usually go astray. However, the response of the protagonist to these challenges, channelises these discontents sometimes through his own example and sometimes through appeal and yet sometimes through use of force, into positive outcomes. These artistic responses offer both the wish fulfilment to mitigate the atmosphere of peril and incites alternate reactions to the quotidian (and generally political) answers. The paper is divided into the following sections – No country for the young, Comics and crisis, People and publication, Origins, Politics and youth delinquency, Poverty and delinquency, Catch ‘em Young, Colours of riot, Dalit and Doga and conclusion.
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