Abstract
<a href="/jms/editor/performances.html#kaylaparker">Link to Performance</a> Following Luce Irigaray’s perspective that femininity ‘may be recovered only in secret, in hiding’ (1985a: 30), my paper investigates the relationship between the moving image screen, feminine pleasure and the body, through critical reflection as an artist film-maker on the plasticine animation <em>White Body </em>(2009): in this practice-as-research film, I manipulate modeling clay, sugar and dust with my fingers under the animation rostrum camera to explore my early childhood memories of secret, transgressive play; seeking to liberate a cascading feminine sensibility through the creative process of working ‘intuitively’ frame-by-frame with materiality and digital technologies.
Highlights
Space & Technology Brunel University, West London
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