Writing the World, Reading Across Borders: Fukushima: Récit d’un désastre Outside Its Disciplinary Boundaries

Abstract

On March 18, 2011, one of Germany’s most famous children’s book authors, Gudrun Pausewang (1928-2020), publicly spoke about the connection between 3/11 and her award-winning 1987 classic, Fall-Out (Die Wolke). I posit that Michaël Ferrier’s texts with a 3/11 theme highlight the synchronic as well as diachronic dimensions of the Great East Japan Disaster and therefore go far beyond Pausewang’s 1987 approach to think globally about nuclear energy and technological risk scenarios. While Pausewang’s novel focuses on the tragic experience of a young adult who copes with the aftermath of a nuclear accident in Germany in the 1980s, Ferrier strategically reveals the complexities of knowledge and uncertainty in the wake of environmental and human catastrophe as an on-going crisis or déjà-vu of Chernobyl and Hiroshima. My analysis explores Ferrier’s (re)mediation of the convolution of this crisis across various media, including documents of popular culture, by insisting on the thematic and structural connections between his texts with a 3/11 theme, Pausewang’s 1987 novel, and two German adaptations of Pausewang’s novel, Gregor Schnitzler’s 2006 drama film, Die Wolke, as well as a Anike Hage’s 2008 graphic novel. Ferrier’s works unapologetically reveal elisions that have occurred in mediated disaster narratives across borders.