Abstract
The Albanians are an ancient people in the Balkans with very rich oral literature, but very late written literature, which was not written until after the 15th century. The late documentation certainly has to do with the existential and historical circumstances that our people lived through. Compared to the age of the people and their oral history, this literature seems to have emerged so late in terms of the authorship of women writers. They were characters before they became women writers. The written literature is simply late in comparison to the antiquity of the people and their oral texts in terms of the authorship of women writers. Before they were characters, they were authors. If we look at the chronological context of Albanian literary historiography, first we had the literature about women, then the literature of women authors, and lately, more and more influenced by secular literature, we have started to create and read feminist literature of our women authors, so we call this literature gender literature. In the process of development of Albanian literature (over time and geographical space), in this paper, I treat the woman from her character to her creativity. I have treated her in this paper both comparatively and influencing and empirically: from the referential level to the narratological level.
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