Abstract
The year 1934 has been claimed as that moment ‘when the introduction of European modernism into Britain became irreversible .... During that year several established but loose threads began to draw together, weaving the social and intellectual fabric from which Modernism in Britain would take its distinctive course.’1 One important component of that fabric, for example, was the seminal introduction to European modernism represented by the publication of F. R. S. Yorke's book The Modem House.
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