Abstract
The paper is devoted to the study of the organization of artistic time and space in the novel by Nekod Singer Bilety v kasse. Bioavtographiya (Tickets at the box office. Bioautography) on the basis of modern literary concepts that develop the theory of the chronotope of Mikhail Bakhtin. The work distinguishes four levels of narration presented in the work under study, and the four chronotopes corresponding to them, which differ in relation to reality, time and space. They also differ in having the main character in each chronotope. In addition, the paper discusses the interaction of these chronotopes coexisting in one literary text, and their influence on its structure.
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