Abstract

This article presents reflections on a symposium on eudaimonia and music learning, from the perspective of one of the organizers. The symposium had been planned as a traditional, in person event in the United States, but was held online in response to the Spring, 2020 COVID-19 pandemic. The video-conferencing format created a more democratized liminal space that served to dissolve hierarchies and broaden participation.

Highlights

  • This article presents reflections on a symposium on eudaimonia and music learning, from the perspective of one of the organizers

  • We refunded all the pre-paid registration fees, cancelled the live music, hotel bookings, and campus catering, and advertised the event as open to all comers. This Brief essay joins a growing body of work that reflects on internet use in music learning (Cayari, 2020; Smith et al, 2020) and on video conferencing in academia more generally (Li et al, 2020)

  • I provide a brief introduction to eudaimonia, consider the symposium in terms of timing and context, my experience of tension vis a vis the concept of eudaimonia, and affordances of the online symposium context

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Summary

Introduction

This article presents reflections on a symposium on eudaimonia and music learning, from the perspective of one of the organizers. Silverman and I had intended to hold the symposium in-person and on-campus at Montclair State University in New Jersey, but with the advent of the COVID-19 pandemic it quickly became clear that this would not be possible, so we ran the event using Zoom.

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