Abstract
The present study examines the portrayal of gender nonconformity in 36 American films released from 2001 to 2011. Mainstream and independent films with at least one character portrayed in a gender transgressive way were chosen for analysis. The films were coded at two levels: (1) the entire film, and (2) the individual characters. The entire films were coded for mainstream versus independent production, genre, and screen time of gender nonconforming characters. The characters were coded for the type of gender transgression, the characters’ demographics, and their purposes in the plot. The most common purpose of the non-conforming characters was humor, especially in mainstream films. Exploring identity was a much less common purpose and these films were far more likely to be independent films. The non-conforming characters were far more likely to identify as a static identity, man or woman, rather than anything else. Gender identity was almost always presented as something simple, static and binary.
Published Version
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