Abstract

Within tourism research, there has been little attention to research–practice knowledge exchange during the research process nor to practice-based research. This article examines a research-and-application project on creative tourism in which research–practice collaboration is explicitly foregrounded and made central. Through a reflexive process, the challenges this hybrid approach embodies and the pragmatic dilemmas that accompany the complexities of building closer research–practice relations and capturing practice-based knowledge are examined in three strategic areas: developing spaces for ongoing knowledge exchange, enabling practitioners to take on the role of co-researcher, and fostering researchers’ close attention to the application side of the project. In the context of the CREATOUR project, hybrid roles question who can do research, reinforce consideration of the added value of research processes for practitioners, and lead researchers to go beyond traditional research activities, with this ‘disruptive’ context causing tensions, uncertainties, and dynamic co-learning situations. Ongoing interactions over time are necessary to build relations, understanding, and trust, while flexibility and responsiveness are vital to address emerging issues. Training on research–practice collaboration, knowledge transfer, and mentorship techniques for both researchers and practitioners is advised. Challenges in integrating practice-based knowledge directly into research articles suggest a customized communication platform may be a useful ‘bridging’ mechanism between practice-based and academic knowledge systems.

Highlights

  • The connections between research and practice have been debated and explored in the educational, business, health, and social work fields for some time (e.g., Walsh et al, 2007; Palinkas, 2010), and practice-based and practice-led research methodologies have been extensively discussed in artistic fields (e.g., Freeman, 2010; Leavy, 2015)

  • We believe significant advances in understanding creative tourism development in small cities and rural areas are emerging through this research-and-application project, through embracing the practice of engaged scholarship, blurring the traditional boundaries between researchers and practitioners, and foregrounding the importance of practice-based knowledge

  • Within the complex context of this project, questions have arisen of how reciprocal relationships can be maintained within a research-and-application project, how the practice side of the project can be attended to, and how the knowledge co-created in this process can benefit both researchers and practitioners

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Summary

Introduction

The connections (or lack thereof) between research and practice have been debated and explored in the educational, business, health, and social work fields for some time (e.g., Walsh et al, 2007; Palinkas, 2010), and practice-based and practice-led research methodologies have been extensively discussed in artistic fields (e.g., Freeman, 2010; Leavy, 2015). Developing closer links between research and practice in tourism has been discussed and, there is a call for academics to simplify and share the findings of research projects that may inform strategic decision-making by developing an understanding of the stylistic requirements for translating their knowledge to industry (Walters, Burns, & Stettler, 2015). Collaborative research focuses primarily on the perspectives, interests, and needs of participants, requiring that these participants influence the entire research process, from project design, data gathering, and data analysis, to the presentation of final results (Lassiter, 2005) This entails close consideration of the complementarities of academic research and practicebased knowledges (Jeannotte & Duxbury, 2015), and the development of methodologies to weave them together. The potential of practice-based research approaches has not been explored

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