Abstract
The article describes previously unknown intertextual relationships and kinships between Marina Tsvetaeva and Rafał Wojaczek. The author reveals analogies in both the biographical and the textual spheres. The first one contains the existential and ideological problems as well as myth-forming aspects focusing on the fact of suicidal death (of both authors), the second one the thematization, organizing poetic statements and identical formal resolutions. The figures of “the Negro” and “the Jew” come to the fore as well as the issues centered around the anti-aesthetic categories: guilt and punishment, life and death, sacrum and profanum.
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