Abstract
Literature and art are continuously in search of new means of expression, and communication. In the process of renewal, artistic culture acquires new aesthetic principles, an artistic fusion of the objective and the subjective. The idea of a work in a realistic narrative sounds gradually, naturally. The plot develops around a fact that reveals the meaning of the work. The aesthetic assimilation of reality proceeds in several directions, in different genres of prose and poetry, drama and journalism, in a diverse creative manner, which is unique for each author of a work of art. The relevance of this article lies in the fact that it traces the evolution of the basic concepts of world literary criticism, which has its own scientific principles, systems of methods and terminology. Literary criticism and critical thought create a special associative field, confirming the importance of the transition in the literary process from ideology to issues of personal existence. Domestic and world literary studies are included in the research field of the humanities, but there are frequent attempts to absorb them into intensively developing interdisciplinary research. The scientific novelty of this research is seen in the generalization of the theoretical views on modern world literary criticism of major literary scholars and critics in Europe, the USA, the CIS countries, authors of sections of collective monographs of the Auezov Institute of Literature and Art «The latest foreign literature», «The world literary process of the 21st century», «Kazakh-American literary connections: current state and prospects», the textbook «The world literary process: content, directions, trends». The basis for the research is the scientific concepts of literary text analysis, theories of critical discourse analysis of literary works, existential criticism and others. Based on the analysis, review of the current state of the leading theoretical schools of world literary criticism (with cultural studies, literary criticism, structural poetics, the concept of semiosphere, theory of cultural transfer and others). It has been established that the science of literature has its own object of study, a special essence, which distinguishes it from the exact and natural sciences.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.